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Roger Fry was a British painter, critic, and curator whose advocacy for Post-Impressionism fundamentally reshaped early twentieth-century art discourse. As a painter, he worked in oil and watercolor, developing a restrained modernist vocabulary influenced by Cézanne and the formal innovations of the Continental avant-garde. Beyond his own studio practice, Fry's curatorial vision and critical writing established him as a decisive arbiter of taste, championing abstraction and formal experimentation when both remained marginal to British institutional culture. His influence extended through the Omega Workshops and his contributions to the Dial and the Burlington Magazine.