WATTS INDEXThe canonical database of visual culture

Artists›Thomas Moore

Thomas Moore

Artist

WA-00050678

Printmaking

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

20%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Field Verification (1 fields)

1 cross-verified · 0 single-source

Is PublishedPath D Subcohort3 Directory 2026-05-23· 100%✓

Source Registry (1)

Aicsub-cohort-3-backfill:aic
Tier 3 · Scraped/inferred50%

About

Why this artist matters now

No biography available for Thomas Moore yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Printmaking

Related Artists

6 in graph

Institutional

Museum Collections

Art Institute of Chicago

Canonical record

Artworks (2)

The Tear of Gratitude

1848 · Lithograph in black on ivory wove paper (two sheets sewn together, cover removed)

Image: 18.9 × 24.2 cm (7 1/2 × 9 9/16 in.); Sheet: 42.1 × 31.8 cm (16 5/8 × 12 9/16 in.)

Art Institute of Chicago

Cheval fire screen

1750 · Mahogany, wool knotted-pile panel (not original to the screen)

Overall: 52 1/2 × 37 1/2 × 26 1/4 in. (133.4 × 95.3 × 66.7 cm)

The Metropolitan Museum of Art

Artwork sources (2)

2 published of 2 catalogued · 2 with image

Art Institute Chicago
1 published1 img
The Met
1 published1 img

Record

Images

Artsy

Art Institute of Chicago

Relationships

Collections1

Art Institute of Chicago

Institutional

Representation & Collections

In collection

Art Institute of Chicago

Record

Exhibitions and timeline

No exhibitions or timeline entries yet