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← William Hogarth
Artworks · William Hogarth
206 of 368 artworks · page 1 of 5
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Bambridge on Trial for Murder by a Committee of the House of Commons, engraved by Thomas Cook
1803 · Engraving on paper
image: 396 x 526 mm
Tate
Dr Benjamin Hoadly, Bishop of Winchester, engraved by Thomas Cook
1800 · Engraving on paper
image: 321 x 264 mm
Tate
The Rape of the Lock
1800 · Lithographed copy of an engraving
sheet: 4 5/16 x 5 9/16 in. (10.9 x 14.2 cm)
The Metropolitan Museum of Art
The Indian Emperor, engraved by Robert Dodd
1792 · Engraving on paper
image: 406 x 540 mm
Tate
Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790
1792 · Etching and engraving on paper
image: 273 x 348 mm
Tate
Beggar’s Opera, Act III, engraved by William Blake
1790 · Engraving on paper
image: 401 x 537 mm
Tate
The Staymaker, engraved by Joseph Haynes
1782 · Etching on paper
image: 265 x 352 mm
Tate
Tailpiece, or The Bathos
1764 · etching and engraving
sheet: 31.4 × 33.4 cm (12 3/8 × 13 1/8 in.) mount: 37.2 × 43.5 cm (14 5/8 × 17 1/8 in.)
National Gallery of Art
Tailpiece, or the Bathos
1764 · Etching and engraving in black on cream wove paper
Plate: 31.5 × 33.5 cm (12 7/16 × 13 1/4 in.); Sheet: 42.2 × 47.2 cm (16 5/8 × 18 5/8 in.)
Art Institute of Chicago
John Wilkes Esq.
1763 · etching
sheet: 35.1 × 23 cm (13 13/16 × 9 1/16 in.) mount: 62.7 × 46.7 cm (24 11/16 × 18 3/8 in.)
National Gallery of Art
The Bruiser
1763 · etching and engraving
sheet: 37.3 × 27.5 cm (14 11/16 × 10 13/16 in.) mount: 62.8 × 45.4 cm (24 3/4 × 17 7/8 in.)
National Gallery of Art
The Times, pl.1
1762 · etching and engraving
sheet: 24.8 × 30.4 cm (9 3/4 × 11 15/16 in.)
National Gallery of Art
Credulity, Superstition, and Fanaticism
1762 · etching and engraving
sheet: 43.3 × 32.7 cm (17 1/16 × 12 7/8 in.) mount (irreg.): 62.7 × 43.5 cm (24 11/16 × 17 1/8 in.)
National Gallery of Art
The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically
1761 · etching on laid paper
plate: 29.9 × 22 cm (11 3/4 × 8 11/16 in.) sheet: 33.6 × 23.6 cm (13 1/4 × 9 5/16 in.)
National Gallery of Art
Time Smoking a Picture
1761 · etching and mezzotint
sheet: 22.5 x 18.1 cm (8 7/8 x 7 1/8 in.)
National Gallery of Art
The Five Orders of Perriwigs as They Were Worn at the Late Coronation, Measured Architectonically
1761 · etching
sheet (trimmed to plate mark): 29.6 x 21.9 cm (11 5/8 x 8 5/8 in.)
National Gallery of Art
The Cockpit
1759 · etching and engraving
sheet: 31.2 × 37.7 cm (12 5/16 × 14 13/16 in.) mount: 46.3 × 62.8 cm (18 1/4 × 24 3/4 in.)
National Gallery of Art
Sigismunda Mourning over the Heart of Guiscardo
1759 · Oil paint on canvas
support: 1004 x 1265 mm
Tate
The Cockpit
1759 · Engraving in black on tan wove paper
Image: 29.6 × 37 cm (11 11/16 × 14 5/8 in.); Plate: 32.1 × 38.5 cm (12 11/16 × 15 3/16 in.); Sheet: 47.1 × 62.9 cm (18 9/16 × 24 13/16 in.)
Art Institute of Chicago
The Bench
1758 · etching and engraving
sheet: 30 × 21 cm (11 13/16 × 8 1/4 in.)
National Gallery of Art
The Bench
1758 · etching and engraving
sheet: 30.8 × 20.6 cm (12 1/8 × 8 1/8 in.)
National Gallery of Art
Four Prints of an Election, plate 4: Chairing the Members
1758 · Etching and engraving on paper
image: 403 x 540 mm
Tate
Four Prints of an Election, plate 2: Canvassing for Votes, engraved by Charles Grignion
1757 · Etching and engraving on paper
image: 405 x 537 mm
Tate
An Election Entertainment, plate one from Four Prints of an Election
1757 · Engraving in black on cream laid paper
Image: 40 × 54 cm (15 3/4 × 21 5/16 in.); Plate: 43.7 × 55.9 cm (17 1/4 × 22 1/16 in.); Sheet: 44.9 × 58 cm (17 11/16 × 22 7/8 in.)
Art Institute of Chicago
France
1756 · etching and engraving
sheet: 31.6 × 38.6 cm (12 7/16 × 15 3/16 in.) mount: 45.5 × 62.8 cm (17 15/16 × 24 3/4 in.)
National Gallery of Art
England
1756 · etching and engraving
sheet: 31.5 × 38.4 cm (12 3/8 × 15 1/8 in.) mount (irreg.): 45.4 × 62.8 cm (17 7/8 × 24 3/4 in.)
National Gallery of Art
Plate Two, from The Analysis of Beauty
1756 · Etching and engraving in black on cream laid paper (now split in two, with the left side laid down on back book cover and the right side in two parts)
Image: 36.5 × 49.5 cm (14 3/8 × 19 1/2 in.); Plate: 41.5 × 54.5 cm (16 3/8 × 21 1/2 in.); Sheet: 43.5 × 56.5 cm (17 3/16 × 22 1/4 in.)
Art Institute of Chicago
An Election Entertainment
1755 · etching and engraving
sheet: 43.1 × 55.4 cm (16 15/16 × 21 13/16 in.) mount: 46.3 × 62.7 cm (18 1/4 × 24 11/16 in.)
National Gallery of Art
Crowns, Mitres, Maces, Etc.
1754 · etching
sheet: 22.5 × 19.5 cm (8 7/8 × 7 11/16 in.)
National Gallery of Art
Analysis of Beauty: pl.2
1753 · etching and engraving
sheet: 41.3 × 51.8 cm (16 1/4 × 20 3/8 in.) mount: 46.3 × 62.8 cm (18 1/4 × 24 3/4 in.)
National Gallery of Art
Analysis of Beauty: pl.1
1753 · etching and engraving
overall: 38.2 × 50.1 cm (15 1/16 × 19 3/4 in.)
National Gallery of Art
The analysis of beauty : written with a view of fixing the fluctuating ideas of taste
1753
xxii, [2], 153, [5] pages, 2 folded leaves of plates : illustrations ; Height: 10 1/4 in. (26 cm)
The Metropolitan Museum of Art
Plate One, from The Analysis of Beauty
1753 · Etching and engraving in black on cream laid paper (now in two parts, with the right side laid down on front book cover)
Image: 36.6 × 49 cm (14 7/16 × 19 5/16 in.); Plate: 41 × 54 cm (16 3/16 × 21 5/16 in.); Sheet: 42 × 56.5 cm (16 9/16 × 22 1/4 in.)
Art Institute of Chicago
Columbus Breaking the Egg
1752 · etching
sheet: 19.8 × 20.2 cm (7 13/16 × 7 15/16 in.)
National Gallery of Art
Paul before Felix
1752 · etching and engraving
sheet: 41.5 × 51.8 cm (16 5/16 × 20 3/8 in.) mount: 46.6 × 62.8 cm (18 3/8 × 24 3/4 in.)
National Gallery of Art
Paul before Felix
1752 · Etching and engraving on paper
image: 384 x 508 mm
Tate
Moses Brought to Pharoah’s Daughter
1752 · Etching and engraving on paper
image: 390 x 505 mm
Tate
Paul before Felix Burlesqued
1751 · etching with some mezzotint tone
sheet: 26.2 × 35 cm (10 5/16 × 13 3/4 in.)
National Gallery of Art
Gin Lane
1751 · etching and engraving
sheet: 38.9 × 32.3 cm (15 5/16 × 12 11/16 in.) mount: 62.8 × 45.6 cm (24 3/4 × 17 15/16 in.)
National Gallery of Art
Beer Street
1751 · etching and engraving
sheet: 37.7 × 32 cm (14 13/16 × 12 5/8 in.) sheet: 62.7 × 45.3 cm (24 11/16 × 17 13/16 in.)
National Gallery of Art
The Reward of Cruelty
1751 · etching and engraving
sheet (trimmed to plate): 38.6 × 31.8 cm (15 3/16 × 12 1/2 in.) mount: 62.7 × 45.1 cm (24 11/16 × 17 3/4 in.)
National Gallery of Art
Cruelty in Perfection
1751 · etching and engraving
sheet: 38.5 × 31.7 cm (15 3/16 × 12 1/2 in.) mount: 62.9 × 45.5 cm (24 3/4 × 17 15/16 in.)
National Gallery of Art
The Second Stage of Cruelty
1751 · etching and engraving
sheet: 38.5 × 31.6 cm (15 3/16 × 12 7/16 in.) mount: 62.8 × 45.2 cm (24 3/4 × 17 13/16 in.)
National Gallery of Art
The First Stage of Cruelty
1751 · etching and engraving
sheet: 38.3 × 31.7 cm (15 1/16 × 12 1/2 in.) mount (irreg.): 43.1 × 35.5 cm (16 15/16 × 14 in.)
National Gallery of Art
Gin Lane
1751 · Etching and engraving on paper
image: 357 x 305 mm
Tate
Moses Brought to Pharaoh’s Daughter
1751 · Various red chalks (one oxidized to black) on cream laid paper
40.6 × 52.5 cm (16 × 20 11/16 in.)
Art Institute of Chicago
Gin Lane
1751 · Engraved copper plate
15 7/16 x 12 7/8 in. (39.2 x 32.7 cm)
The Metropolitan Museum of Art
Beer Street
1751 · Engraved copper plate
15 7/16 x 13 in. (39.2 x 33 cm)
The Metropolitan Museum of Art
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