Artworks · Richard Wilson

Butterfly

2003 · 5 works on paper, photographs, black and white and colour, printed paper, metal foil, crayon, graphite and ink, mounted

support: 592 x 840 mm frame: 659 x 905 x 38 mm

Tate

Slice of Reality (II)

2000 · 9 works on paper, photographs, black and white, printed paper, tracing paper, ink, Sellotape, gouache and graphite, moun

support: 1005 x 684 mm frame: 1139 x 817 x 33 mm

Tate

Slice of Reality

2000 · Photograph, gouache, ink and graphite on board

support: 420 x 594 mm frame: 535 x 708 x 38 mm

Tate

Over Easy

1998 · Photographs, black and white, paper, crayon and ink on paper

support: 592 x 420 mm frame: 708 x 534 mm

Tate

Room 6 Channel View Hotel (II)

1996 · Photographs, black and white, on paper, ink, gouache and foil tape on paper

support: 605 x 856 mm frame: 741 x 987 x 34 mm

Tate

Room 6 Channel View Hotel (1)

1996 · Photographs, black and white, on paper, postcard, printed paper, ink and graphite on paper

support: 413 x 595 mm frame: 534 x 708 x 38 mm

Tate

Watertable

1994 · 2 works on paper, watercolour, ink, graphite and crayon

support, each: 322 x 253 mm frame: 437 x 672 x 37 mm

Tate

Llyn-y-Cau, Cader Idris

1774 · Oil paint on canvas

support: 511 x 730 mm frame: 670 x 895 x 73 mm

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On Hounslow Heath

1770 · Oil paint on canvas

support: 425 x 527 mm frame: 610 x 730 x 73 mm

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Landscape with Bathers, Cattle and Ruin

1770 · Oil paint on canvas

support: 584 x 749 mm frame: 880 x 1050 x 155 mm

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Landscape Composition with an Extensive View towards the Sea, and Figures in the Foreground

1770 · Chalk and graphite on paper

support: 441 x 531 mm

Tate

Cader Idris, with the Mawddach River

1769 · oil on canvas

Framed: 105.5 x 120.5 x 7 cm (41 9/16 x 47 7/16 x 2 3/4 in.); Unframed: 89.8 x 105.5 cm (35 3/8 x 41 9/16 in.)

Cleveland Museum of Art

Tivoli; Temple of the Sibyl and the Campagna

1765 · Oil paint on canvas

support: 1003 x 1257 mm frame: 1275 x 1518 x 135 mm

Tate

Lake, Ruin and Pine Trees

1765 · Oil paint on canvas

support: 686 x 889 mm

Tate

View near the Loggerheads, Denbigh

1765 · Oil paint on canvas

support: 419 x 521 mm

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Hadrian’s Villa

1765 · Oil paint on canvas

support: 356 x 254 mm frame: 490 x 392 x 75 mm

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Strada Nomentana

1765 · Oil paint on canvas

support: 571 x 762 mm

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Maecenas’ Villa, Tivoli

1765 · Oil paint on canvas

support: 361 x 254 mm frame: 492 x 387 x 75 mm

Tate

Solitude

1762 · oil on canvas

overall: 142.1 x 210.1 cm (55 15/16 x 82 11/16 in.) framed: 163.8 x 231.6 x 7.6 cm (64 1/2 x 91 3/16 x 3 in.)

National Gallery of Art

Lake Albano

1762 · oil on canvas

overall: 121.9 x 170.4 cm (48 x 67 1/16 in.) framed: 145.4 x 195.6 x 7 cm (57 1/4 x 77 x 2 3/4 in.)

National Gallery of Art

The Thames near Marble Hill, Twickenham

1762 · Oil paint on canvas

support: 464 x 730 mm frame: 655 x 940 x 85 mm

Tate

Meleager and Atalanta

1760 · Oil paint on canvas

support: 1045 x 1295 mm frame: 1210 x 1467 x 100 mm

Tate

River View, on the Arno (?)

1760 · Oil paint on canvas

support: 445 x 546 mm

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Lake Avernus and the Island of Capri

1760 · Oil paint on canvas

support: 470 x 724 mm frame: 755 x 1016 x 124 mm

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Distant View of Maecenas’ Villa, Tivoli

1756 · Oil paint on canvas

support: 1219 x 1702 mm frame: 1550 x 2045 x 130 mm

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Roman Campagna with Figures

1756 · Black chalk with stumping, heightened with white chalk, on blue laid paper (faded to brown)

16.9 × 21.6 cm (6 11/16 × 8 9/16 in.)

Art Institute of Chicago

Lake Nemi and Genzano from the Terrace of the Capuchin Monastery

1756 · Oil on canvas

16 7/8 x 21 1/8 in. (42.9 x 53.7 cm)

The Metropolitan Museum of Art

Ariccia

1754 · Chalk and graphite on paper

support: 322 x 447 mm

Tate

Ponte Nomentana

1754 · Chalk on paper

support: 287 x 422 mm

Tate

Italiaans landschap met enige figuren op een weg

1754 · brush on chalk, paper

diameter: 105 cm, height: 125 cm, width: 127 cm

Rijksmuseum

Banks of the River Dee near Eaton Hall, Cheshire

1754 · Black and white chalk on blue laid paper, laid down on card

18.7 × 30.4 cm (7 3/8 × 12 in.)

Art Institute of Chicago

View of St. Peter's and the Vatican from the Janiculum

1754 · Black chalk with stumping, heightened with white chalk on blue paper; laid down on original paper mount with purple border

Sheet: 11 1/4 × 16 11/16 in. (28.5 × 42.4 cm) Mount: 13 3/4 in. × 19 9/16 in. (35 × 49.7 cm)

The Metropolitan Museum of Art

Italiaans landschap met twee figuren in een park

1754 · brush on chalk, paper

width: 127 cm, height: 124 cm, diameter: 105 cm

Rijksmuseum

Rome: St Peter’s and the Vatican from the Janiculum

1753 · Oil paint on canvas

support: 1003 x 1391 mm frame: 1210 x 1575 x 90 mm

Tate

House of Pompey at Albano

1753 · Black chalk touched with white chalk on gray paper

Sheet: 8 5/8 x 15 in. (21.9 x 38.1 cm)

The Metropolitan Museum of Art

The Castle of St Angelo, Rome

1752 · Graphite on paper

support: 241 x 394 mm

Tate

Ariccia

1752 · Oil paint on canvas

support: 489 x 635 mm

Tate

Francesco Zuccarelli

1751 · Oil paint on canvas

support: 495 x 419 mm frame: 623 x 555 x 68 mm

Tate

View of the Colosseum

1751 · Black chalk heightened with white chalk on gray paper; sheet laid down on pink paper mount with double border in brown ink

Sheet: 10 3/16 × 7 11/16 in. (25.9 × 19.5 cm) Mount: 11 3/4 in. × 9 3/8 in. (29.9 × 23.8 cm)

The Metropolitan Museum of Art

A View in Italy with Mountains in the Distance

1750 · chalk and stumping, heightened with white gouache on buff paper

sheet: 27.7 × 42.7 cm (10 7/8 × 16 13/16 in.)

National Gallery of Art

George III and the Duke of York

1749 · Oil paint on canvas

support: 1016 x 1270 mm

Tate

'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese

1749 · Black chalk with touches of opaque white watercolor on blue laid paper

20 × 23.5 cm (7 7/8 × 9 5/16 in.)

Art Institute of Chicago

'Il Mascherone,' a Rocaille Fountain on the Grounds of the Villa Borghese

1749 · Black chalk with touches of opaque white watercolor on blue laid paper

20 × 23.5 cm (7 7/8 × 9 5/16 in.)

Art Institute of Chicago

The Cock Tavern, Cheam, Surrey

1745 · Oil paint on canvas

support: 730 x 436 mm

Tate

Westminster Bridge under Construction

1744 · Oil paint on canvas

support: 725 x 1460 mm

Tate

The Inner Temple after the Fire of 4 January 1737

1737 · Oil paint on canvas

support: 648 x 952 mm frame: 865 x 1177 x 120 mm

Tate

View of Wilson House and Gardens (recto); View of Wilson House and Gardens (verso)

1734 · Black chalk (recto and verso) on gray laid paper

23 × 38.4 cm (9 1/16 × 15 1/8 in.)

Art Institute of Chicago

View of Saint Peter's from the Palace of the Caesars, with Circus Maximus Below

1734 · Black crayon on blue laid paper, laid down on ivory laid paper

17.2 × 25 cm (6 13/16 × 9 7/8 in.)

Art Institute of Chicago