
Lion Hunt
<p>In 1832 Eugène Delacroix joined a diplomatic envoy to French-colonized Algeria. The sights and experiences from this six-month journey fueled the rest of his career, lending his canvases an illusion of accuracy that his less-traveled competitors lacked. The artist expressed in his journals from abroad his admiration for Arab culture, even characterizing it as superior to that of post-revolutionary France. Nevertheless, in paintings like this he catered to violent European fantasies about the Arab world. Having never witnessed a lion hunt, Delacroix skillfully synthesized studies of landscapes, Islamic costume, and zoo animals to bring this narrative to life with theatrical intensity.</p>
Catalogue
- Year
- 1860
- Medium
- Oil on canvas
- Dimensions
- 76.5 × 98.5 cm (30 × 38 1/2 in.); Framed: 105.5 × 125.8 cm (41 1/2 × 49 1/2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Eugene Delacroix
Artist

Painting
Born in 1789 in Paris, French Romantic painter Eugéne Delacroix received his early training from Pierre Guérin in a classicist vein. While that approach would have little effect on Delacroix’s ultimate artistic development, it was through this connection that he met the painter Théodore Gericault, creator of the masterwork Raft of the Medusa, 1818–19, a work for which Delacroix posed. Ultimately, Delacroix drew most of his inspiration from the plethora of art available for him to study at the Louvre. He was also exposed to a wide of array of literature, including the writing of Shakespeare, Byron, and Scott. It was those literary sources that would ultimately be the catalyst to Delacroix’s full embrace of Romanticism, despite the growing popularity of Neoclassicism.
Charenton-Saint-Maurice, France
Full artist profile →More
More by Eugene Delacroix
Arabs Skirmishing in the Mountains
1863 · oil on canvas
Tiger and Snake
1862 · oil on canvas
Sketchbook from the Artist's Trip to Germany
1855 · Graphite and watercolor on paper
Tigre en arrêt
1854 · cliché-verre on wove paper
Study for Marphise and the Mistress of Pinabel
1852 · Graphite on tan wove paper, tipped onto board
Lioness Tearing at the Chest of an Arab
1849 · Soft ground etching and roulette on cream chine, laid down on white wove paper
Record
Verified by WattsOS- Artist
- Eugene Delacroix
- Year
- 1860
- Medium
- Oil on canvas
- Dimensions
- 76.5 × 98.5 cm (30 × 38 1/2 in.); Framed: 105.5 × 125.8 cm (41 1/2 × 49 1/2 in.)
- Watts ID
- WW-1860-019510
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





