Nightmare (Cauchemar)

Jean CocteauWW-1919-135944

1919·Graphite with smudging on ivory wove paper·23.7 × 26.9 cm (9 3/8 × 10 5/8 in.)

Cocteau is best known for his work as a writer and film director. He received his earliest notoriety for the 1917 ballet, Parade, that he produced for Diaghilev, with choreography by Leonide Massine, sets by Pablo Picasso, and music by Erik Satie. It was for this work that Guillaume Apollinaire, writing critically, coined the prophetic term "surreal." Cocteau saw himself as the invisible man who made the invisible world visible. Nightmare is clearly an image drawn from the subconscious, a condition that was exaggerated by Cocteau's addiction to opium, a drug he began using to abate his depression after the death in 1923 of his protege, the young novelist Raymond Radiguet. In Nightmare the dismembered hand and its exaggerated size bespeak the effect of opium on a keen and alert intellect in agony. The artist described these violently expressive drawings as "screams of suffering in slow motion."

Catalogue

Year: 1919
Medium: Graphite with smudging on ivory wove paper
Dimensions: 23.7 × 26.9 cm (9 3/8 × 10 5/8 in.)
Collection: Art Institute of Chicago
Artist: Jean Cocteau

Artist

Jean Cocteau

Painting

Jean Maurice Eugène Clément Cocteau was a French poet, playwright, novelist, designer, film director, visual artist and critic. He was one of the foremost avant-garde artists of the 20th century and highly influential on the Surrealist and Dadaist movements, among others. The National Observer suggested that "of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man".

Milly-la-Forêt, France

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