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Artists›Thomas Couture

Thomas Couture

1815–1879

WA-00084824

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

70%

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Authority Records (1)

WikidataQ326434

Field Verification (7 fields)

5 cross-verified · 2 single-source

Birth yearArtsy + Duplicate Merge· 85%✓
Is PublishedManual· 100%✓
Death yearDuplicate Merge· 85%✓
BiographyDuplicate Merge· 85%✓
Primary mediumDuplicate Merge· 85%✓
LocationArtsy· 85%
NationalityArtsy· 85%

Source Registry (1)

Wikidata
Tier 1 · Institutional85%

About

Why this artist matters now

Thomas Couture was a French painter who dominated academic salon painting in the mid-nineteenth century, known for large-scale historical and mythological compositions rendered in rich color and dramatic light. His monumental canvases, executed with meticulous technique and theatrical narrative, made him one of the most influential teachers of his generation, instructing students in his Senlis studio in the principles of classical composition and historical narrative. His work epitomizes the grand manner of Second Empire painting, combining neoclassical rigor with romantic sensibility.

Source: Wikidata · Trust score: 85% · Updated 8d ago

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Painting

Related Artists

6 in graph

Canonical record

Artworks (10)

Interior of a Church

1877 · Black chalk, heightened with white

24 3/4 x 19 1/4 in. (62.9 x 48.9cm)

The Metropolitan Museum of Art

Soap Bubbles

1859 · Oil on canvas

51 1/2 x 38 5/8 in. (130.8 x 98.1 cm)

The Metropolitan Museum of Art

Study for the decoration of the ceiling of the Opéra Comique

1852 · Black chalk on blue paper mounted on cardboard

Sheet with canted corners: 17 3/16 x 17 3/16 in. (43.7 x 43.7 cm)

The Metropolitan Museum of Art

Objects on Wall, study for Couture, The Bird-Catcher

1852 · Black chalk, heightened with white chalk, on blue laid paper

32.3 × 45.7 cm (12 3/4 × 18 in.)

Art Institute of Chicago

The Bird Catcher

1852 · Oil on canvas

40.8 × 59.6 cm (16 × 23 1/2 in.); Framed: 55.6 × 74.3 × 8 cm (21 7/8 × 29 1/4 × 3 1/8 in.)

Art Institute of Chicago

The Supper after the Masked Ball

1850 · Woodcut with painted and stenciled additions on tan wove paper, laid down on fabric, and stretched on a wooden stretcher

Image: 176 × 245 cm (69 5/16 × 96 1/2 in.); Sheet, sight: 176.8 × 235.9 cm (69 5/8 × 92 7/8 in.)

Art Institute of Chicago

Study for “The Enrollment of the Volunteers of 1792”

1848 · Fabricated black chalk

Sheet: 16 3/4 in. × 12 in. (42.5 × 30.5 cm)

The Metropolitan Museum of Art

Study for "The Enrollment of the Volunteers of 1792"

1843 · Black chalk on gray paper

17 1/4 x 21 1/4 in. (43.8 x 54cm)

The Metropolitan Museum of Art

Lust for Gold

1840 · canvas, oil paint (paint)

depth: 12 cm, height: 35 cm, width: 45 cm

Rijksmuseum

Lawyer on His Way to Court (Se Rendant à l'Audience)

1830 · Black chalk

Sheet: 12 1/2 x 18 13/16 in. (31.8 x 47.8cm)

The Metropolitan Museum of Art

View all 10 artworks →

Artwork sources (3)

10 published of 10 catalogued · 10 with image

The Met
6 published6 img
Art Institute Chicago
3 published3 img
Rijksmuseum
1 published1 img

Per-Artwork Provenance Chains (top 1)

1 entries · 1 sources

Lust for Gold
1840 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

12 assets

Wikipedia

Smithsonian Institution

Duel after the Masked Ball (recto); Head of a Woman (verso) (c. 1857)

Cleveland Museum of Art

Duel after the Masked Ball (recto) (c. 1857)

Cleveland Museum of Art

Cleveland Museum of Art

Landscape Study with Trees (c. 1870–1875)

Cleveland Museum of Art

Cleveland Museum of Art

Cleveland Museum of Art

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Record

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