Artworks · Stanley William Hayter

Tarantelle (Abstraction)

1943 · Engraving and soft ground etching and scorper on paper

Plate: 53 × 32.8 cm (20 7/8 × 12 15/16 in.); Sheet: 64 × 38.2 cm (25 1/4 × 15 1/16 in.)

Art Institute of Chicago

Tarantelle

1943 · Engraving, scorper and soft ground etching on copper plate on ivory wove paper

Plate: 55 × 33.2 cm (21 11/16 × 13 1/8 in.); Sheet: 63.5 × 38.1 cm (25 × 15 in.)

Art Institute of Chicago

Tarantelle

1943 · Engraving and etching

Museum of Modern Art

Untitled

1943 · Engraving on plaster, carved

composition 8 x 9 9/16" (20.4 x 24.3 cm)

Museum of Modern Art

Laocoön

1943 · Engraving and etching

plate: 12 1/4 x 21 3/4" (31.1 x 55.2cm); sheet: 15 1/16 x 24 1/8" (38.2 x 61.3 cm)

Museum of Modern Art

Centauresse

1943 · Engraving and etching

composition: 5 15/16 x 3 15/16" (15.1 x 10cm)

Museum of Modern Art

Cruelty of Insects

1942 · Cranach wove paper

Plate: 20 x 25.2 cm (7 7/8 x 9 15/16 in.); Matted: 37.5 x 42.4 cm (14 3/4 x 16 11/16 in.); Sheet: 30.3 x 41 cm (11 15/16 x 16 1/8 in.)

Cleveland Museum of Art

La bêche

1941 · Engraving

Plate: 4 × 2 3/4 in. (10.2 × 7 cm) Sheet: 6 1/4 × 4 3/4 in. (15.9 × 12.1 cm)

The Metropolitan Museum of Art

Mirror

1941 · Etched and printed plaster

with frame: 14 × 10 1/8 × 1 3/8 in., 7.1 lb. (35.6 × 25.7 × 3.5 cm, 3.2 kg)

The Metropolitan Museum of Art

Myth of Creation

1940 · Engraving, aquatint and etching on copper

image: 251 x 200 mm

Tate

Maternity

1940 · Engraving and soft ground etching printed over three screenprinted colors on white laid paper

Plate: 22.7 × 19 cm (8 15/16 × 7 1/2 in.); Sheet: 35.5 × 30 cm (14 × 11 13/16 in.)

Art Institute of Chicago

Hand Sculpture

1940 · Plaster

15 1/4 x 6 3/4 x 6 3/4" (38.8 x 17.2 x 17.2 cm)

Museum of Modern Art

Maternity

1940 · Engraving and etching

plate: 8 15/16 x 7 1/2" (22.7 x 19 cm)

Museum of Modern Art

Invocation

1939 · Engraving and etching

plate: 6 3/16 x 4 7/16" (15.7 x 11.3 cm)

Museum of Modern Art

Fraternity (slipcase front) from Fraternity

1939 · Engraving from an illustrated book with eight engravings (including slipcase, one with etching, one with aquatint and roulette), one drypoint, and one etching

composition: 4 × 2 11/16" (10.2 × 6.8 cm); page: 9 1/2 × 6 15/16" (24.1 × 17.6 cm)

Museum of Modern Art

España (folio 5) from Fraternity

1939 · Engraving from an illustrated book with eight engravings (including slipcase, one with etching, one with aquatint and roulette), one drypoint, and one etching

plate: 5 1/16 × 3 1/2" (12.8 × 8.9 cm); sheet: 9 × 6 7/16" (22.8 × 16.4 cm)

Museum of Modern Art

Plate 7 from Solidarité (Solidarity)

1938 · Engraving from an illustrated book with four etchings (one with aquatint and engraving) and three engravings (one with drypoint)

plate: 4 × 2 15/16" (10.2 × 7.4 cm); sheet: 8 3/4 × 6 1/2" (22.3 × 16.5 cm)

Museum of Modern Art

L'Apocalypse

1937 · Illustrated book with one engraving and soft-ground etching

15.2 × 9.9 cm (6 × 3 15/16 in.)

Art Institute of Chicago

L'Apocalypse

1937 · Illustrated book with one engraving and etching

plate 3 1/2 x 6" (8.9 x 15.3 cm)

Museum of Modern Art

Ophelia

1936 · Oil paint, casein tempera and gesso on canvas

support: 1000 x 1445 mm

Tate

Combat

1936 · Engraving and etching

plate: 15 3/4 x 19 3/8" (40 x 49.2 cm); sheet: 25 3/16 x 28 3/4" (64 x 73 cm)

Museum of Modern Art

Deliquescence

1935 · Oil paint on wood

support: 991 x 2000 mm frame: 1033 x 2026 x 47 mm

Tate

Oedipus

1934 · Engraving and etching with roulette

plate: 5 7/8 x 6 5/16" (14.9 x 16 cm); sheet: 9 x 12 5/16" (22.8 x 31.3 cm)

Museum of Modern Art

Rape of Lucretia (Viol de Lucréce)

1934 · Engraving and etching

plate: 11 3/4 x 14" (29.9 x 35.6 cm); sheet: 15 7/16 x 20 9/16" (39.2 x 52.3 cm)

Museum of Modern Art

Plate for The Rape of Lucretia

1934 · Original copper plate for engraving and soft ground etching

11 13/16 x 14 3/8" (30.0 x 36.5 cm)

Museum of Modern Art

Untitled, from L'Apocalypse

1932 · Engraving on ivory wove paper

Image/plate: 29.4 × 23.8 cm (11 5/8 × 9 3/8 in.); Sheet: 52.2 × 40.3 cm (20 9/16 × 15 7/8 in.)

Art Institute of Chicago

Title Page, from L'Apocalypse

1932 · Etching on paper

Sheet, folded: 52.2 × 40.2 cm (20 9/16 × 15 7/8 in.)

Art Institute of Chicago

Marquis de Sade (plate, page 11) from Cast Shadows (Ombres portées)

1932 · Engraving from an illustrated book with five engravings, two with roulette

plate: 6 1/8 × 3 11/16" (15.5 × 9.4 cm); page (irreg.): 9 13/16 × 5 15/16" (25 × 15.9 cm)

Museum of Modern Art

Cast Shadows (Ombres portées)

1932 · Engraving from an illustrated book with five engravings, two with roulette

various plate dimensions; page (each irreg.): 9 13/16 × 6 1/4" (25 × 15.9 cm)

Museum of Modern Art

Compliant, or Some Moments of Imperial Life (plate, page 21) from Cast Shadows (Ombres portées)

1932 · Engraving from an illustrated book with five engravings, two with roulette

plate: 6 1/8 × 3 11/16" (15.5 × 9.4 cm); page (irreg.): 9 13/16 × 6 1/4" (25 × 15.9 cm)

Museum of Modern Art

Prisoner of the Islands (plate, page 31) from Cast Shadows (Ombres portées)

1932 · Engraving from an illustrated book with five engravings, two with roulette

plate: 6 1/8 × 3 11/16" (15.5 × 9.4 cm); page (irreg.): 9 13/16 × 6 1/4" (25 × 15.9 cm)

Museum of Modern Art

Cassie (plate, page 39) from Cast Shadows (Ombres portées)

1932 · Engraving from an illustrated book with five engravings, two with roulette

plate: 6 1/8 × 3 11/16" (15.5 × 9.3 cm); page (irreg.): 9 13/16 × 6 1/4" (25 × 15.9 cm)

Museum of Modern Art

Archipelago, or Meeting of the Islands (plate, page 49) from Cast Shadows (Ombres portées)

1932 · Engraving with roulette from an illustrated book with five engravings, two with roulette

plate: 6 1/8 × 3 11/16" (15.5 × 9.4 cm); page (irreg.): 9 13/16 × 6 1/4" (25 × 15.9 cm)

Museum of Modern Art

Untitled, from L'Apocalypse

1931 · Engraving and drypoint on ivory wove paper

Image/plate: 32.4 × 23 cm (12 13/16 × 9 1/16 in.); Sheet: 52.3 × 40.3 cm (20 5/8 × 15 7/8 in.)

Art Institute of Chicago

Untitled, from L'Apocalypse

1931 · Engraving and drypoint on ivory wove paper

Image/plate: 32.3 × 24.7 cm (12 3/4 × 9 3/4 in.); Sheet: 52 × 40.2 cm (20 1/2 × 15 7/8 in.)

Art Institute of Chicago

Untitled, from L'Apocalypse

1931 · Engraving, with burnishing, and drypoint on ivory wove paper

Image/plate: 24.7 × 15.9 cm (9 3/4 × 6 5/16 in.); Sheet: 52 × 40.3 cm (20 1/2 × 15 7/8 in.)

Art Institute of Chicago

Untitled, from L'Apocalypse

1931 · Engraving on ivory wove paper

Image/plate: 24.2 × 19.4 cm (9 9/16 × 7 11/16 in.); Sheet: 52.1 × 40.1 cm (20 9/16 × 15 13/16 in.)

Art Institute of Chicago

Untitled, from L'Apocalypse

1930 · Engraving and drypoint on ivory wove paper

Image/plate: 29.7 × 21.3 cm (11 3/4 × 8 7/16 in.); Sheet: 52.3 × 40.3 cm (20 5/8 × 15 7/8 in.)

Art Institute of Chicago

Place Faiguiére, from Paysages Urbains

1930 · Drypoint on ivory wove paper

Plate: 20.7 × 26.7 cm (8 3/16 × 10 9/16 in.); Sheet: 28.3 × 38 cm (11 3/16 × 15 in.)

Art Institute of Chicago

Rue du Repos, from Paysages Urbains

1930 · Drypoint on ivory wove paper

Plate: 20.7 × 26.8 cm (8 3/16 × 10 9/16 in.); Sheet: 28.3 × 37.6 cm (11 3/16 × 14 13/16 in.)

Art Institute of Chicago

Rue d'Assas, from Paysages Urbains

1930 · Drypoint on ivory wove paper

Plate: 20.7 × 26.9 cm (8 3/16 × 10 5/8 in.); Sheet: 28.4 × 38 cm (11 3/16 × 15 in.)

Art Institute of Chicago

Rue de la Villette, from Paysages Urbains

1930 · Drypoint on ivory wove paper

Plate: 20.7 × 26.8 cm (8 3/16 × 10 9/16 in.); 28.4 × 38 cm (11 3/16 × 15 in.)

Art Institute of Chicago

Pere Lachaise, from Paysages Urbains

1930 · Drypoint on ivory wove paper

Plate: 20.7 × 26.9 cm (8 3/16 × 10 5/8 in.); Sheet: 28.4 × 37.6 cm (11 3/16 × 14 13/16 in.)

Art Institute of Chicago

La Villette, from Paysages Urbains

1930 · Drypoint on ivory wove paper

Plate: 18.9 × 25 cm (7 1/2 × 9 7/8 in.); Sheet: 28.4 × 38 cm (11 3/16 × 15 in.)

Art Institute of Chicago

Folio Cover, from Paysages Urbains

1930 · Portfolio cover

Art Institute of Chicago

Rue de la Villette

1930 · Engraving and drypoint

plate: 8 3/16 x 10 1/2" (20.8 x 26.7 cm); sheet: 10 5/8 x 15 1/4" (27 x 38.8 cm)

Museum of Modern Art

Bonifacio

1927 · Drypoint

Plate: 6 × 9 1/4 in. (15.2 × 23.5 cm) Sheet: 11 3/4 × 15 1/2 in. (29.8 × 39.4 cm)

The Metropolitan Museum of Art

Cronos

1921 · Copper plate for engraving

40.6 × 51 cm (16 × 20 1/8 in.)

Art Institute of Chicago