Wasp and Pear

Gerald Murphy was an American painter and designer whose spare, geometric abstractions emerged from his work in stage design and commercial art during the 1920s. Based primarily on the French Riviera, he developed a distinctive vocabulary of enlarged, isolated objects and mechanical forms rendered in cool, flattened planes. His output remained modest but influential, marked by a deliberate restraint that contrasted sharply with the expressionistic gestures of his contemporaries. Murphy abandoned painting in the 1930s, returning only briefly after World War II.