It Rocks but is Not Sunk
Elizabeth Hammond Stickney Collection
Catalogue
- Year
- 1854
- Dimensions
- Image: 17.2 × 15.9 cm (6 13/16 × 6 5/16 in.); Plate: 17.2 × 15.9 cm (6 13/16 × 6 5/16 in.); Sheet: 26.8 × 18.7 cm (10 9/16 × 7 3/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Charles Meryon
Artist
Charles Meryon was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum.
Full artist profile →More
More by Charles Meryon
Koud-water badhuis van Chevrier in Parijs
1864 · drypoint on paper
College Henri IV (ou Lycée Napoléon)
1863 · Etching on laid paper; fifth state of eleven
Rebus: Béranger was not really strong, for he never had the key to the fields
1863 · Etching; fourth state
Presentation of Valerius Maximus to King Louis XI
1862
Portret van Théodore Agrippa d'Aubigné
1861
Drukker Valère Maxime wordt voorgesteld aan koning Lodewijk XI
1860 · drypoint on paper
Record
Verified by WattsOS- Artist
- Charles Meryon
- Year
- 1854
- Dimensions
- Image: 17.2 × 15.9 cm (6 13/16 × 6 5/16 in.); Plate: 17.2 × 15.9 cm (6 13/16 × 6 5/16 in.); Sheet: 26.8 × 18.7 cm (10 9/16 × 7 3/8 in.)
- Watts ID
- WW-1854-338290
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified