WATTS INDEXThe canonical database of visual culture

Artists›Samuel Colman, American

Samuel Colman, American

Artist

WA-00042425

Painting

Representation

None documented

Institutional Exhibitions

Works in Collection

107

Assets Indexed

Authority-backed Facts

Publications Referenced

40%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Field Verification (1 fields)

1 cross-verified · 0 single-source

Is PublishedPath D Subcohort3 Directory 2026-05-23· 100%✓

Source Registry (1)

Smithsoniansub-cohort-3-backfill:smithsonian
Tier 1 · Institutional50%

About

Why this artist matters now

No biography available for Samuel Colman, American yet.

Graph relationships

Taste overlap and adjacency

Movement

—

Medium

Painting

Related Artists

6 in graph

Institutional

Museum Collections

Smithsonian American Art Museum Cooper Hewitt, Smithsonian Design Museum

Canonical record

Artworks (14)

Spanish Peaks, Southern Colorado, Late Afternoon

1887 · Oil on canvas

31 1/8 x 72 1/4in. (79.1 x 183.5cm) Framed: 40 1/16 x 81 1/8 x 4 5/16 in. (101.8 x 206 x 11 cm)

The Metropolitan Museum of Art

The Olive Trees of the Riviera

1884 · etching

Sheet: 35.7 x 48.7 cm (14 1/16 x 19 3/16 in.); Image: 28 x 37.7 cm (11 x 14 13/16 in.)

Cleveland Museum of Art

A Cloudy Day in Venice

1881 · Etching on ivory laid paper

Image: 12.5 × 19.3 cm (4 15/16 × 7 5/8 in.); Plate: 12.7 × 19.5 cm (5 × 7 11/16 in.); Sheet: 32.7 × 44.3 cm (12 7/8 × 17 1/2 in.)

Art Institute of Chicago

A Cloudy Day in Venice

1876 · etching

Cleveland Museum of Art

Pont de Grand, Bruges

1875 · etching

Cleveland Museum of Art

Old Tower at Avignon

1875 · Oil on canvas

20.3 × 23.7 cm (8 × 9 5/16 in.)

Art Institute of Chicago

Olive Trees of the Riviera

1870 · etching

Cleveland Museum of Art

Finish—First International Race for America's Cup, August 8, 1870

1870 · Oil on canvas

30 3/16 x 60 1/8 in. (76.7 x 152.7 cm)

The Metropolitan Museum of Art

The Hill of the Alhambra, Granada

1865 · Oil on canvas

47 1/2 x 72 1/2 in. (120.7 x 184.2 cm)

The Metropolitan Museum of Art

Montalbaans Tower, Province of North Holland, Netherlands

1860 · etching

Cleveland Museum of Art

The New Market, Amsterdam

1860 · etching

Cleveland Museum of Art

Farmington

1843 · Watercolor and graphite on off-white wove paper

7 1/4 x 20 1/16 in. (18.4 x 51 cm)

The Metropolitan Museum of Art

The Boompjes, Rotterdam

1832 · etching

Cleveland Museum of Art

Naples

1832 · Watercolor, gouache, and graphite on dark brown wove paper

5 3/8 x 7 15/16 in. (13.7 x 20.2 cm)

The Metropolitan Museum of Art

View all 14 artworks →

Artwork sources (4)

14 published of 105 catalogued · 105 with image

Cleveland Museum of Art
7 published7 img
The Met
5 published5 img
Art Institute Chicago
2 published2 img
+ 1 more source · 91 catalogued, not yet published

Per-Artwork Provenance Chains (top 7)

7 entries · 1 sources

Olive Trees of the Riviera
1870 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Montalbaans Tower, Province of North Holland, Netherlands
1860 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Pont de Grand, Bruges
1875 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Olive Trees of the Riviera
1884 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Boompjes, Rotterdam
1832 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
A Cloudy Day in Venice
1876 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The New Market, Amsterdam
1860 · Cleveland · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Art Institute of Chicago

Relationships

Collections2

Smithsonian American Art Museum Cooper Hewitt, Smithsonian Design Museum

Institutional

Representation & Collections

In collection

Smithsonian American Art Museum

In collection

Cooper Hewitt, Smithsonian Design Museum

Record

Exhibitions and timeline

No exhibitions or timeline entries yet