Artworks · Salvator Rosa

Old Man Kneeling Facing Upper Left

1615 · Pen and brown ink, brown and gray wash, traces of red chalk

4-3/8 x 3-1/4 in. (11.1 x 8.2 cm)

The Metropolitan Museum of Art

Two Standing Soldiers and Six other Figures

1615 · Pen and brown ink

4-3/8 x 7-1/2 in. (11.1 x 19.0 cm)

The Metropolitan Museum of Art

Two Standing Men Gesticulating

1615 · Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto

5-1/4 x 3-1/16 in. (13.3 x 7.7 cm) (irregular)

The Metropolitan Museum of Art

Studies of Kneeling Figures

1615 · Pen and brown ink, brush and brown wash

7 15/16 x 5 9/16in. (20.2 x 14.1cm)

The Metropolitan Museum of Art

Death of Regulus

1615 · Pen and brown ink, brush and brown wash, on faded light green paper

18-1/8 x 28-7/8 in. (46 x 73.4 cm)

The Metropolitan Museum of Art

Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)

1615 · Pen, brown ink and lead graphite

10 x 7 1/16 in. (25.4 x 17.9 cm)

The Metropolitan Museum of Art

The Raising of Lazarus

1615 · Pen and brown ink, brush and brown wash, over a little black chalk

7 15/16 x 10 13/16in. (20.1 x 27.5cm)

The Metropolitan Museum of Art

Figure studies: seated and standing men

1615 · Pen and brown ink, over traces of black chalk

6 3/8 x 6 11/16 in. (16.1 x 17 cm)

The Metropolitan Museum of Art

A Large Tree

1615 · Pen and brown ink, on brown paper

24 3/16 x 16 7/16in. (61.5 x 41.8cm)

The Metropolitan Museum of Art

Untitled (Caricature)

1600 · Red chalk on ivory laid paper

17.1 × 17.1 cm (6 3/4 × 6 3/4 in.)

Art Institute of Chicago

The Crucifixion of Polycrates

1557 · Etching, with drypoint, in black on ivory laid paper

Plate: 47 × 72.8 cm (18 9/16 × 28 11/16 in.); Sheet: 52.6 × 77 cm (20 3/4 × 30 3/8 in.)

Art Institute of Chicago