Artworks · Thomas Gainsborough

[title not known]

1819 · Etching and watercolour on paper

image: 194 x 272 mm

Tate

[title not known]

1819 · Etching and watercolour on paper

image: 187 x 263 mm

Tate

[title not known]

1819 · Etching on paper

image: 193 x 269 mm

Tate

[title not known]

1819 · Etching on paper

image: 183 x 256 mm

Tate

[title not known]

1819 · Etching on paper

image: 189 x 267 mm

Tate

[title not known]

1819 · Etching and watercolour on paper

image: 197 x 266 mm

Tate

[title not known]

1819 · Etching and watercolour on paper

image: 191 x 265 mm

Tate

[title not known]

1819 · Etching on paper

image: 259 x 194 mm

Tate

[title not known]

1819 · Etching on paper

image: 256 x 195 mm

Tate

[title not known]

1819 · Etching and watercolour on paper

image: 265 x 190 mm

Tate

[title not known]

1819 · Etching on paper

image: 256 x 192 mm

Tate

[title not known]

1819 · Etching and watercolour on paper

image: 250 x 189 mm

Tate

[title not known]

1819 · Etching and watercolour on paper

image: 262 x 193 mm

Tate

Wooded Landscape with Cows beside a Pool, Figures and Cottage

1797 · softground etching and aquatint

Cleveland Museum of Art

A Boy with a Cat—Morning

1787 · Oil on canvas

59 1/4 x 47 1/2 in. (150.5 x 120.7 cm)

The Metropolitan Museum of Art

Cottage Children (The Wood Gatherers)

1787 · Oil on canvas

58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)

The Metropolitan Museum of Art

A Woodman Seated on a Bundle of Faggots

1787 · Black chalk with stumping, heightened with touches of white gouache and traces of white chalk, on buff laid paper

48.5 × 29.6 cm (19 1/8 × 11 11/16 in.)

Art Institute of Chicago

Cottage Children (The Wood Gatherers)

1787 · Oil on canvas

58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)

The Metropolitan Museum of Art

A Boy with a Cat—Morning

1787 · Oil on canvas

59 1/4 x 47 1/2 in. (150.5 x 120.7 cm)

The Metropolitan Museum of Art

The Bridge

1786 · Oil paint on canvas

support: 400 x 483 mm

Tate

Boy Driving Cows near a Pool

1786 · Oil paint on canvas

support: 584 x 762 mm frame: 815 x 994 x 115 mm

Tate

Miss Catherine Tatton

1786 · oil on canvas

overall: 76 x 64 cm (29 15/16 x 25 3/16 in.) framed: 104.5 x 91.8 x 14 cm (41 1/8 x 36 1/8 x 5 1/2 in.)

National Gallery of Art

Coastal View

1786 · Black chalk, heightened with white chalk, on blue laid paper

30 × 42.3 cm (11 13/16 × 16 11/16 in.)

Art Institute of Chicago

William Yelverton Davenport

1785 · oil on canvas

overall: 127.3 x 101.9 cm (50 1/8 x 40 1/8 in.) framed: 154.9 x 129.5 x 12.7 cm (61 x 51 x 5 in.)

National Gallery of Art

John, 4th Earl of Darnley

1785 · oil on canvas

overall: 76 x 63.5 cm (29 15/16 x 25 in.)

National Gallery of Art

Wooded Landscape with Herdsman and Three Cows

1785 · Aquatint on paper

image: 267 x 340 mm

Tate

Wooded Landscape with Herdsman and Four Cows

1785 · Aquatint and etching on paper

image: 257 x 324 mm

Tate

Wooded Landscape with Three Cows at a Pool

1785 · Aquatint on paper

image: 270 x 349 mm

Tate

Wooded Landscape with Country Cart and Figures

1785 · Aquatint on paper

image: 283 x 349 mm

Tate

Wooded Landscape with Country Cart, Cottage and Figures

1785 · Etching on paper

image: 257 x 324 mm

Tate

Wooded River Landscape with Shepherd and Sheep

1785 · Etching and aquatint on paper

image: 251 x 340 mm

Tate

Wooded Landscape with Riders

1785 · Aquatint on paper

image: 184 x 244 mm

Tate

Figure Study for ‘The Housemaid’

1785 · Chalk on paper

support: 346 x 248 mm

Tate

Wooded Landscape with Herdsman and Three Cows

1785 · Aquatint on paper

image: 276 x 346 mm

Tate

Wooded Landscape with Country Cart, Cottage and Figures

1785 · Etching on paper

image: 248 x 321 mm

Tate

Wooded River Landscape with Shepherd and Sheep

1785 · Etching and aquatint on paper

image: 248 x 343 mm

Tate

Wooded Mountain Landscape with Figures, Church and River

1785 · Pastel on paper

support: 264 x 368 mm

Tate

Wooded Landscape with Figures and Pool

1785 · Chalk on paper

support: 260 x 368 mm

Tate

Upland Landscape with River and Horsemen Crossing a Bridge

1785 · Chalk on paper

support: 264 x 368 mm

Tate

Wooded Landscape with Shepherd and Sheep

1785 · Chalk on paper

support: 264 x 368 mm

Tate

Mountain Landscape with Pool

1785 · Chalk on paper

support: 264 x 368 mm

Tate

Wooded Landscape with Three Cows at a Pool

1785 · Aquatint on paper

image: 279 x 346 mm

Tate

Mrs. Richard Brinsley Sheridan

1785 · oil on canvas

overall: 219.7 × 153.7 cm (86 1/2 × 60 1/2 in.) framed: 251.46 × 185.42 × 13.97 cm (99 × 73 × 5 1/2 in.) framed weight: 147 lb. (66.679 kg)

National Gallery of Art

Mrs. Sarah Siddons

1785 · black chalk with extensive stump work with traces of white gouache

Sheet: 46.8 x 35.3 cm (18 7/16 x 13 7/8 in.)

Cleveland Museum of Art

The Baillie Family

1784 · Oil paint on canvas

support: 2508 x 2273 mm frame: 2705 x 2475 x 95 mm

Tate

Wooded Landscape with Country Cart, Cottage and Figures

1784 · Soft-ground etching; first state

plate: 11 x 13 3/4 in. (27.9 x 34.9 cm)

The Metropolitan Museum of Art

Wooded Landscape with Riders and Packhorses

1783 · Mezzotint and drypoint on paper

image: 241 x 318 mm

Tate

Mountain Landscape with Bridge

1783 · oil on canvas

overall: 113 x 133.4 cm (44 1/2 x 52 1/2 in.) framed: 146.7 x 167.6 cm (57 3/4 x 66 in.)

National Gallery of Art