Burning the Rumps at Temple Bar, plate eleven from Hudibras
Sara R. Shorey Endowment; purchased with funds provided by Phyllis Neiman and the Woman's Board in honor of Phyllis Neiman
Catalogue
- Year
- 1725
- Dimensions
- Image: 24.5 × 49.5 cm (9 11/16 × 19 1/2 in.); Plate: 27.2 × 50.5 cm (10 3/4 × 19 15/16 in.); Primary support: 27.4 × 50.9 cm (10 13/16 × 20 1/16 in.); Secondary support: 36 × 56.8 cm (14 3/16 × 22 3/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- William Hogarth
Artist
Painting
William Hogarth was an English painter, engraver, satirist, cartoonist and writer. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".
Full artist profile →More
More by William Hogarth
Bambridge on Trial for Murder by a Committee of the House of Commons, engraved by Thomas Cook
1803 · Engraving on paper
Dr Benjamin Hoadly, Bishop of Winchester, engraved by Thomas Cook
1800 · Engraving on paper
The Rape of the Lock
1800 · Lithographed copy of an engraving
The Indian Emperor, engraved by Robert Dodd
1792 · Engraving on paper
Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790
1792 · Etching and engraving on paper
Beggar’s Opera, Act III, engraved by William Blake
1790 · Engraving on paper
Record
Verified by WattsOS- Artist
- William Hogarth
- Year
- 1725
- Dimensions
- Image: 24.5 × 49.5 cm (9 11/16 × 19 1/2 in.); Plate: 27.2 × 50.5 cm (10 3/4 × 19 15/16 in.); Primary support: 27.4 × 50.9 cm (10 13/16 × 20 1/16 in.); Secondary support: 36 × 56.8 cm (14 3/16 × 22 3/8 in.)
- Watts ID
- WW-1725-007739
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified