The Old Louvre, Paris, 1651

The Old Louvre, Paris, 1651

Charles MéryonWW-1865-121806
1865·Etching on ivory laid paper·Image: 16.5 × 26.5 cm (6 1/2 × 10 7/16 in.); Plate: 16.6 × 26.7 cm (6 9/16 × 10 9/16 in.); Sheet: 32.7 × 45.4 cm (12 7/8 × 17 7/8 in.)

Catalogue

Year
1865
Dimensions
Image: 16.5 × 26.5 cm (6 1/2 × 10 7/16 in.); Plate: 16.6 × 26.7 cm (6 9/16 × 10 9/16 in.); Sheet: 32.7 × 45.4 cm (12 7/8 × 17 7/8 in.)

Artist

Charles Méryon
Charles Méryon

Painting

Charles Meryon was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum.

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More

More by Charles Méryon

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Portfolio

Portfolio

1890 · Portfolio lettered in ink and color

WW-1890-121769
College Henri IV

College Henri IV

1869 · graphite with red chalk additions on laid paper

WW-1869-240507
Rebus: 'No, Morny is not dead for he is marrying again'

Rebus: 'No, Morny is not dead for he is marrying again'

1866 · Etching on ivory laid paper

WW-1866-071050
Cover for a Voyage to New Zealand (1842-46)

Cover for a Voyage to New Zealand (1842-46)

1866 · Etching on brown wove paper

WW-1866-065176
Rebus: 'No, Morny is not dead for he is marrying again'

Rebus: 'No, Morny is not dead for he is marrying again'

1866 · Etching on ivory laid paper

WW-1866-065178
The Old Soldier's Thatched Cottage, Akaroa, 1845

The Old Soldier's Thatched Cottage, Akaroa, 1845

1866 · Etching and drypoint in warm black on ivory laid paper

WW-1866-059720

Record

Verified by WattsOS
Year
1865
Dimensions
Image: 16.5 × 26.5 cm (6 1/2 × 10 7/16 in.); Plate: 16.6 × 26.7 cm (6 9/16 × 10 9/16 in.); Sheet: 32.7 × 45.4 cm (12 7/8 × 17 7/8 in.)
Watts ID
WW-1865-121806

Source

Source
aic
Status
verified

Artist

Charles Méryon

Charles Méryon

Painting

View artist profile →