Artworks · Sandro Chia

Figure Looking Out

1982 · Etching

plate: 10 7/8 x 13 13/16" (27.6 x 35.1 cm); sheet: 29 1/2 x 22 1/16" (75 x 56.1 cm)

Museum of Modern Art

Water Bearer

1981 · Oil paint and pastel on canvas

support: 2065 x 1700 mm

Tate

The Butcher

1981 · Etching on paper

image: 645 x 490 mm

Tate

Running Boy with Strange Fingers

1981 · Etching and aquatint on paper

image: 650 x 400 mm

Tate

And the Heroes at the Window

1981 · Etching and drypoint on paper

image: 292 x 310 mm

Tate

A Good Soul

1981 · Etching and drypoint on paper

image: 292 x 310 mm

Tate

The Artifice

1981 · Etching and drypoint on paper

image: 295 x 312 mm

Tate

About the Unseizable

1981 · Etching and drypoint on paper

image: 315 x 292 mm

Tate

To the Tower

1981 · Etching and drypoint on paper

image: 282 x 300 mm

Tate

The Idleness of Sisyphus

1981 · Oil on canvas, two panels

10' 2" x 12' 8 1/4" (309.9 x 386.7 cm)

Museum of Modern Art

The Artifice (L'artificio) from the portfolio April Manual (Manuale d'Aprile)

1981 · Etching, aquatint, drypoint and roulette

composition: 11 13/16 x 12 1/2" (30 x 31.7 cm); sheet: 30 x 22 5/16" (76.2 x 56.6 cm)

Museum of Modern Art

Carta d'Olanda

1980 · Illustrated book with ten etchings

page (each): 12 5/8 x 9 7/16" (32 x 24 cm); overall (closed): 12 15/16 x 9 13/16 x 3/8" (32.8 x 25 x 1 cm)

Museum of Modern Art

Sketch for Genoa, No. 2

1980 · Watercolor, pencil, and ballpoint pen on paper

17 1/2 x 20 3/8" (44.5 x 51.6 cm)

Museum of Modern Art