
Little Man
<p>This evocative drawing exemplifies George Grosz’s interest in creating symbolic self-portraits. Here we see Grosz himself seated at a table, with a cityscape behind him and a “little man” before him. During World War I, he often inserted such figures into paintings, drawings, and prints as a means of self-parody and social commentary. In fact, one scholar has suggested that here the “little man” represents the artist in mannequin form and that therefore the work is a double self-portrait.</p>
Catalogue
- Year
- 1917
- Dimensions
- 25 × 20.1 cm (9 7/8 × 7 15/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- George Grosz
Artist

Painting
George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards.
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George Grosz letterhead (Letter to Bernard Reis)
1956 · Letterpress
God of War
1940 · Oil on canvas
Landscape with Sunbather
1940 · Oil on canvas board
The End of a Perfect Day
1939 · Drypoint on cream wove paper
Cape Cod, No. 12
1939 · Watercolor, with gouache and touches of silver metallic paint, on ivory wove paper, prepared with a yellow watercolor wash
Record
Verified by WattsOS- Artist
- George Grosz
- Year
- 1917
- Dimensions
- 25 × 20.1 cm (9 7/8 × 7 15/16 in.)
- Watts ID
- WW-1917-125466
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





