Artworks · Salvator Rosa

Bandits on a Rocky Coast

1655 · Oil on canvas

29 1/2 x 39 3/8 in. (74.9 x 100 cm)

The Metropolitan Museum of Art

A partially dressed man holding a bow in his left hand and pointing with his right, from "Figurine"

1651 · Etching with drypoint

Sheet: 10 5/16 x 6 1/4 in. (26.2 x 15.9 cm) Plate: 5 9/16 x 3 1/2 in. (14.2 x 8.9 cm)

The Metropolitan Museum of Art

Landschap met figuren bij een vijver

1649 · pen on ink, paper

height: 106 cm, width: 84 cm

Rijksmuseum

Self-Portrait

1642 · Oil on canvas

39 x 31 1/4 in. (99.1 x 79.4 cm)

The Metropolitan Museum of Art

River Landscape

1640 · Etching on ivory laid paper

Plate: 9 × 8.9 cm (3 9/16 × 3 9/16 in.); secondary support: 10.7 × 10.4 cm (4 1/4 × 4 1/8 in.)

Art Institute of Chicago

Scenes of Witchcraft: Morning

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Scenes of Witchcraft

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Scenes of Witchcraft: Day

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Scenes of Witchcraft: Evening

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Scenes of Witchcraft: Night

1640 · oil on canvas

Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)

Cleveland Museum of Art

Ronde toren aan een haven

1640 · pen on ink, paper

height: 54 cm, width: 72 cm

Rijksmuseum

Apollo and the Cumean Sibyl

1635 · Red chalk with graphite additions, on cream laid paper

27.4 × 22.2 cm (10 13/16 × 8 3/4 in.)

Art Institute of Chicago

The Nurturing of Jupiter

1635 · Brush and brown and gray (possibly discolored) washes and pen and brown ink, over traces of black chalk, on tan laid paper; laid down on tan paper; ruled along edges in yellow metallic paint

30.2 × 20.3 cm (11 15/16 × 8 in.)

Art Institute of Chicago

Apple Harvesters and Resting Shepherds

1635 · Pen and black ink, with brush and gray wash, on cream laid paper, laid down on gray card

16.1 × 19.8 cm (6 3/8 × 7 13/16 in.)

Art Institute of Chicago

Man Mounting Lion

1635 · Pen and brown ink with brush and brown wash, over red chalk, on cream laid paper

9.5 × 5.4 cm (3 3/4 × 2 3/16 in.)

Art Institute of Chicago

Warrior at Rest

1635 · Red chalk, on ivory laid paper, tipped on ivory laid paper, tipped on pale green laid paper

19.5 × 15.2 cm (7 11/16 × 6 in.)

Art Institute of Chicago

Two Male Warriors

1635 · Red chalk, on tan laid paper, laid down on tan laid paper

17.1 × 13.1 cm (6 3/4 × 5 3/16 in.)

Art Institute of Chicago

Four Men in Forest

1635 · Pen and brown ink on tan laid paper

13.5 × 12.9 cm (5 3/8 × 5 1/8 in.)

Art Institute of Chicago

Two Grappling Figures

1635 · Brush and brown ink, with traces of black chalk, on tan laid paper, laid down on ivory laid paper

13.2 × 19.9 cm (5 1/4 × 7 7/8 in.)

Art Institute of Chicago

Standing Warrior

1635 · Red chalk transfer onto ivory laid paper

15.3 × 8.4 cm (6 1/16 × 3 5/16 in.)

Art Institute of Chicago

Standing Draped Figure in Profile (recto); Massacre of the Innocents (verso)

1635 · Pen and brown ink and brush and brown wash, with traces of graphite (recto), and pen and brown ink (verso), on ivory laid paper

12.4 × 5.4 cm (4 15/16 × 2 3/16 in.)

Art Institute of Chicago

Figure with Staff Pointing

1635 · Woodcut

Art Institute of Chicago

Ruins in a Rocky Landscape

1635 · oil on canvas

Framed: 157.5 x 189.2 x 7 cm (62 x 74 1/2 x 2 3/4 in.); Unframed: 144 x 176.7 cm (56 11/16 x 69 9/16 in.)

Cleveland Museum of Art

Two warriors, one seated asleep on a foreground rock, from Figurine series

1635 · Etching on ivory laid paper

14.1 × 9 cm (5 9/16 × 3 9/16 in.)

Art Institute of Chicago

Figures on a Winding Road

1635 · Pen and brown ink and brush and gray and brown wash, traces of framing lines in brown ink

Sheet: 18.4 x 12.5 cm (7 1/4 x 4 15/16 in.)

Cleveland Museum of Art

Landscape with a figure seated on a rock

1635 · Etching

Sheet: 5 11/16 × 3 5/8 in. (14.5 × 9.2 cm)

The Metropolitan Museum of Art

Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso)

1632 · Pen and brown ink, with brush and brown wash (recto and verso), on ivory laid paper

20.6 × 14.8 cm (8 1/8 × 5 7/8 in.)

Art Institute of Chicago

Bergachtig landschap met twee piramides en een aantal figuren

1625 · pen on ink, paper

width: 204 cm, height: 175 cm

Rijksmuseum

Soldier Seated

1615 · etching

National Gallery of Art

Rocky Landscape with a Rustic House

1615 · pen and brown ink

Overall: 23.5 x 42.5 cm (9 1/4 x 16 3/4 in.) support: 25.8 x 44.4 cm (10 3/16 x 17 1/2 in.)

National Gallery of Art

The Dream of Aeneas

1615 · etching

National Gallery of Art

The Academy of Plato

1615 · etching

National Gallery of Art

Glaucus and Scylla

1615 · etching

overall: 34.3 x 23.2 cm (13 1/2 x 9 1/8 in.)

National Gallery of Art

The Genius of Salvator Rosa

1615 · etching

National Gallery of Art

Diogenes Casting Away His Bowl

1615 · etching

overall: 46 x 27.5 cm (18 1/8 x 10 13/16 in.)

National Gallery of Art

Untitled (Caricature)

1600 · Red chalk on ivory laid paper

17.1 × 17.1 cm (6 3/4 × 6 3/4 in.)

Art Institute of Chicago

The Crucifixion of Polycrates

1557 · Etching, with drypoint, in black on ivory laid paper

Plate: 47 × 72.8 cm (18 9/16 × 28 11/16 in.); Sheet: 52.6 × 77 cm (20 3/4 × 30 3/8 in.)

Art Institute of Chicago