
The Angel Appearing to the Shepherds
<p>This nocturnal scene from the Gospel of Luke represents Rembrandt’s first attempt to render shadows in print with the same gravity and depth he achieved in oil paint. In the upper left, an angel stands before a glowing celestial vortex and announces the birth of Christ. At the center of the divine light is the dove of the Holy Spirit, defined by a few small marks. Terrified by the sudden blast in the night, herdsman and their beasts run amok.<br>To depict the stunning collision between heaven and earth, Rembrandt first scratched a detailed compositional outline with a sharp needle and etched lines. He then built a range of grays and deep blacks by crisscrossing layers of lines in varying widths. This fine netting of shadow echoes the spontaneity of the moment and differs from the rigidity and systematized decorative patterns seen in the work of predecessors such as Hendrik Goudt.</p>
Catalogue
- Year
- 1634
- Dimensions
- Image/plate: 25.9 × 21.8 cm (10 1/4 × 8 5/8 in.); Sheet: 26.2 × 22 cm (10 3/8 × 8 11/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Rembrandt van Rijn
Artist
More
More by Rembrandt van Rijn
Joseph's Coat Brought to Jacob
1763 · Etching in black on ivory wove paper
Final Published Work: Head of Menem Ben Israel
1740 · Charcoal, with stumping, heightened with traces of white chalk, on blue laid paper, laid down on cream laid paper
Rembrandt with a Plumed Hat
1700 · Black crayon, with stumping, with pen and black ink, on tan laid paper
Jan Antonides van der Linden
1665 · etching, drypoint and burin
Lucretia
1664 · oil on canvas
Portrait of Gerard de Lairesse
1663 · Oil on canvas
Record
Verified by WattsOS- Artist
- Rembrandt van Rijn
- Year
- 1634
- Dimensions
- Image/plate: 25.9 × 21.8 cm (10 1/4 × 8 5/8 in.); Sheet: 26.2 × 22 cm (10 3/8 × 8 11/16 in.)
- Watts ID
- WW-1634-043193
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified






