Artworks · Samuel Palmer

The Skylark

1850 · etching on wove paper [proof]

sheet: 29.6 × 21.6 cm (11 5/8 × 8 1/2 in.) image: 9.9 × 7.4 cm (3 7/8 × 2 15/16 in.) plate: 12 × 9.7 cm (4 3/4 × 3 13/16 in.)

National Gallery of Art

Christmas, or Folding the Last Sheep

1850 · etching on laid paper

plate: 12.7 × 9.9 cm (5 × 3 7/8 in.) sheet: 21 × 15.5 cm (8 1/4 × 6 1/8 in.)

National Gallery of Art

The Herdsman's Cottage

1850 · etching on laid paper

image: 9.7 x 7.7 cm (3 13/16 x 3 1/16 in.) plate: 12.4 x 10.5 cm (4 7/8 x 4 1/8 in.) sheet: 37 x 27.1 cm (14 9/16 x 10 11/16 in.)

National Gallery of Art

The Skylark

1850 · Etching on ivory chine, laid down on white wove paper

Plate: 12.4 × 11.6 cm (4 15/16 × 4 5/8 in.); Sheet: 29.5 × 21.5 cm (11 5/8 × 8 1/2 in.)

Art Institute of Chicago

Christmas

1850 · Etching on paper

Image: 10.1 × 8.2 cm (4 × 3 1/4 in.); Plate: 12.5 × 10.3 cm (4 15/16 × 4 1/16 in.); Sheet: 29.8 × 27.9 cm (11 3/4 × 11 in.)

Art Institute of Chicago

The Rising Moon

1850 · Etching; sixth or between six and seventh state of nine

Sheet: 4 5/8 × 7 5/8 in. (11.8 × 19.3 cm)

The Metropolitan Museum of Art

The Early Ploughman, or The Morning Spread Upon the Mountains

1850 · Etching; fifth state of nine

sheet: 7 3/8 x 10 7/16 in. (18.8 x 26.5 cm)

The Metropolitan Museum of Art

The Early Ploughman, or The Morning Spread Upon the Mountains

1850 · Etching; fifth state of nine

sheet: 7 1/16 x 10 1/2 in. (18 x 26.7 cm)

The Metropolitan Museum of Art

The Early Ploughman, or Morning Spread Upon the Mountains

1850 · Etching; fifth state of nine

sheet: 7 x 10 5/16 in. (17.8 x 26.2 cm)

The Metropolitan Museum of Art

The Herdsman's Cottage, or Sunset

1850 · Etching; second state or two

sheet: 13 1/16 x 10 1/4 in. (33.2 x 26.1 cm)

The Metropolitan Museum of Art

The Willow

1850 · Etching; second state of three

sheet: 6 7/16 x 3 3/4 in. (16.3 x 9.6 cm)

The Metropolitan Museum of Art

Christmas, or Folding the Last Sheep

1850 · Etching; second state of five

sheet: 12 1/16 x 8 3/4 in. (30.7 x 22.2 cm)

The Metropolitan Museum of Art

The Skylark

1850 · Etching on chine collé; seventh or eighth state of eight

sheet: 14 7/16 x 10 5/8 in. (36.7 x 27 cm)

The Metropolitan Museum of Art

The Skylark

1845 · pen and ink over graphite with white heightening

Sheet: 8.8 x 6.8 cm (3 7/16 x 2 11/16 in.)

Cleveland Museum of Art

Evening in Italy—the Deserted Villa

1845 · Watercolor, with traces of shell gold, over graphite on cream wove paper, perimeter mounted to cream wove card

19 × 41.2 cm (7 1/2 × 16 1/4 in.)

Art Institute of Chicago

Sunset

1845 · Etching on paper

Image: 9.7 × 7.7 cm (3 7/8 × 3 1/16 in.); Plate: 10.3 × 12.4 cm (4 1/16 × 4 15/16 in.); Sheet: 35.1 × 26.4 cm (13 7/8 × 10 7/16 in.)

Art Institute of Chicago

Page from a Sketchbook

1843 · Graphite

sheet: 7 3/16 x 4 7/16 in. (18.4 x 11.2 cm)

The Metropolitan Museum of Art

View of Clovelly, Devon

1843 · Watercolour, gouache (bodycolor), black chalk and graphite

sheet: 10 5/8 x 14 15/16 in. (27 x 38 cm)

The Metropolitan Museum of Art

The Colosseum and the Arch of Constantine from the Palatine, Rome

1837 · Graphite and watercolour on paper

support: 137 x 279 mm

Tate

The Waterfalls, Pistil Mawddach, North Wales

1835 · Oil paint on canvas

support: 406 x 260 mm frame: 524 x 632 x 45 mm

Tate

Evening, engraved by Welby Sherman

1834 · Mezzotint on paper

image: 149 x 178 mm

Tate

The Gleaning Field

1833 · Tempera on mahogany

support: 305 x 454 mm frame: 439 x 592 x 62 mm

Tate

The Bright Cloud

1833 · Ink and watercolour on paper

support: 229 x 305 mm frame: 598 x 447 x 25 mm

Tate

The Harvest Moon: Drawing for ‘A Pastoral Scene’

1831 · Ink and gouache on card

support: 152 x 184 mm

Tate

Moonlight, a Landscape with Sheep

1831 · Ink on card

support: 152 x 184 mm

Tate

Harvesters by Firelight

1830 · pen and black ink with watercolor and gouache on wove paper

overall: 28.7 x 36.7 cm (11 5/16 x 14 7/16 in.)

National Gallery of Art

A Church among Trees

1830 · Ink on card

support: 152 x 184 mm frame: 357 x 372 x 15 mm

Tate

Coming from Evening Church

1830 · Tempera, chalk, gold, ink and graphite on gesso on paper

support: 302 x 200 mm frame: 355 x 251 x 59 mm

Tate

View from Wilmots Hill, Kent

1830 · Watercolor over black chalk on cream wove paper

24.6 × 36.5 cm (9 11/16 × 14 3/8 in.)

Art Institute of Chicago

On the North Coast of Devon, Lundy Island in the Distance

1830 · Watercolor and black chalk over graphite with touches of gouache (bodycolor)

sheet: 10 11/16 x 14 15/16 in. (27.1 x 38 cm)

The Metropolitan Museum of Art

A Hilly Scene

1826 · Watercolour and gum arabic on paper on mahogany

support: 206 x 137 mm

Tate

Landscape, Girl Standing

1826 · Ink and gouache on card

support: 115 x 134 mm frame: 437 x 310 x 25 mm

Tate

The Early Plowman

1825 · Etching in black on paper

Image: 13.3 × 19.7 cm (5 1/4 × 7 13/16 in.); Plate: 18 × 25 cm (7 1/8 × 9 7/8 in.); Sheet: 28.5 × 37.5 cm (11 1/4 × 14 13/16 in.)

Art Institute of Chicago

The Herdsman

1825 · Etching in black on paper

Image: 13.1 × 20 cm (5 3/16 × 7 7/8 in.); Plate: 19 × 26.1 cm (7 1/2 × 10 5/16 in.); Sheet: 23.5 × 36.5 cm (9 5/16 × 14 3/8 in.)

Art Institute of Chicago

The Lonely Tower

1825 · Etching in black on paper

Image: 16.5 × 23 cm (6 1/2 × 9 1/16 in.); Plate: 19 × 25.5 cm (7 1/2 × 10 1/16 in.); Sheet: 25.5 × 34.5 cm (10 1/16 × 13 5/8 in.)

Art Institute of Chicago

Plumpy Bacchus

1825 · Etching in black on paper

Image: 5.2 × 11.2 cm (2 1/16 × 4 7/16 in.); Sheet: 13.5 × 22 cm (5 3/8 × 8 11/16 in.)

Art Institute of Chicago

The Rising Moon

1825 · Etching in black on paper

Image: 11.8 × 19 cm (4 11/16 × 7 1/2 in.); Plate: 15 × 22 cm (5 15/16 × 8 11/16 in.); Sheet: 26 × 36.5 cm (10 1/4 × 14 3/8 in.)

Art Institute of Chicago

The Willow

1825 · Etching in black on paper

Image: 9 × 6.7 cm (3 9/16 × 2 11/16 in.); Plate: 11.5 × 8.5 cm (4 9/16 × 3 3/8 in.); Sheet: 29.7 × 21.2 cm (11 3/4 × 8 3/8 in.)

Art Institute of Chicago

The Skylark

1825 · Etching in black on paper

Image: 9.9 × 7.5 cm (3 15/16 × 3 in.); Plate: 12 × 9.7 cm (4 3/4 × 3 7/8 in.); Sheet: 36.5 × 26.8 cm (14 3/8 × 10 9/16 in.)

Art Institute of Chicago

Opening the Fold

1825 · Etching in black on paper

Image: 11.9 × 17.7 cm (4 11/16 × 7 in.); Plate: 19 × 24 cm (7 1/2 × 9 1/2 in.); Sheet: 27.5 × 36 cm (10 7/8 × 14 3/16 in.)

Art Institute of Chicago

The Bridge at Shoreham

1824 · Pen and brown ink, brush and black and gray wash and white gouache (bodycolor), over graphite, on gray-brown paper

sheet: 8 11/16 x 10 15/16 in. (22.1 x 27.8 cm)

The Metropolitan Museum of Art

Weg in een Italiaans berglandschap

1815 · brush on deck paint, watercolor (paint), pencil, paper

height: 298 cm, width: 454 cm

Rijksmuseum

The Towered City (of: The Haunted Stream)

1815 · brush on gum (material), cardboard, deck paint, gilding (material), pencil, wood (plant material), watercolor (paint)

width: 700 cm, height: 505 cm

Rijksmuseum

The Enchanted Castle at Dusk

1805 · watercolor and gouache with touches of gold on wove paper

overall: 34.9 x 26.7 cm (13 3/4 x 10 1/2 in.)

National Gallery of Art

Fantasy View of Lake Nemi

Graphite and watercolour on paper

support: 285 x 466 mm

Tate

A Ruined Castle on a Hill

Graphite, ink and watercolour on paper

support: 136 x 215 mm

Tate

Bally Hooley Castle and Old Church

Graphite, ink and watercolour on paper

support: 113 x 185 mm

Tate

Entrance to Blarney Castle

Ink and watercolour on paper

support: 114 x 185 mm

Tate