Artworks · Xavier Guerrero

16 artworks · page 1 of 1

1945 · Black crayon on orange red paper

Invitation to subscribe to El Taller de Gráfica Popular (El Taller de Grafica Popular en Belisario Dominguez 69 Int. 1, que esta formado por un grupo de pintores que son maestros como tu, en el campo y en la ciudad . . .)

1938 · Two offset lithographs

sheet (quarter folded): 13 3/8 × 9 3/16" (33.9 × 23.4 cm)

Museum of Modern Art

Franco, the Generals, the Bishops and the Bankers Conspire and Shout: "Long Live Slavery" (Franco, los generales, los obispos y los banqueros conspiran y gritan: "Viva la esclavitud"), plate 2, from Franco's Spain (La España de Franco)

1938 · One from a portfolio of fifteen lithographs

Museum of Modern Art

He Puts Swords in the Hands of the Monster, Then Rests in the Park. Fascism Has Turned Spain into a Jail (Se mellan las espadas con las manos del monstruo, se gasta mucho en parque. El fascismo hace de la España invadida una cárcel), plate 6, from Franco's Spain (La España de Franco)

1938 · One from a portfolio of fifteen lithographs

Museum of Modern Art

Franco Prepares “His Offensive” (Franco prepara "sus ofensivas"), plate 7, from Franco's Spain (La España de Franco)

1938 · One from a portfolio of fifteen lithographs

Museum of Modern Art

He Ends Education (Se termina con la enseñanza), plate 10, from Franco's Spain (La España de Franco)

1938 · One from a portfolio of fifteen lithographs

Museum of Modern Art

Franco and His Cohorts Are Afraid to Call “Victory”, Because They Well Know That “Victory” Will Always, Always Belong to the People (Franco y los suyos temen hasta a su propio "triunfo" pues saben bien que hasta su "triunfo", sería siempre, siempre, el trifuno del pueblo), plate 14, from Franco's Spain (La España de Franco)

1938 · One from a portfolio of fifteen lithographs

Museum of Modern Art

The Invader Collects His Tribute (El invasor cobra su ayuda), plate 9, from Franco's Spain (La España de Franco)

1938 · One from a portfolio of fifteen lithographs

Museum of Modern Art

1938 · Photolithographic reproduction of linoleum cut from a spiral-bound album with 25 broadsides

sheet: 13 5/16 x 9 1/16" (33.8 x 23.1 cm)

Museum of Modern Art

Portrait of General Calles, presidential candidate, from the newspaper 'El Machete',

1924 · Woodcut and letterpress

Sheet: 6 5/8 × 5 1/4 in. (16.8 × 13.3 cm)

The Metropolitan Museum of Art

Portrait of Vladimir Lenin from the newspaper 'El Machete' May (first fortnight)

1924 · Woodcut, letterpress (newspaper) on verso

Sheet: 10 7/8 × 10 1/4 in. (27.7 × 26 cm)

The Metropolitan Museum of Art

Portrait of General Angel Flores, presidential candidate, from the newspaper 'El Machete',

1924 · Woodcut and letterpress

Sheet: 7 3/16 × 5 1/4 in. (18.3 × 13.3 cm)

The Metropolitan Museum of Art

Oil refinery workers

1924 · Woodcut and letterpress

sheet: 10 5/16 x 6 15/16 in. (26.2 x 17.7 cm) image: 7 1/16 x 4 15/16 in. (18 x 12.6 cm)

The Metropolitan Museum of Art

Bats and mummies intend to impede the development of revolutionary painting, printed in the newspaper 'El Machete' July (second fortnight)

1919 · Woodcut, letterpress on verso

Sheet: 9 3/4 × 15 3/4 in. (24.7 × 40 cm)

The Metropolitan Museum of Art

Portrait of Emilio Zapata, flanked by sickles (recto), a group of workers (verso), from the newspaper 'El Machete' April (first fortnight)

1919 · Woodcut

Sheet: 9 15/16 × 10 1/4 in. (25.2 × 26 cm)

The Metropolitan Museum of Art

The trial of the intellectuals, enemies of the people, from the newspaper 'El Machete', June (first fortnight)1924

1919 · Woodcut

Sheet: 12 5/8 × 16 5/8 in. (32 × 42.2 cm) Image: 11 5/8 in. × 12 in. (29.5 × 30.5 cm)

The Metropolitan Museum of Art