Artworks · Torii Kiyonaga

The Pekingese

1774 · Color woodblock print; hashira-e

68.6 × 12.6 cm (27 1/16 × 5 in.)

Art Institute of Chicago

Woman Admiring Morning Glories while Brushing Her Teeth

1774 · Color woodblock print; hashira-e

70.1 × 12.5 cm (27 5/8 × 4 15/16 in.)

Art Institute of Chicago

Geese Descending in Mid Autumn (Seishu no rakugan), from the series "Eight Scenes of the Four Seasons (Shiki hakkei)"

1774 · Color woodblock print; chuban

26.1 × 19.3 cm (10 5/16 × 7 5/8 in.)

Art Institute of Chicago

The Fifth Month (Satsuki), from the series "Fashionable Twelve Seasons (Furyu juni kiko)"

1774 · Color woodblock print; chuban

26.1 × 19.1 cm (10 5/16 × 7 9/16 in.)

Art Institute of Chicago

Morning of Iris, from the series "Five Festivals in the Pleasure Quarters (Hanakuruwa gosechi no asobi)"

1774 · Color woodblock print; aiban

32.3 × 22.9 cm (12 3/4 × 9 1/16 in.)

Art Institute of Chicago

The Artisan (Ko) from the series "Beauties Illustrating the Four Social Classes (Adesugata shi no ko sho)"

1774 · Color woodblock print; koban

20.8 × 14.9 cm (8 1/4 × 5 7/8 in.)

Art Institute of Chicago

The Merchant (Sho) from the series Beauties Illustrating the Four Social Classes (Adesugata shi no ko sho)

1774 · Color woodblock print; koban

20.4 × 15.5 cm (8 1/16 × 6 1/8 in.)

Art Institute of Chicago

The Farmer (No) from the series Beauties Illustrating the Four Social Classes (Adesugata shi no ko sho)

1774 · Color woodblock print; koban

20.7 × 15.1 cm (8 3/16 × 6 in.)

Art Institute of Chicago

The First Month (Mutsuki), from the series "Fashionable Twelve Seasons (Furyu juni kiko)"

1774 · Color woodblock print; chuban

26.1 × 19.2 cm (10 5/16 × 7 9/16 in.)

Art Institute of Chicago

The Samurai (Shi) from the series Beauties Illustrating the Four Social Classes (Adesugata shi no ko sho)

1774 · Color woodblock print; koban

20.8 × 15.3 cm (8 1/4 × 6 1/16 in.)

Art Institute of Chicago

Sunset Glow of Late Summer (Choka no sekisho), from the series "Eight Scenes of the Four Seasons (Shiki hakkei)"

1774 · Color woodblock print; chuban

25.6 × 18.6 cm (10 1/8 × 7 3/8 in.)

Art Institute of Chicago

Cherry Blosson Viewing at Gotenyama

1774 · Woodblock print; ink and color on paper

14 11/16 x 10 1/8 in. (37.3 x 25.7 cm)

The Metropolitan Museum of Art

The Sixth Month (Minatsuki), from the series "Fashionable Twelve Months (Furyu juniko)"

1774 · Color woodblock print; koban

22.6 × 15.6 cm (8 15/16 × 6 3/16 in.)

Art Institute of Chicago

Bando Mitsugoro II as Tennen no Mansaku-kitsune and Ichikawa Monnosuke III as Nikaido Shinanonosuke and Iwai Hanshiro IV as Okura no Kojoro-kitsune in the scene from the drama Moto Mishi Yuki Sakae Hachi-no-ki (Nidaime Bando Mitsugoro no Tennen no mansaku-kitsune, nidaime Ichikawa Monnosuke no Nikaido Shinanonosuke, yondaime Iwai Hanshiro no Okura no kojyoro-kitsune)

1773 · Color woodblock print; hosoban, nishiki-e, triptych

38.4 × 25.4 cm (15 1/8 × 10 in.)

Art Institute of Chicago

Evening Snow at Kinryuzan Temple (Kinryuzan no bosetsu), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)"

1773 · Color woodblock print; half hosoban (right side)

31 × 7.3 cm (12 1/4 × 2 7/8 in.)

Art Institute of Chicago

Descending Geese at Mimeguri (Mimeguri no rakugan), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)"

1773 · Color woodblock print; half hosoban (left side)

30.9 × 7.2 cm (12 3/16 × 2 7/8 in.)

Art Institute of Chicago

Two Women in Summer Costume Taking a Young Girl to a Shinto Temple for the Miya Mairi Ceremony

1773 · Woodblock print; ink and color on paper

15 3/8 x 10 7/32 in. (39.1 x 26 cm)

The Metropolitan Museum of Art

A Mirror on a Stand Suggesting the Autumnal Moon (Kyodai no shugetsu), from the series "Eight Scenes of the Parlor (Zashiki hakkei)"

1772 · Color woodblock print; chuban

25.8 × 19.4 cm (10 3/16 × 7 11/16 in.)

Art Institute of Chicago

Night Rain of the Tea Stand, from the series "Eight Scenes of the Parlor (Zashiki hakkei)"

1772 · Color woodblock print; chuban

26.1 × 19.7 cm (10 5/16 × 7 13/16 in.)

Art Institute of Chicago

Nakamura Tomijuro I as a Female Fox in the Scene from the Play, Chigo Torii Tobiiri Gitsune (Nakamura Tomijuro no Hyuga no kuni Ubagatake no megitsune)

1772 · Color woodblock print; hosoban, benizuri-e

30.2 × 13.6 cm (11 15/16 × 5 3/8 in.)

Art Institute of Chicago

A Fan Suggesting a Dispersed Storm (Sensu no seiran) from the series "Eight Scenes of the Parlor (Zashiki hakkei)"

1772 · Color woodblock print; chuban

25.8 × 19.4 cm (10 3/16 × 7 11/16 in.)

Art Institute of Chicago

A Fan Suggesting a Dispersed Storm (Sensu no seiran) from the series "Eight Fashionable Scenes of the Parlor (Furyu zashiki hakkei)"

1772 · Color woodblock print; koban

22.1 × 15 cm (8 3/4 × 5 15/16 in.)

Art Institute of Chicago

Cooling off at Sashiye

1772 · Woodblock print; ink and color on paper

15 x 9 1/16 in. (38.1 x 23.0 cm)

The Metropolitan Museum of Art

First Meeting (Miai), from the series "Twelve Stages of Matrimony (Konrei juni shiki)"

1770 · Color woodblock print; koban

21.7 × 15.7 cm (8 9/16 × 6 3/16 in.)

Art Institute of Chicago

The Actor Segawa Kikunojo II as Shizuka Gozen (?)

1762 · Color woodblock print; hosoban, benizuri-e

31.1 × 13.6 cm (12 1/4 × 5 3/8 in.)

Art Institute of Chicago

Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)

1762 · Color woodblock print; hosoban, benizuri-e

30.9 × 13.8 cm (12 3/16 × 5 7/16 in.)

Art Institute of Chicago

Courtesan Walking Under a Willow Tree on a Breezy Day

1752 · Color woodblock print; hashira-e

67.1 × 11.2 cm (26 7/16 × 4 7/16 in.)

Art Institute of Chicago

Geisha Playing Battledore and Shuttlecock

1752 · Color woodblock print; hashira-e

66.9 × 12.2 cm (26 3/8 × 4 13/16 in.)

Art Institute of Chicago

Shinpan kawarimashita dōchū sukeroku

Woodblock- printed book; 1 vol.

17 × 12.5 cm (6 3/4 × 4 15/16 in.)

Art Institute of Chicago