
Loveless Disarming Himself
<p>The satirical target of this unruly lithograph is Jacques-Louis David’s final history painting, <em>Mars Disarmed by Venus and the Three Graces</em> (1824; Royal Museums of Fine Arts, Brussels). The god of war in David’s composition has been transformed into a weary French officer, the nubile goddesses into prostitutes pilfering his battle gear, and the classical, cloud-borne couch into a cheap brothel. As an additional insult, the sign at right offers “Bierre de Mars,” a spring brew rumored to inspire military volunteers.</p>
Catalogue
- Year
- 1819
- Dimensions
- 25.7 × 39.4 cm (10 1/8 × 15 9/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Jacques-Louis David
Artist

Painting
Jacques-Louis David was a French painter whose large-scale historical compositions established neoclassicism as the dominant aesthetic of late 18th-century Europe. Working primarily in oil on canvas, he depicted classical and revolutionary subjects with austere draftsmanship, restrained color, and an emphasis on moral clarity and civic virtue. His work shaped the visual culture of the French Revolution and the Napoleonic era, influencing generations of academic painters across Europe.
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1812 · oil on canvas
Study
1811 · Black chalk, with black crayon, on pale blue laid paper, edge mounted on cream wove paper
Sketch of Three Classical Figures
1810 · Black chalk on ivory laid paper
Seated Man and Swaddled Baby
1810 · Graphite on ivory wove paper
Record
Verified by WattsOS- Artist
- Jacques-Louis David
- Year
- 1819
- Dimensions
- 25.7 × 39.4 cm (10 1/8 × 15 9/16 in.)
- Watts ID
- WW-1819-061940
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





