Native Barns and Huts at Akaroa, Banks' Peninsula, 1845
Catalogue
- Year
- 1865
- Dimensions
- Image: 14.3 × 24.3 cm (5 11/16 × 9 5/8 in.); Plate: 14.3 × 24.3 cm (5 11/16 × 9 5/8 in.); Primary support: 18.1 × 28 cm (7 3/16 × 11 1/16 in.); Secondary support: 23 × 31.6 cm (9 1/16 × 12 1/2 in.); Tertiary support: 26 × 35 cm (10 1/4 × 13 13/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Charles Méryon
Artist
Painting
Charles Meryon was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum.
Full artist profile →More
More by Charles Méryon
Portfolio
1890 · Portfolio lettered in ink and color
College Henri IV
1869 · graphite with red chalk additions on laid paper
Rebus: 'No, Morny is not dead for he is marrying again'
1866 · Etching on ivory laid paper
Cover for a Voyage to New Zealand (1842-46)
1866 · Etching on brown wove paper
Rebus: 'No, Morny is not dead for he is marrying again'
1866 · Etching on ivory laid paper
The Old Soldier's Thatched Cottage, Akaroa, 1845
1866 · Etching and drypoint in warm black on ivory laid paper
Record
Verified by WattsOS- Artist
- Charles Méryon
- Year
- 1865
- Dimensions
- Image: 14.3 × 24.3 cm (5 11/16 × 9 5/8 in.); Plate: 14.3 × 24.3 cm (5 11/16 × 9 5/8 in.); Primary support: 18.1 × 28 cm (7 3/16 × 11 1/16 in.); Secondary support: 23 × 31.6 cm (9 1/16 × 12 1/2 in.); Tertiary support: 26 × 35 cm (10 1/4 × 13 13/16 in.)
- Watts ID
- WW-1865-121780
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified