Plate (folio 31) from PALUDES
Catalogue
- Year
- 1920
- Dimensions
- irreg. composition 6 1/4 x 5 1/16" (15.8 x 12.9 cm)
- Collection
- Museum of Modern Art
- Artist
- Roger de La Fresnaye
Artist

Painting
Roger de la Fresnaye is most commonly considered a disciple of Cubism, even though his subjects remained representational and never fully abstracted. Fresnaye studied at the Académie Julian, the École des Beaux-Arts, and Academie Ranson where he worked under Maurice Denis and Paul Sérusier, both of whom were hugely influential in Fresnaye’s work. He was also attracted to both Symbolist and Expressionist styles before finally adopting Cubism’s geometric deconstructions of form. Fresnaye also became involved with the Puteaux group, which assembled in the studio of Jacques Villon, and the Section d’Or. He drew inspiration from Paul Cézanne’s abstractions and Robert Delunay’s Orphism. Towards the end of his career, he abandoned avant-garde forms and became a champion of traditional realism.
Full artist profile →More
More by Roger de La Fresnaye
The Dance
1921 · Ink on paper
Studies of Heads, Hands and Figures
1921 · a. Pencil on paper, b. Pencil and ink on paper
The Musician
1921 · Pencil on paper
Mask
1921 · Pencil on paper
The Sailor
1921 · Pencil and ink on paper
Still Life
1920 · graphite and pen and white ink on brown paper
Record
Verified by WattsOS- Artist
- Roger de La Fresnaye
- Year
- 1920
- Dimensions
- irreg. composition 6 1/4 x 5 1/16" (15.8 x 12.9 cm)
- Watts ID
- WW-1920-M010437
Source
- Collection
- Museum of Modern Art
- Source
- moma
- Status
- verified





