Artworks · William Hogarth

208 of 368 artworks · page 4 of 5

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1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 39 cm (12 7/16 × 15 3/8 in.); Plate: 36 × 40.8 cm (14 3/16 × 16 1/8 in.); Sheet: 49 × 60.2 cm (19 5/16 × 23 3/4 in.)

Art Institute of Chicago

Plate Four, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.7 × 39 cm (12 1/2 × 15 3/8 in.); Plate: 35.9 × 41 cm (14 3/16 × 16 3/16 in.); Sheet: 48.7 × 61.5 cm (19 3/16 × 24 1/4 in.)

Art Institute of Chicago

Plate Two, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.2 × 38.8 cm (12 5/16 × 15 5/16 in.); Plate: 35.2 × 41 cm (13 7/8 × 16 3/16 in.); Sheet: 49.3 × 60.5 cm (19 7/16 × 23 7/8 in.)

Art Institute of Chicago

The Laughing Audience

1733 · etching

sheet: 25.8 × 22 cm (10 3/16 × 8 11/16 in.)

National Gallery of Art

The Laughing Audience

1733 · etching

sheet: 18.8 × 17 cm (7 3/8 × 6 11/16 in.)

National Gallery of Art

Southwark Fair

1733 · etching and engraving

sheet: 35.3 × 46.1 cm (13 7/8 × 18 1/8 in.)

National Gallery of Art

Southwark Fair

1733 · oil paint

Image: 34.5 × 45.5 cm (13 5/8 × 17 15/16 in.); Plate: 36.5 × 47.5 cm (14 3/8 × 18 3/4 in.); Sheet: 38.5 × 49.9 cm (15 3/16 × 19 11/16 in.)

Art Institute of Chicago

A Chorus of Singers

1732 · etching

sheet: 17.5 × 16.2 cm (6 7/8 × 6 3/8 in.)

National Gallery of Art

A Harlot's Progress: pl.6

1732 · etching and engraving

sheet: 33.1 × 40.5 cm (13 1/16 × 15 15/16 in.)

National Gallery of Art

A Harlot's Progress: pl.5

1732 · etching and engraving

sheet: 33.6 × 40.7 cm (13 1/4 × 16 in.)

National Gallery of Art

A Harlot's Progress: pl.3

1732 · etching and engraving

sheet: 33.4 × 40.3 cm (13 1/8 × 15 7/8 in.)

National Gallery of Art

A Harlot's Progress: pl.4

1732 · etching and engraving

sheet: 32.9 × 39.8 cm (12 15/16 × 15 11/16 in.)

National Gallery of Art

A Harlot's Progress: pl.2

1732 · etching and engraving

sheet: 33.5 × 40.5 cm (13 3/16 × 15 15/16 in.)

National Gallery of Art

A Harlot's Progress: pl.1

1732 · etching and engraving

sheet: 33 × 40.2 cm (13 × 15 13/16 in.)

National Gallery of Art

Plate one, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32 × 39.2 cm (12 5/8 × 15 7/16 in.); Sheet: 43.4 × 53.7 cm (17 1/8 × 21 3/16 in.)

Art Institute of Chicago

Plate two, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30 × 37.2 cm (11 13/16 × 14 11/16 in.); Plate: 31.5 × 38.2 cm (12 7/16 × 15 1/16 in.); Sheet: 43.5 × 53.7 cm (17 3/16 × 21 3/16 in.)

Art Institute of Chicago

Plate two, from A Harlot's Progress

1732 · Copperplate

31.5 × 38 cm (12 7/16 × 15 in.)

Art Institute of Chicago

Plate four, from A Harlot's Progress

1732 · Copperplate

31.4 × 38.8 cm (12 3/8 × 15 5/16 in.)

Art Institute of Chicago

Plate six, from A Harlot's Progress

1732 · Copperplate

31.6 × 39 cm (12 1/2 × 15 3/8 in.)

Art Institute of Chicago

Plate three, from A Harlot's Progress

1732 · Copperplate

32.5 × 39.2 cm (12 13/16 × 15 7/16 in.)

Art Institute of Chicago

Plate five, from A Harlot's Progress

1732 · Copperplate

32.5 × 39.3 cm (12 13/16 × 15 1/2 in.)

Art Institute of Chicago

Plate six, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30.2 × 37.9 cm (11 15/16 × 14 15/16 in.); Plate: 31.9 × 38.8 cm (12 9/16 × 15 5/16 in.); Sheet: 43.7 × 53.5 cm (17 1/4 × 21 1/8 in.)

Art Institute of Chicago

Plate four, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30.2 × 37.9 cm (11 15/16 × 14 15/16 in.); Plate: 31.5 × 38.8 cm (12 7/16 × 15 5/16 in.); Sheet: 43.6 × 53.6 cm (17 3/16 × 21 1/8 in.)

Art Institute of Chicago

Plate five, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30.3 × 37.5 cm (11 15/16 × 14 13/16 in.); Plate: 32.4 × 39.2 cm (12 13/16 × 15 7/16 in.); Sheet: 43.4 × 52.7 cm (17 1/8 × 20 3/4 in.)

Art Institute of Chicago

Plate three, from A Harlot's Progress

1732 · Engraving in black on ivory laid paper

Image: 30 × 37.5 cm (11 13/16 × 14 13/16 in.); Plate: 32.3 × 39.3 cm (12 3/4 × 15 1/2 in.); Sheet: 43.7 × 53.6 cm (17 1/4 × 21 1/8 in.)

Art Institute of Chicago

Plates four, five, and six from A Harlot's Progress

1732 · Three etchings from three plates, two in red ink and one in olive green ink, on cream wove paper, laid down on off-white laid paper

Image/plate, left: 13 × 15.5 cm (5 1/8 × 6 1/8 in.); Image/plate, center: 13 × 15 cm (5 1/8 × 5 15/16 in.); Image/plate, right: 14.4 × 14 cm (5 11/16 × 5 9/16 in.); Primary support: 15.5 × 50.1 cm (6 1/8 × 19 3/4 in.); Secondary support: 29.6 × 51 cm (11 11/16 × 20 1/8 in.)

Art Institute of Chicago

Plate one, from A Harlot's Progress

1732 · Copperplate

32 × 39.2 cm (12 5/8 × 15 7/16 in.)

Art Institute of Chicago

A Midnight Modern Conversation

1732 · Etching and engraving selectively printed in black and red on ivory laid paper

Image: 32.9 × 45.5 cm (13 × 17 15/16 in.); Plate: 34.5 × 47 cm (13 5/8 × 18 9/16 in.); Sheet: 37.2 × 49.7 cm (14 11/16 × 19 5/8 in.)

Art Institute of Chicago

Ashley Cowper with his Wife and Daughter

1731 · oil paint

support: 533 x 612 mm frame: 713 x 796 x 78 mm

Tate

A Scene from ‘The Beggar’s Opera’ VI

1731 · Oil paint on canvas

support: 572 x 762 mm frame: 820 x 900 x 90 mm

Tate

After

1731 · oil paint

sheet: 15 1/4 x 12 5/8 in. (38.8 x 32 cm)

The Metropolitan Museum of Art

Before

1730 · oil paint

sheet: 15 3/8 x 12 5/8 in. (39.1 x 32 cm)

The Metropolitan Museum of Art

Four Heads from the Raphael Cartoons at Hampton Court

1729 · etching

sheet: 28.4 × 41.3 cm (11 3/16 × 16 1/4 in.)

National Gallery of Art

The Wedding of Stephen Beckingham and Mary Cox

1729 · Oil on canvas

50 1/2 x 40 1/2 in. (128.3 x 102.9 cm)

The Metropolitan Museum of Art

A Scene from The Beggar's Opera

1728 · oil on canvas

overall: 51.1 x 61.2 cm (20 1/8 x 24 1/8 in.) framed: 79.2 x 88.6 x 6.9 cm (31 3/16 x 34 7/8 x 2 11/16 in.)

National Gallery of Art

Cunicularii, or The Wise Men of Godliman in Consultation

1726 · etching

sheet: 18.9 × 25.3 cm (7 7/16 × 9 15/16 in.)

National Gallery of Art

Hudibras beats Sidrophel and his man Whacum

1725 · etching and engraving

sheet: 27.3 × 35.5 cm (10 3/4 × 14 in.)

National Gallery of Art

Hudibras and the Lawyer

1725 · etching and engraving

sheet: 26.8 × 35.3 cm (10 9/16 × 13 7/8 in.)

National Gallery of Art

The Committee, plate ten from Hudibras

1725 · Etching and engraving in black on cream paper edge, mounted on cream wove paper

Image: 23.9 × 33.6 cm (9 7/16 × 13 1/4 in.); Plate: 27 × 35.2 cm (10 11/16 × 13 7/8 in.); Primary support: 27.1 × 35.5 cm (10 11/16 × 14 in.); Secondary support: 36.4 × 47.8 cm (14 3/8 × 18 7/8 in.)

Art Institute of Chicago

Hudibras Catechized, plate nine from Hudibras

1725 · Etching and engraving in black on cream paper edge, mounted on cream wove paper

Image: 24.1 × 34.2 cm (9 1/2 × 13 1/2 in.); Plate: 26.9 × 35.1 cm (10 5/8 × 13 7/8 in.); Primary support: 27.2 × 35.6 cm (10 3/4 × 14 1/16 in.); Secondary support: 36.3 × 48 cm (14 5/16 × 18 15/16 in.)

Art Institute of Chicago

Hudibras and the Skimmington, plate seven from Hudibras

1725 · Engraving in black on cream paper edge mounted on cream wove paper

Image: 24.6 × 50 cm (9 11/16 × 19 11/16 in.); Plate: 27 × 51.1 cm (10 11/16 × 20 1/8 in.); Primary support: 27.1 × 51.2 cm (10 11/16 × 20 3/16 in.); Secondary support: 35.2 × 57.8 cm (13 7/8 × 22 13/16 in.)

Art Institute of Chicago

Hudibras and Sidrophel, plate eight from Hudibras

1725 · Etching and engraving in black on cream paper edge, mounted on cream wove paper

Image: 24.2 × 34.6 cm (9 9/16 × 13 5/8 in.); Plate: 27.1 × 35.7 cm (10 11/16 × 14 1/16 in.); Primary support: 27.3 × 35.5 cm (10 3/4 × 14 in.); Secondary support: 36.1 × 47.5 cm (14 1/4 × 18 3/4 in.)

Art Institute of Chicago

Hudibras Vanquished by Trulla, plate five from Hudibras

1725 · Etching and engraving in black on cream paper edge mounted on cream wove paper

Image: 23.5 × 33.5 cm (9 5/16 × 13 1/4 in.); Plate: 26.6 × 34.6 cm (10 1/2 × 13 5/8 in.); Primary support: 27 × 34.9 cm (10 11/16 × 13 3/4 in.); Secondary support: 36.9 × 47.2 cm (14 9/16 × 18 5/8 in.)

Art Institute of Chicago

Hudibras' First Adventure, plate three from Hudibras

1725 · Etching and engraving in black on cream paper edge mounted on cream wove paper

Image: 24.6 × 33.4 cm (9 11/16 × 13 3/16 in.); Plate: 27.3 × 34.5 cm (10 3/4 × 13 5/8 in.); Primary support: 27.6 × 34.8 cm (10 7/8 × 13 3/4 in.); Secondary support: 36 × 45.9 cm (14 3/16 × 18 1/8 in.)

Art Institute of Chicago

Hudibras in Tribulation, plate six from Hudibras

1725 · Etching and engraving in black on cream paper edge mounted on cream wove paper

Image: 23.9 × 34 cm (9 7/16 × 13 7/16 in.); Plate: 26.8 × 35.2 cm (10 9/16 × 13 7/8 in.); Primary support: 27 × 35.4 cm (10 11/16 × 13 15/16 in.); Secondary support: 37.1 × 47.3 cm (14 5/8 × 18 5/8 in.)

Art Institute of Chicago

Hudibras Triumphant, plate four from Hudibras

1725 · Etching and engraving in black on cream paper edge mounted on cream wove paper

Image: 24.3 × 33.7 cm (9 5/8 × 13 5/16 in.); Plate: 26.6 × 34.7 cm (10 1/2 × 13 11/16 in.); Primary support: 26.9 × 34.9 cm (10 5/8 × 13 3/4 in.); Secondary support: 36.9 × 45.9 cm (14 9/16 × 18 1/8 in.)

Art Institute of Chicago

Hudibras Sallying Forth, plate two from Hudibras

1725 · Etching and engraving in black on cream paper edge mounted on cream wove paper

Image: 24.6 × 33.6 cm (9 11/16 × 13 1/4 in.); Plate: 27 × 34.5 cm (10 11/16 × 13 5/8 in.); Primary support: 27.3 × 34.8 cm (10 3/4 × 13 3/4 in.); Secondary support: 36.5 × 45.9 cm (14 3/8 × 18 1/8 in.)

Art Institute of Chicago

Frontispiece, plate one from Hudibras

1725 · Etching and engraving in black on cream paper edge mounted on cream wove paper

Image: 24 × 34.7 cm (9 1/2 × 13 11/16 in.); Plate: 26.4 × 35.3 cm (10 7/16 × 13 15/16 in.); Primary support: 26.9 × 35.6 cm (10 5/8 × 14 1/16 in.); Secondary support: 36.3 × 45.8 cm (14 5/16 × 18 1/16 in.)

Art Institute of Chicago

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