Moulin de la Galette (Montmartre)

Moulin de la Galette (Montmartre)

Hippolyte BayardWW-1842-109914
1842·Salted paper print·Image: 21.5 × 16.2 cm (8 1/2 × 6 7/16 in.); Paper: 22.3 × 16.8 cm (8 13/16 × 6 5/8 in.); Mount: 33 × 24.9 cm (13 × 9 7/8 in.)

<p>The invention of photography was announced to the world in France (by Joseph Nicéphore Niépce and his partner, Louis-Jacques-Mandé Daguerre) and in England (by William Henry Fox Talbot) in 1839. At the same time, however, Hippolyte Bayard was conducting his own photographic experiments. Now recognized as one of the inventors of photography, Bayard held the first photographic exhibition in the world (also in 1839), and continued to photograph and promote photography in France for several decades. This is one of a series of pictures Bayard made of the windmills of Montmartre, at the time still a village but soon to be swallowed into greater Paris. In the early 19th century this windmill housed a business selling galettes, a kind of French pastry. Later it comprised a legendary cabaret and was depicted in paintings by Renoir, Van Gogh, Lautrec, and others. Because of its heightened sensitivity to light, this early photograph must be kept under a shade while on view.</p>

Catalogue

Year
1842
Dimensions
Image: 21.5 × 16.2 cm (8 1/2 × 6 7/16 in.); Paper: 22.3 × 16.8 cm (8 13/16 × 6 5/8 in.); Mount: 33 × 24.9 cm (13 × 9 7/8 in.)

Artist

Hippolyte Bayard
Hippolyte Bayard

Photography

Hippolyte Bayard was a French inventor and photographer whose direct positive printing process, developed in 1839, produced images on paper without a negative intermediate. Working in daguerreotype and salt print techniques, he created some of the earliest photographic portraits and still lifes in Europe, establishing a parallel practice to Louis Daguerre's concurrent innovations. His self-portrait as a drowned man, made around 1840, remains one of the medium's first staged conceptual works. Bayard's technical contributions and artistic experiments were largely overshadowed by state patronage of the daguerreotype, yet his work established foundational methods for direct positive photography that influenced decades of practice.

Breteuil, France

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Rue Royale et Restes des Barricades de 1848

Rue Royale et Restes des Barricades de 1848

1848 · Gelatin silver print, No. 12 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965)

WW-1848-102765
La Treille

La Treille

1847 · Gelatin silver print, No. 5 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965)

WW-1847-102752
La Fontaine du square de l'Archevêché; Derrière Notre-Dame

La Fontaine du square de l'Archevêché; Derrière Notre-Dame

1847 · Gelatin silver print, No. 19 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965);

WW-1847-102771
Le Pont-Neuf, les quais, les bains "A la Samaritaine" et la Tour St Jacques

Le Pont-Neuf, les quais, les bains "A la Samaritaine" et la Tour St Jacques

1847 · Gelatin silver print, No. 14 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965)

WW-1847-102766
Self-Portrait in the Garden

Self-Portrait in the Garden

1847 · Salted paper print

WW-1847-M120246
Rue Cambon

Rue Cambon

1846 · Gelatin silver print, No. 16 from the portfolio "Bayard: XXV Calotypes, 1842-1850" (1965)

WW-1846-102769

Record

Verified by WattsOS
Year
1842
Dimensions
Image: 21.5 × 16.2 cm (8 1/2 × 6 7/16 in.); Paper: 22.3 × 16.8 cm (8 13/16 × 6 5/8 in.); Mount: 33 × 24.9 cm (13 × 9 7/8 in.)
Watts ID
WW-1842-109914

Source

Source
aic
Status
verified

Artist

Hippolyte Bayard

Hippolyte Bayard

Photography

View artist profile →