
Drawing for The "Taking" of Madrid in November 1936
<p>This work expresses the Taller de Gráfica Popular’s solidarity with the Republican cause in the Spanish Civil War (1936–39), a primary focus of the workshop’s antifascist production. Under the Cárdenas administration, Mexico was the only country apart from the Soviet Union to openly support the constitutionally elected Republican government against General Francisco Franco’s fascist forces, and the conflict became a political touchstone whose outcome both the Mexican left and right understood as critical to the country’s future. Méndez’s drawing employs caricature to mock Franco and his forces despite their ultimate victory. He portrays them as inhuman robots during their unsuccessful attempt to take Madrid in 1936.</p> <p><strong>Español:</strong><br>Este trabajo expresa la solidaridad del Taller de Gráfica Popular con la causa republicana en la Guerra Civil española (1936-1939), un foco principal de la producción antifascista del taller. Bajo el gobierno de Cárdenas, México fue el único país, además de la Unión Soviética, en apoyar abiertamente al gobierno constitucionalmente electo de la República en contra de las fuerzas fascistas dirigidas por el general Francisco Franco. Este conflicto se convirtió en piedra de toque tanto para la izquierda como para la derecha mexicanas, quienes entendieron que el resultado de la guerra podría ser crítico para el porvenir de su propio país. El dibujo de Méndez emplea una caricatura para burlarse de Franco y sus fuerzas a pesar de su victoria final. Los retrata como robots inhumanos durante su intento fallido de tomar Madrid en 1936.</p>
Catalogue
- Year
- 1933
- Dimensions
- 22.9 × 33.1 cm (9 1/16 × 13 1/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Leopoldo Méndez
Artist

Printmaking
Leopoldo Méndez was a Mexican printmaker whose lithographs and woodcuts became foundational to twentieth-century Latin American social realism. Working from the 1920s onward, he deployed bold graphic forms and stark tonal contrasts to chronicle labor struggles, indigenous life, and anti-imperialist resistance. His prints circulated among working-class and activist networks across Mexico and beyond, establishing printmaking as a vehicle for direct political intervention rather than institutional mediation. The formal clarity of his compositions, combined with their urgent social content, shaped successive generations of socially engaged artists in the Americas.
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More by Leopoldo Méndez
Posada in His Workshop (Homage to Posada)
1953 · Linocut in black on cream wove paper
Firing Squad
1950 · Linocut in black on cream wove paper
Torches, from Río Escondido
1948 · Linocut in black on cream wove paper
Torches from the portfolio Rio Escondido (Hidden River)
1948 · Wood engraving
Little Schoolteacher, How Immense is Thy Will, from Río Escondido
1948 · Linocut in black on cream wove paper
I Thirst, from Río Escondido
1948 · Linocut in black on cream wove paper
Record
Verified by WattsOS- Artist
- Leopoldo Méndez
- Year
- 1933
- Dimensions
- 22.9 × 33.1 cm (9 1/16 × 13 1/16 in.)
- Watts ID
- WW-1933-043655
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





