Lot and His Daughters

Jan Müller was an American painter whose abstract compositions emerged from a synthesis of gestural expressionism and geometric precision. Working in the postwar period, he developed a distinctive approach that alternated between calligraphic mark-making and structured compositional grids, often rendered in oil on canvas. His work occupied a critical position between the American abstract expressionism of his generation and a more disciplined, almost constructivist formalism. Müller died in 1958 at age 36, leaving a relatively concentrated body of work that has since been recognized as a significant but underexamined contribution to postwar abstraction.