
Clare Boothe Luce
<p>In 1923 Edward Steichen—once a pioneering champion of photography-as-art—was appointed chief photographer at Condé Nast publications, embarking on a nearly 15-year career in editorial and advertising photography. Steichen contributed iconic fashion photographs and celebrity portraits to <em>Vogue</em> and <em>Vanity Fair</em>, including some of the first color photographs ever published in these magazines (Steichen shot <em>Vogue</em>’s first color cover photograph in 1932). The success of these images lead Condé Nast to invest heavily in color printing technology. At the time this photograph was taken, Clare Boothe was a caption writer at <em>Vogue</em>. She later became managing editor of <em>Vanity Fair</em> and, after marrying publisher Henry R. Luce in 1935, worked as a foreign correspondent for Luce’s <em>Life</em> magazine. In 1953 she was appointed ambassador to Italy, becoming the first American woman to hold a major diplomatic post abroad.</p>
Catalogue
- Year
- 1931
- Medium
- Dye imbibition print
- Dimensions
- Image: 33.9 × 23.5 cm (13 3/8 × 9 5/16 in.); Paper: 35.1 × 27.7 cm (13 7/8 × 10 15/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Edward Steichen
Artist

Photography
Edward Jean Steichen was a Luxembourgish American photographer, painter and curator and a pioneer of fashion photography. His gown images for the magazine Art et Décoration in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, designating him the “greatest living portrait photographer” even as he turned to painting. Steichen worked for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world.
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Record
Verified by WattsOS- Artist
- Edward Steichen
- Year
- 1931
- Medium
- Dye imbibition print
- Dimensions
- Image: 33.9 × 23.5 cm (13 3/8 × 9 5/16 in.); Paper: 35.1 × 27.7 cm (13 7/8 × 10 15/16 in.)
- Watts ID
- WW-1931-034192
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





