
Still Life
<p>Max Weber was one of the earliest American artists to explore Cubism, inspired by his friendship with Pablo Picasso. He met the Spanish artist in Paris while studying there in 1905–08, and at that time acquired one of Picasso’s still lifes—which became the first painting by Picasso to enter the United States. After his return to New York, Weber developed an expressive and increasingly sophisticated Cubist style. In <em>Still Life</em>, he rendered diverse elements in a complex and dynamic arrangement. The calligraphic handling of line energizes the forms of the composition, and the short, choppy brushwork breaks the pictorial space into planes. Although American critics, unfamiliar with or antagonistic toward modern painting, frequently responded harshly to Weber’s figural paintings, his still lifes met with approval, establishing him as the most advanced artist working in New York before the Armory Show.</p>
Catalogue
- Year
- 1911
- Dimensions
- 54.8 × 46 cm (21 1/2 × 18 1/8 in.)
- Collection
- Art Institute of Chicago
More
More by this artist
Bathers
1957 · Lithograph in black on white wove paper
Bathers
1957 · Lithograph in black on white wove paper
Bathers
1957 · Lithograph in black on ivory wove paper
Standing Nudes
1957 · Two lithographs in black on white wove paper
Standing Female Figure
1951 · Woodcut
Standing Female Figure
1951 · Woodcut
Record
Verified by WattsOS- Year
- 1911
- Dimensions
- 54.8 × 46 cm (21 1/2 × 18 1/8 in.)
- Watts ID
- WW-1911-143282
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





