Artworks · Thomas Stothard

A Group of Preliminary Sketches for Stothard’s ‘The Pilgrimage to Canterbury’

1850 · Engraving on paper

unconfirmed: 142 x 222 mm

Tate

The Pilgrimage to Canterbury, engraved by ?Leopold Beyer

1830 · Engraving on paper

support: 59 x 162 mm

Tate

Two Allegorical Female Figures Clasping Hands before Book

1830 · Pen and black ink with brush and gray wash, on cream wove paper

9.8 × 14.9 cm (3 7/8 × 5 7/8 in.)

Art Institute of Chicago

Tilbury Fort Sketched from the Window of the Pope’s Head Tavern, Gravesend

1829 · Graphite and watercolour on paper

support: 92 x 230 mm

Tate

Sketch for an Illustration to Peter Coxe’s ‘The Social Day’: Four Seated Figures in Contemporary Costume

1822 · Ink on paper

support: 74 x 85 mm

Tate

Study Connected with J. Ritson’s ‘Caledonian Muse’: A Group of Nude Fighting Men. Verso: Various Studies Including a Group Seated round a Table

1821 · Ink, chalk and graphite on paper. Verso: ink and graphite on paper

support: 164 x 224 mm

Tate

Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch

1821 · Ink and watercolour on paper. Verso: graphite on paper

support: 86 x 161 mm

Tate

The Vintage

1821 · Oil paint on canvas

support: 1048 x 1321 x 24 mm

Tate

The Pilgrimage to Canterbury

1820 · Engraving on paper

image: 141 x 205 mm

Tate

The Pilgrimage to Canterbury

1820 · Wood engraving on paper

image: 25 x 66 mm

Tate

Sans Souci

1817 · Oil paint on wood

support: 800 x 520 mm

Tate

Diana and her Nymphs Bathing

1816 · Oil paint on canvas

support: 508 x 610 mm

Tate

Design for a Frieze. A Chariot in a Victorious Procession

1814 · Graphite and ink on paper

support: 64 x 175 mm

Tate

Calypso with her Nymphs Caressing Cupid

1814 · Oil paint on mahogany

frame: 489 x 570 x 58 mm support: 380 x 480 mm

Tate

Shakespearean Characters

1813 · Oil paint on paper

support: 267 x 930 mm

Tate

Pilgrimage to Canterbury

1812 · etching

Cleveland Museum of Art

Hafod

1810 · Graphite on paper

support: 209 x 164 mm

Tate

Designs for Rundell and Bridge’s Transparency

1810 · Graphite, ink and watercolour on paper

support: 249 x 196 mm

Tate

Thirlmere: Below, Detailed Sketches Showing the Lake and Mountains

1809 · Graphite and watercolour on paper

support: 208 x 265 mm

Tate

Edinburgh, Castle Hill

1809 · Graphite on paper

support: 177 x 345 mm

Tate

Study for the Figure of Nina in Voltaire’s Opera. Verso: A Group Supporting a Woman, and Other Figures, Connected with ‘Amintor and Theodora’

1809 · Graphite and ink on paper

support: 180 x 152 mm

Tate

Study for ‘Don Quixote’: Sancho and the Duchess

1809 · Ink on paper

support: 91 x 91 mm

Tate

Study for ‘Don Quixote’: Title Vignette; A Trophy of Arms and a White Mule

1809 · Oil paint on paper

support: 58 x 57 mm

Tate

The Pilgrimage to Canterbury, engraved by Louis Schiavonetti and James Heath

1809 · Etching and engraving on paper

unconfirmed: 269 x 958 mm

Tate

Illustration to Dryden’s ‘Fables’: A Girl Seated in an Arbour. Study for ‘The Flower and the Leaf’

1806 · Ink on paper

support: 87 x 84 mm

Tate

The Pilgrimage to Canterbury

1806 · Oil paint on oak

support: 318 x 952 mm

Tate

Sketch for ‘The Pilgrimage to Canterbury’, with a compositional sketch, a key to the figures, and studies of heads and figures

1806 · Ink on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Ink on paper

support: 114 x 190 mm

Tate

Sketch for ‘The Pilgrimage to Canterbury’, with studies of heads, figures on horseback, and two group sketches

1806 · Ink on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Graphite on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Ink on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Ink on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Ink and watercolour on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Ink on paper

support: 114 x 190 mm

Tate

[title not known]

1806 · Ink on paper

support: 114 x 190 mm

Tate

The First Drawing ... made for Ritson

1806 · Ink and watercolour on paper

support: 89 x 121 mm

Tate

[title not known]

1806 · Ink and graphite on paper

support: 114 x 190 mm

Tate

View from Llandinam towards Llaniddloes. Verso: Sketch

1805 · Watercolour and ink on paper

support: 105 x 144 mm

Tate

Sketch for Illustration to Bowyer’s ‘History of England’: Two Sleeping Children, for the Headpiece ‘The Murder of Edward V and his Brother’

1805 · Ink and watercolour on paper

support: 62 x 76 mm

Tate

Sketch for Illustration to Bowyer’s ‘History of England’: Oliver Cromwell Dissolving the Long Parliament

1805 · Ink on paper

support: 115 x 185 mm

Tate

Sketch for Illustration to Bowyer’s ‘History of England’: Queen Elizabeth at Tilbury

1805 · Ink and watercolour on paper

support: 128 x 222 mm

Tate

Sketch for Illustration to Bowyer’s ‘History of England’: Two Recumbent Children, for the Headpiece ‘The Murder of Edward V and his Brother’. Verso: Sketches of a Mother and Child

1805 · Ink on paper. Verso: ink on paper

Tate

Sketch for Illustration to Bowyer’s ‘History of England’: Studies for ‘The Crown Offered to Oliver Cromwell’. Verso: Heads, and Two Death-Bed Scenes

1805 · Ink on paper. Verso: graphite and ink on paper

support: 224 x 235 mm

Tate

Canterbury Pilgrims

1805 · Pen and black ink with brush and gray wash, over graphite, on ivory laid paper, laid down on card

20.4 × 35.5 cm (8 1/16 × 14 in.)

Art Institute of Chicago

The Lost Apple

1803 · pen-and-tusche lithograph

National Gallery of Art

Frontispiece from Marmion, in the 1809 Royal Engagements Pocket Book

1803 · Engraving on paper

5.5 × 6 cm (2 3/16 × 2 3/8 in.)

Art Institute of Chicago

Study for frontispiece from Marmion

1803 · Ink Wash on paper

5 × 6.3 cm (2 × 2 1/2 in.)

Art Institute of Chicago

The Lost Apple, from the first issue of Specimens of Polyautography

1803 · Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper

Image/primary support: 31.7 × 23.5 cm (12 1/2 × 9 5/16 in.); Secondary support: 49.2 × 37.5 cm (19 3/8 × 14 13/16 in.)

Art Institute of Chicago