Artworks · Thomas Stothard

Study for a plate from Telemachus

1793 · Ink wash on paper

2.5 × 6 cm (1 × 2 3/8 in.)

Art Institute of Chicago

Study for a plate from Telemachus

1791 · Ink wash on paper

2.5 × 6 cm (1 × 2 3/8 in.)

Art Institute of Chicago

A Group of Five Maidens

1790 · Graphite, ink and watercolour on paper

support: 253 x 143 mm

Tate

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

10.5 × 6 cm (4 3/16 × 2 3/8 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 6.2 cm (1 × 2 1/2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

3 × 6.2 cm (1 3/16 × 2 1/2 in.)

Art Institute of Chicago

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book

1790 · Ink wash on paper

2.5 × 5 cm (1 × 2 in.)

Art Institute of Chicago

Illustration to Goldsmith’s ‘Vicar of Wakefield’: Studies of a Girl

1789 · Graphite and ink on paper

support: 180 x 197 mm

Tate

Illustration to Goldsmith’s ‘Vicar of Wakefield’: Studies of a Girl and Children

1789 · Graphite on paper

support: 228 x 186 mm

Tate

Sketches for Silver Salver (recto); Sketches of Friezes, Groups of Women (verso)

1789 · Pen and brown ink (recto), and pen and brown ink with brush and brown wash and watercolor (verso); on cream wove paper

11.7 × 18.7 cm (4 5/8 × 7 3/8 in.)

Art Institute of Chicago

Studies of a Sower (Illustration for Thomson's _Seasons_)

1786 · graphite and pen and brown ink on laid paper

sheet: 15.8 x 29 cm (6 1/4 x 11 7/16 in.)

National Gallery of Art

Sheet of Studies with Angels and Cowering Figures (Illustration for Macklin's Bible?)

1786 · graphite with pen and brown ink and touches of gray wash on laid paper

sheet: 15.8 x 29 cm (6 1/4 x 11 7/16 in.)

National Gallery of Art

Peter and His Children Visited by Three Flying Figures

1783 · pen and gray ink with gray wash over graphite on wove paper

overall: 11.3 x 6.9 cm (4 7/16 x 2 11/16 in.)

National Gallery of Art

Study for ‘Don Quixote’: Don Quixote and Sancho Riding, and Other Figures

1782 · Ink and graphite on paper

support: 235 x 106 mm

Tate

Design for Illustration to ‘Chinese Tales’; ‘History of Jezdael’: Study of a Woman Wearing a Stole or Shawl, and Two Seated Figures. Verso: Drawing

1781 · Graphite on paper. Verso: graphite on paper

support: 178 x 106 mm

Tate

Design for Illustration to ‘Chinese Tales’; ‘History of Jezdael’: Four Studies of a Girl Shooting with a Bow. Verso: Sketches

1781 · Graphite and ink on paper. Verso: graphite on paper

support: 45 x 147 mm

Tate

The Camp of Stothard, Blake, Ogleby

1780 · etching

sheet: 19.7 × 23.6 cm (7 3/4 × 9 5/16 in.)

National Gallery of Art

A Scene on the Medway

1780 · Etching on paper

image: 169 x 214 mm

Tate

Allington Castle on the River Medway, Kent

1779 · Graphite on paper

support: 105 x 215 mm

Tate

Sketch of Figure Leaning on Cane

1775 · Pen and brown ink on cream laid paper, tipped onto cream wove paper

6.9 × 5.5 cm (2 3/4 × 2 3/16 in.)

Art Institute of Chicago

Sketch of Man Leaning on Staff, Looking at Sleeping Woman

1775 · Pen and brown ink with brush and blue wash, on cream wove paper, tipped onto cream wove paper

5.8 × 6.4 cm (2 5/16 × 2 9/16 in.)

Art Institute of Chicago

Sculpture of Horseman Accompanied by Two Standing Figures, with Sketch of One of Latter

1775 · Pen and brown ink over graphite, on gray laid paper

17.5 × 13.8 cm (6 15/16 × 5 7/16 in.)

Art Institute of Chicago

Child Leading Three Horses and Wagon

1775 · Brush and brown ink, heightened with blue and white gouache, on green wove paper

19.3 × 28 cm (7 5/8 × 11 1/16 in.)

Art Institute of Chicago

Sketch of Standing Man with Uplifted Arm

1775 · Pen and brown ink on ivory laid paper, tipped onto board

10.7 × 4.7 cm (4 1/4 × 1 7/8 in.)

Art Institute of Chicago

Sketch of Man Leaning on Staff, Looking at Sleeping Woman

1775 · Pen and brown ink with brush and blue wash, on cream wove paper, tipped onto cream wove paper

7.9 × 5.9 cm (3 1/8 × 2 3/8 in.)

Art Institute of Chicago