L'Opera, Paris
<p>By 1908 Marin’s etchings often revealed a tension between two impulses: the careful, realistic description of major monuments, inspired by the weight and solemnity of Charles Meryon’s prints; and the sketchier economy of Whistler’s distilled, light-filled works. In both modes, the artist remained committed to precision, exploiting the power of line to capture the salient aspects of a place. Ambitious, finely rendered compositions such as <em>L’Opera, Paris</em>; <a href="https://www.artic.edu/artworks/67007"><em>Notre Dame</em></a>; and <em<Chartres Cathedral</em>, while demonstrating his highly original use of the etched mark, also gave Marin’s print dealers the kind of souvenirs of famous monuments that they could readily sell to tourists.</p>
Catalogue
- Year
- 1908
- Dimensions
- Plate: 27.1 × 32.7 cm (10 11/16 × 12 7/8 in.); Sheet: 36.4 × 43.5 cm (14 3/8 × 17 3/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- John Marin
Artist
Painting
John Marin was an American modernist painter and printmaker known for his dynamic watercolors and etchings of coastal landscapes, particularly Maine. Working primarily in watercolor from the 1910s onward, he developed a fractured, energetic visual language that synthesized Cubist fragmentation with direct observation of nature. His gestural brushwork and bold use of paper's white ground anticipated Abstract Expressionism while maintaining a strong sense of place and atmospheric condition. Marin spent decades based in Maine, where the rocky coastlines and maritime environment became the primary subject of his mature work.
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More by John Marin
Approaching Fog
1952 · Watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed)
Movement: Boats and Objects, Blue Gray Sea
1947 · Oil on canvas
Brooklyn Bridge - on the Bridge, No. 2
1944 · Etching
Cape Split, Maine
1941 · Watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame
Circus Elephants
1941 · Watercolor with scraping and wiping, and with opaque watercolor, graphite and black crayon, on medium-weight, slightly textured, cream laid paper
Movement: Sky and Grey Sea
1941 · Watercolor, charcoal, and pencil on paper
Record
Verified by WattsOS- Artist
- John Marin
- Year
- 1908
- Dimensions
- Plate: 27.1 × 32.7 cm (10 11/16 × 12 7/8 in.); Sheet: 36.4 × 43.5 cm (14 3/8 × 17 3/16 in.)
- Watts ID
- WW-1908-056289
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified