Artworks · Thomas Rowlandson

Demolition of Old Houses to the North of Westminster Abbey

1800 · Pen and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card

20.2 × 26.8 cm (8 × 10 9/16 in.)

Art Institute of Chicago

Le Brun Travested, or Caricatures of the Passions

1800 · Book with twenty hand-colored etchings and four aquatints in gray and black on cream wove paper, laid down on album sheets with gilt borders

36 × 30 × 3 cm (14 3/16 × 11 13/16 × 1 3/16 in.)

Art Institute of Chicago

The Monkey Room in the Tower

1799 · hand-colored etching and aquatint

sheet: 28 × 41.9 cm (11 × 16 1/2 in.)

National Gallery of Art

A Militia Meeting

1799 · hand-colored etching

sheet: 23.7 × 35 cm (9 5/16 × 13 3/4 in.)

National Gallery of Art

Landscape, with Lake

1799 · Ink and watercolour on paper

support: 146 x 235 mm

Tate

Grotesque Borders for Halls & Rooms

1799 · Etching in black, with hand-colored additions, on cream wove paper

36.5 × 45 cm (14 3/8 × 17 3/4 in.)

Art Institute of Chicago

Grotesque Borders for Rooms & Halls

1799 · Etching in black, with hand-colored additions, on cream wove paper

35.6 × 45.2 cm (14 1/16 × 17 13/16 in.)

Art Institute of Chicago

Grotesque Borders for Halls & Rooms

1799 · Hand-colored etching and stipple engraving on ivory wove paper

Image: 46 × 32.2 cm (18 1/8 × 12 11/16 in.); Plate: 49 × 35 cm (19 5/16 × 13 13/16 in.); Sheet: 49 × 38 cm (19 5/16 × 15 in.)

Art Institute of Chicago

Feyge Dam, with part of the Fish Market at Amsterdam

1797 · hand-colored etching

National Gallery of Art

Place de Meir at Antwerp

1797 · colored aquatint

National Gallery of Art

Place de Meir at Antwerp

1797 · hand-colored etching and aquatint

sheet: 45.1 × 57.2 cm (17 3/4 × 22 1/2 in.)

National Gallery of Art

Glorious Defeat of the Dutch Navy Octr 10 1797, by Admirals Lord Duncan and Sir Richard Onslow, with a View Drawn on the Spot of the Six Dutch Line of Battle Ships Captured and Brought into Yarmouth

1797 · Etching and watercolour on paper

image: 264 x 437 mm

Tate

A Dutch Abbess and Her Nymphs Sketched at Amsterdam

1796 · Hand-colored etching on ivory wove paper

30 × 25 cm (11 13/16 × 9 7/8 in.)

Art Institute of Chicago

Dutch Merchants Sketched at Amsterdam

1796 · Hand-colored etching on ivory wove paper

20 × 24.5 cm (7 7/8 × 9 11/16 in.)

Art Institute of Chicago

Watering Horses

1795 · Pen and brown ink and watercolor

Sheet: 19.2 x 26.3 cm (7 9/16 x 10 3/8 in.)

Cleveland Museum of Art

Vier karikaturale koppen

1795 · pen on ink, watercolor (paint), paper

width: 463 cm, height: 271 cm

Rijksmuseum

View of Prizes Taken by Lord Howe Coming in Portsmouth

1794 · Pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove paper

24.3 × 39.5 cm (9 5/8 × 15 9/16 in.)

Art Institute of Chicago

Cavalry on the March (recto); Fragment of Sketch of Horse (verso)

1794 · Pen and brown ink, with brush and watercolor, on ivory wove paper, laid down on card (recto), and black chalk on ivory wove card (verso)

10.1 × 16 cm (4 × 6 5/16 in.)

Art Institute of Chicago

Botheration

1793 · hand-colored etching and aquatint

sheet: 28.7 × 39.3 cm (11 5/16 × 15 1/2 in.)

National Gallery of Art

Amputation

1793 · Hand-colored etching on ivory wove paper

Image: 30 × 40 cm (11 13/16 × 15 3/4 in.); Sheet: 31.7 × 42 cm (12 1/2 × 16 9/16 in.)

Art Institute of Chicago

Beauties

1792 · hand-colored etching

sheet: 24.2 × 34.2 cm (9 1/2 × 13 7/16 in.)

National Gallery of Art

La Table d'Hote

1792 · hand-colored etching

sheet: 26.3 × 38.7 cm (10 3/8 × 15 1/4 in.)

National Gallery of Art

The French Barracks

1791 · hand colored etching with aquatint (proof) on laid paper

image: 32.8 × 45 cm (12 15/16 × 17 11/16 in.) sheet: 40.4 × 51.6 cm (15 7/8 × 20 5/16 in.)

National Gallery of Art

A Little Tighter

1791 · hand-colored etching

sheet: 38.3 × 31.7 cm (15 1/16 × 12 1/2 in.)

National Gallery of Art

A Squall in Hyde Park

1791 · hand-colored etching and aquatint

sheet: 34.7 × 46.7 cm (13 11/16 × 18 3/8 in.)

National Gallery of Art

Slugs in a Sawpit

1791 · hand-colored etching

sheet: 32.7 × 40.8 cm (12 7/8 × 16 1/16 in.)

National Gallery of Art

The Prospect before us, No. 2

1791 · hand-colored etching

sheet: 34.1 × 47.9 cm (13 7/16 × 18 7/8 in.)

National Gallery of Art

First and Second Floor

1791 · hand-colored etching

sheet: 39.8 × 22.9 cm (15 11/16 × 9 in.)

National Gallery of Art

The Inn Yard on Fire

1791 · hand-colored etching and aquatint

sheet: 35.8 × 45.5 cm (14 1/8 × 17 15/16 in.)

National Gallery of Art

Post House in Cologne

1791 · Pen and gray and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card

28 × 43.2 cm (11 1/16 × 17 1/16 in.)

Art Institute of Chicago

Postcart Monks and Women Near Church Door

1791 · Pen and gray and brown ink, with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card

25 × 38.3 cm (9 7/8 × 15 1/8 in.)

Art Institute of Chicago

French Barracks

1791 · Hand-colored etching on ivory wove paper

38.5 × 47 cm (15 3/16 × 18 9/16 in.)

Art Institute of Chicago

The Prospect Before Us

1791 · Hand-colored etching on paper

Image: 30.3 × 46.3 cm (11 15/16 × 18 1/4 in.); Sheet: 34.5 × 50.7 cm (13 5/8 × 20 in.)

Art Institute of Chicago

Changing Horses at a Post House in France

1790 · watercolor over black ink and graphite on wove paper

overall: 14.2 x 23.3 cm (5 9/16 x 9 3/16 in.)

National Gallery of Art

A Young English Beauty

1790 · pen and black ink with black, gray, and pink wash

overall: 19.1 x 14.7 cm (7 1/2 x 5 13/16 in.)

National Gallery of Art

Open reiswagen en koets in een quasi-Hollandse straat

1790 · pen on ink, chalk, paper

width: 305 cm, height: 201 cm

Rijksmuseum

Outside the Salutation Inn, Greenwich

1790 · Watercolor and pen and black ink and brush and black ink over graphite, on cream wove paper

33 × 49.3 cm (13 × 19 7/16 in.)

Art Institute of Chicago

The High-mettled Racer

1789 · hand-colored etching

sheet: 33.3 × 42.3 cm (13 1/8 × 16 5/8 in.)

National Gallery of Art

The Course

1789 · hand-colored etching and aquatint

sheet: 34.1 × 52 cm (13 7/16 × 20 1/2 in.)

National Gallery of Art

A Penny Barber

1789 · hand-colored etching and aquatint

sheet: 36.3 × 25.5 cm (14 5/16 × 10 1/16 in.)

National Gallery of Art

Grog on Board

1789 · etching, stipple, and aquatint with hand coloring on wove paper

sheet: 36.8 × 48 cm (14 1/2 × 18 7/8 in.)

National Gallery of Art

A Cart Race

1788 · hand-colored etching

sheet: 33.3 × 48.1 cm (13 1/8 × 18 15/16 in.)

National Gallery of Art

Dressing for a Birthday

1788 · hand-colored etching

sheet: 37 × 52.5 cm (14 9/16 × 20 11/16 in.)

National Gallery of Art

A Frenchman in November

1788 · hand-colored etching

sheet: 18 × 25.6 cm (7 1/16 × 10 1/16 in.) mount: 27.7 × 35.3 cm (10 7/8 × 13 7/8 in.)

National Gallery of Art

Four o'Clock in Town

1788 · etching and aquatint with hand coloring on laid paper

sheet: 30.6 × 39.6 cm (12 1/16 × 15 9/16 in.)

National Gallery of Art

Sir Joseph Banks about to Eat an Alligator (‘The Fish Supper’)

1788 · Ink and watercolour on paper

support: 160 x 212 mm

Tate

Study for Comforts of Bath

1788 · Pen and brown ink with brush and watercolor, on cream wove paper

13 × 19.2 cm (5 1/8 × 7 9/16 in.)

Art Institute of Chicago

Launcetown Cornwall

1788 · Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on card

17 × 26 cm (6 3/4 × 10 1/4 in.)

Art Institute of Chicago