Artworks · William Hogarth

The Company of Undertakers

1736 · Etching and engraving; second state of two

sheet: 10 9/16 x 7 3/8 in. (26.9 x 18.7 cm)

The Metropolitan Museum of Art

Wapenschild met vijftien artsen

1736 · engraving on paper

height: 266 cm, width: 186 cm

Rijksmuseum

The Company of Undertakers

1736 · Etching and engraving; second state of two

plate: 10 1/4 x 7 1/16 in. (26 x 18 cm) sheet: 10 11/16 x 7 9/16 in. (27.1 x 19.2 cm)

The Metropolitan Museum of Art

A Rake's Progress: pl.8

1735 · etching and engraving

sheet: 36 × 41.1 cm (14 3/16 × 16 3/16 in.)

National Gallery of Art

A Rake's Progress: pl.6

1735 · etching and engraving

sheet: 36.4 × 41.7 cm (14 5/16 × 16 7/16 in.)

National Gallery of Art

A Rake's Progress: pl.7

1735 · etching and engraving

sheet: 36.2 × 41.4 cm (14 1/4 × 16 5/16 in.)

National Gallery of Art

A Rake's Progress: pl.5

1735 · etching and engraving

sheet: 35.8 × 41.3 cm (14 1/8 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.4

1735 · etching and engraving

sheet: 35.9 × 41.2 cm (14 1/8 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.3

1735 · etching and engraving

sheet: 36 × 41.2 cm (14 3/16 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.4

1735 · etching and engraving

sheet: 35.6 × 41 cm (14 × 16 1/8 in.)

National Gallery of Art

A Rake's Progress: pl.1

1735 · etching and engraving

sheet: 35.9 × 41.2 cm (14 1/8 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.2

1735 · etching and engraving

sheet: 35.7 × 41.2 cm (14 1/16 × 16 1/4 in.)

National Gallery of Art

A Rake’s Progress (plate 8)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

A Rake’s Progress (plate 7)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

A Rake’s Progress (plate 5)

1735 · Etching and engraving on paper

image: 314 x 391 mm

Tate

A Rake’s Progress (plate 4)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

A Rake’s Progress (plate 3)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

Satan, Sin and Death (A Scene from Milton’s ‘Paradise Lost’)

1735 · Oil paint on canvas

support: 619 x 745 mm frame: 803 x 935 x 80 mm

Tate

Plate Seven, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.5 cm (12 7/16 × 15 3/16 in.); Plate: 35.5 × 40.5 cm (14 × 16 in.); Sheet: 47.4 × 59.6 cm (18 11/16 × 23 1/2 in.)

Art Institute of Chicago

Plate Five, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.8 cm (12 7/16 × 15 5/16 in.); Plate: 35.6 × 41 cm (14 1/16 × 16 3/16 in.); Sheet: 47.2 × 60.8 cm (18 5/8 × 23 15/16 in.)

Art Institute of Chicago

Plate Eight, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.7 cm (12 7/16 × 15 1/4 in.); Plate: 35.5 × 41 cm (14 × 16 3/16 in.); Sheet: 48.1 × 59.9 cm (18 15/16 × 23 5/8 in.)

Art Institute of Chicago

Plate Six, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.6 cm (12 7/16 × 15 1/4 in.); Plate: 35.7 × 41 cm (14 1/16 × 16 3/16 in.); Sheet: 46.5 × 60.6 cm (18 5/16 × 23 7/8 in.)

Art Institute of Chicago

Plate One, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.9 × 38.7 cm (12 9/16 × 15 1/4 in.); Plate: 36 × 41 cm (14 3/16 × 16 3/16 in.); Sheet: 49 × 60.1 cm (19 5/16 × 23 11/16 in.)

Art Institute of Chicago

Plate Three, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 39 cm (12 7/16 × 15 3/8 in.); Plate: 36 × 40.8 cm (14 3/16 × 16 1/8 in.); Sheet: 49 × 60.2 cm (19 5/16 × 23 3/4 in.)

Art Institute of Chicago

Plate Four, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.7 × 39 cm (12 1/2 × 15 3/8 in.); Plate: 35.9 × 41 cm (14 3/16 × 16 3/16 in.); Sheet: 48.7 × 61.5 cm (19 3/16 × 24 1/4 in.)

Art Institute of Chicago

Plate Two, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.2 × 38.8 cm (12 5/16 × 15 5/16 in.); Plate: 35.2 × 41 cm (13 7/8 × 16 3/16 in.); Sheet: 49.3 × 60.5 cm (19 7/16 × 23 7/8 in.)

Art Institute of Chicago

Southwark Fair

1734 · Etching and engraving; only state

plate: 14 3/8 x 18 11/16 in. (36.5 x 47.5 cm)

The Metropolitan Museum of Art

Southwark Fair

1734 · Etching and engraving; only state

sheet: 14 3/16 x 18 1/2 in. (36 x 47 cm)

The Metropolitan Museum of Art

The Laughing Audience

1733 · etching

sheet: 25.8 × 22 cm (10 3/16 × 8 11/16 in.)

National Gallery of Art

The Laughing Audience

1733 · etching

sheet: 18.8 × 17 cm (7 3/8 × 6 11/16 in.)

National Gallery of Art

Southwark Fair

1733 · etching and engraving

sheet: 35.3 × 46.1 cm (13 7/8 × 18 1/8 in.)

National Gallery of Art

Southwark Fair

1733 · oil paint

Image: 34.5 × 45.5 cm (13 5/8 × 17 15/16 in.); Plate: 36.5 × 47.5 cm (14 3/8 × 18 3/4 in.); Sheet: 38.5 × 49.9 cm (15 3/16 × 19 11/16 in.)

Art Institute of Chicago

The Humours and Diversions of the Southwark Fair / Les Bizarerries et Les Plaisirs de La Foire de Southwark

1733 · Engraving

sheet: 9 13/16 x 13 3/4 in. (24.9 x 35 cm)

The Metropolitan Museum of Art

The Laughing Audience

1733 · Etching; fourth state of four

plate: 7 1/2 x 6 7/8 in. (19 x 17.4 cm)

The Metropolitan Museum of Art

The Laughing Audience

1733 · Etching; fourth state of four

sheet (trimmed within plate): 6 7/8 x 6 1/8 in. (17.4 x 15.5 cm)

The Metropolitan Museum of Art

The Laughing Audience

1733 · Etching; fourth state four

plate: 7 1/2 x 6 13/16 in. (19 x 17.3 cm)

The Metropolitan Museum of Art

Sarah Malcolm

1733 · Etching and engraving

sheet: 7 9/16 x 6 7/8 in. (19.2 x 17.5 cm)

The Metropolitan Museum of Art

The Laughing Audience

1733 · Etching; fourth state of four

plate: 7 3/8 x 6 13/16 in. (18.8 x 17.3 cm)

The Metropolitan Museum of Art

A Chorus of Singers

1732 · etching

sheet: 17.5 × 16.2 cm (6 7/8 × 6 3/8 in.)

National Gallery of Art

A Harlot's Progress: pl.6

1732 · etching and engraving

sheet: 33.1 × 40.5 cm (13 1/16 × 15 15/16 in.)

National Gallery of Art

A Harlot's Progress: pl.5

1732 · etching and engraving

sheet: 33.6 × 40.7 cm (13 1/4 × 16 in.)

National Gallery of Art

A Harlot's Progress: pl.3

1732 · etching and engraving

sheet: 33.4 × 40.3 cm (13 1/8 × 15 7/8 in.)

National Gallery of Art

A Harlot's Progress: pl.4

1732 · etching and engraving

sheet: 32.9 × 39.8 cm (12 15/16 × 15 11/16 in.)

National Gallery of Art

A Harlot's Progress: pl.2

1732 · etching and engraving

sheet: 33.5 × 40.5 cm (13 3/16 × 15 15/16 in.)

National Gallery of Art

A Harlot's Progress: pl.1

1732 · etching and engraving

sheet: 33 × 40.2 cm (13 × 15 13/16 in.)

National Gallery of Art

Plate one, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32 × 39.2 cm (12 5/8 × 15 7/16 in.); Sheet: 43.4 × 53.7 cm (17 1/8 × 21 3/16 in.)

Art Institute of Chicago

Plate two, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30 × 37.2 cm (11 13/16 × 14 11/16 in.); Plate: 31.5 × 38.2 cm (12 7/16 × 15 1/16 in.); Sheet: 43.5 × 53.7 cm (17 3/16 × 21 3/16 in.)

Art Institute of Chicago

Plate two, from A Harlot's Progress

1732 · Copperplate

31.5 × 38 cm (12 7/16 × 15 in.)

Art Institute of Chicago