Artworks · William Hogarth

206 of 368 artworks · page 3 of 5

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Morning

1738 · etching with engraving on laid paper

plate: 48.9 × 39.8 cm (19 1/4 × 15 11/16 in.) sheet: 57.2 × 47.2 cm (22 1/2 × 18 9/16 in.)

National Gallery of Art

Night

1738 · etching with engraving on laid paper

plate: 48.6 × 40.7 cm (19 1/8 × 16 in.) sheet: 57.2 × 45.9 cm (22 1/2 × 18 1/16 in.)

National Gallery of Art

Noon

1738 · etching and engraving on laid paper

plate: 48.7 × 40.2 cm (19 3/16 × 15 13/16 in.) sheet: 57.1 × 46.2 cm (22 1/2 × 18 3/16 in.)

National Gallery of Art

Evening

1738 · etching and engraving on laid paper

plate: 48.5 × 40.4 cm (19 1/8 × 15 7/8 in.) sheet: 57.2 × 46.3 cm (22 1/2 × 18 1/4 in.)

National Gallery of Art

Strolling Actresses Dressing in a Barn

1738 · etching and engraving

sheet: 46.7 × 62.8 cm (18 3/8 × 24 3/4 in.)

National Gallery of Art

Night

1738 · etching and engraving

sheet: 48.4 × 38.5 cm (19 1/16 × 15 3/16 in.) mount: 62.8 × 46.1 cm (24 3/4 × 18 1/8 in.)

National Gallery of Art

Evening

1738 · etching and engraving

sheet: 48.3 × 38.5 cm (19 × 15 3/16 in.) mount: 62.7 × 46.2 cm (24 11/16 × 18 3/16 in.)

National Gallery of Art

Noon

1738 · etching and engraving

sheet: 48.9 × 39.6 cm (19 1/4 × 15 9/16 in.)

National Gallery of Art

Morning

1738 · etching and engraving

sheet: 49 × 39.5 cm (19 5/16 × 15 9/16 in.)

National Gallery of Art

The Strode Family

1738 · Oil paint on canvas

frame: 1126 x 1175 x 98 mm support: 870 x 915 mm

Tate

Morning, Plate One from The Four Times of Day

1738 · Etching and engraving in black on cream laid paper

Image: 45.5 × 37.5 cm (17 15/16 × 14 13/16 in.); Plate: 48 × 39 cm (18 15/16 × 15 3/8 in.); Sheet: 49.2 × 39.5 cm (19 3/8 × 15 9/16 in.)

Art Institute of Chicago

Noon, Plate Two from The Four Times of Day

1738 · Etching and engraving in black on cream laid paper

Image: 45.1 × 38.1 cm (17 13/16 × 15 in.); Sheet (trimmed to platemark): 48.5 × 39.8 cm (19 1/8 × 15 11/16 in.)

Art Institute of Chicago

Night, Plate Four from The Four Times of Day

1738 · Etching and engraving in black on cream laid paper

Image: 44 × 36.6 cm (17 3/8 × 14 7/16 in.); Plate: 49.1 × 40.7 cm (19 3/8 × 16 1/16 in.); Sheet: 51 × 42 cm (20 1/8 × 16 9/16 in.)

Art Institute of Chicago

Strolling Actresses Dressing in a Barn

1738 · Etching and engraving in black on cream laid paper

Image: 42.3 × 53.7 cm (16 11/16 × 21 3/16 in.); Plate: 46 × 56.2 cm (18 1/8 × 22 3/16 in.); Sheet: 47 × 62 cm (18 9/16 × 24 7/16 in.)

Art Institute of Chicago

Morning, plate one from The Four Times of the Day

1738 · Etching and engraving in black on ivory laid paper

Image: 45.5 × 37.6 cm (17 15/16 × 14 13/16 in.); Plate: 48.8 × 39.5 cm (19 1/4 × 15 9/16 in.); Sheet: 66 × 49.5 cm (26 × 19 1/2 in.)

Art Institute of Chicago

Noon, plate two from The Four Times of the Day

1738 · Etching and engraving in black on ivory laid paper

Image: 45 × 38 cm (17 3/4 × 15 in.); Plate: 48.8 × 40.2 cm (19 1/4 × 15 7/8 in.); Sheet: 66 × 49.7 cm (26 × 19 5/8 in.)

Art Institute of Chicago

Night, plate four from The Four Times of the Day

1738 · Etching and engraving in black on ivory laid paper

Image: 44 × 36.5 cm (17 3/8 × 14 3/8 in.); Plate: 49 × 40.6 cm (19 5/16 × 16 in.); Sheet: 66 × 49.5 cm (26 × 19 1/2 in.)

Art Institute of Chicago

The Four Times of Day: Night

1738 · engraving

Cleveland Museum of Art

Strolling Actresses Dressing in a Barn

1738 · Engraving in black on ivory laid paper

Image: 42.3 × 53.8 cm (16 11/16 × 21 3/16 in.); Plate: 45 × 56.1 cm (17 3/4 × 22 1/8 in.); Sheet: 49.3 × 62.8 cm (19 7/16 × 24 3/4 in.)

Art Institute of Chicago

The Sleeping Congregation

1736 · etching and engraving

sheet: 26.4 × 20.8 cm (10 3/8 × 8 3/16 in.)

National Gallery of Art

The Company of Undertakers

1736 · etching and engraving

sheet: 26.2 × 18.2 cm (10 5/16 × 7 3/16 in.)

National Gallery of Art

Scholars at a Lecture

1736 · etching and engraving

sheet: 23 × 19.1 cm (9 1/16 × 7 1/2 in.)

National Gallery of Art

The Distressed Poet

1736 · etching and engraving

sheet: 43.3 × 54.7 cm (17 1/16 × 21 9/16 in.) mount: 46.6 × 62.7 cm (18 3/8 × 24 11/16 in.)

National Gallery of Art

Three Ladies in a Grand Interior (‘The Broken Fan’), possibly Catherine Darnley, Duchess of Buckingham with Two Ladies

1736 · Oil paint on canvas

support: 652 x 667 mm frame: 865 x 895 x 78 mm

Tate

The Sleeping Congregation

1736 · Etching and engraving in black on ivory wove paper

Image: 25 × 19.5 cm (9 7/8 × 7 11/16 in.); Plate: 26.4 × 20.4 cm (10 7/16 × 8 1/16 in.); Sheet: 30 × 25 cm (11 13/16 × 9 7/8 in.)

Art Institute of Chicago

Wapenschild met vijftien artsen

1736 · engraving on paper

height: 266 cm, width: 186 cm

Rijksmuseum

The Company of Undertakers

1736 · Etching and engraving; second state of two

plate: 10 1/4 x 7 1/16 in. (26 x 18 cm) sheet: 10 11/16 x 7 9/16 in. (27.1 x 19.2 cm)

The Metropolitan Museum of Art

A Rake's Progress: pl.8

1735 · etching and engraving

sheet: 36 × 41.1 cm (14 3/16 × 16 3/16 in.)

National Gallery of Art

A Rake's Progress: pl.6

1735 · etching and engraving

sheet: 36.4 × 41.7 cm (14 5/16 × 16 7/16 in.)

National Gallery of Art

A Rake's Progress: pl.7

1735 · etching and engraving

sheet: 36.2 × 41.4 cm (14 1/4 × 16 5/16 in.)

National Gallery of Art

A Rake's Progress: pl.5

1735 · etching and engraving

sheet: 35.8 × 41.3 cm (14 1/8 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.4

1735 · etching and engraving

sheet: 35.9 × 41.2 cm (14 1/8 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.3

1735 · etching and engraving

sheet: 36 × 41.2 cm (14 3/16 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.4

1735 · etching and engraving

sheet: 35.6 × 41 cm (14 × 16 1/8 in.)

National Gallery of Art

A Rake's Progress: pl.1

1735 · etching and engraving

sheet: 35.9 × 41.2 cm (14 1/8 × 16 1/4 in.)

National Gallery of Art

A Rake's Progress: pl.2

1735 · etching and engraving

sheet: 35.7 × 41.2 cm (14 1/16 × 16 1/4 in.)

National Gallery of Art

A Rake’s Progress (plate 8)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

A Rake’s Progress (plate 7)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

A Rake’s Progress (plate 5)

1735 · Etching and engraving on paper

image: 314 x 391 mm

Tate

A Rake’s Progress (plate 4)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

A Rake’s Progress (plate 3)

1735 · Etching and engraving on paper

image: 318 x 387 mm

Tate

Thomas Pellett, M.D.

1735 · Oil paint on canvas

support: 764 x 635 mm frame: 1010 x 880 x 120 mm

Tate

Satan, Sin and Death (A Scene from Milton’s ‘Paradise Lost’)

1735 · Oil paint on canvas

support: 619 x 745 mm frame: 803 x 935 x 80 mm

Tate

Plate Seven, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.5 cm (12 7/16 × 15 3/16 in.); Plate: 35.5 × 40.5 cm (14 × 16 in.); Sheet: 47.4 × 59.6 cm (18 11/16 × 23 1/2 in.)

Art Institute of Chicago

Plate Five, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.8 cm (12 7/16 × 15 5/16 in.); Plate: 35.6 × 41 cm (14 1/16 × 16 3/16 in.); Sheet: 47.2 × 60.8 cm (18 5/8 × 23 15/16 in.)

Art Institute of Chicago

Plate Eight, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.7 cm (12 7/16 × 15 1/4 in.); Plate: 35.5 × 41 cm (14 × 16 3/16 in.); Sheet: 48.1 × 59.9 cm (18 15/16 × 23 5/8 in.)

Art Institute of Chicago

Plate Six, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.5 × 38.6 cm (12 7/16 × 15 1/4 in.); Plate: 35.7 × 41 cm (14 1/16 × 16 3/16 in.); Sheet: 46.5 × 60.6 cm (18 5/16 × 23 7/8 in.)

Art Institute of Chicago

Plate One, from A Rake's Progress

1735 · Etching and engraving in black on ivory laid paper

Image: 31.9 × 38.7 cm (12 9/16 × 15 1/4 in.); Plate: 36 × 41 cm (14 3/16 × 16 3/16 in.); Sheet: 49 × 60.1 cm (19 5/16 × 23 11/16 in.)

Art Institute of Chicago

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