Artworks · Richard Hamilton

Hugh Gaitskell as a Famous Monster of Filmland (1963) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition and sheet: 15 1/8 × 14 3/4" (38.4 × 37.4 cm)

Museum of Modern Art

Self-portrait (1965) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 11 3/16 × 8 3/8" (28.4 × 21.3 cm); sheet: 15 1/16 × 11 3/4" (38.3 × 29.9 cm)

Museum of Modern Art

Hers is a lush situation (1957) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint with collage additions from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 9 1/16 × 14 9/16" (23 × 37 cm); sheet: 15 1/16 × 19 3/16" (38.3 × 48.8 cm)

Museum of Modern Art

'AAH!' in perspective (1963) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint with ink additions from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 10 3/16 × 6 9/16" (25.8 × 16.7 cm); sheet: 15 1/16 × 11" (38.3 × 27.9 cm)

Museum of Modern Art

Towards a definitive statement on the coming trends in men's wear and accessories (b) (1962) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 10 1/16 × 14 7/16" (25.5 × 36.6 cm); sheet: 15 1/8 × 19 3/16" (38.4 × 48.8 cm)

Museum of Modern Art

Untitled (Design for Collected Words)

1982 · Colored pencil, pencil, and synthetic polymer paint on cut-and-pasted paper on gelatin silver print

9 1/2 x 17 1/8" (24 x 43.5 cm)

Museum of Modern Art

The citizen

1981 · Oil paint on 2 canvases

frame: 2067 x 2102 x 32 mm, 33 kg support, each: 2000 x 1000 mm

Tate

In Horne’s house

1981 · Etching, engraving and aquatint on paper

image: 524 x 435 mm

Tate

In Horne's House, from Imaging Ulysses

1981 · Soft ground etching, lift-ground and spit-bite aquatint, line and stipple etching, and engraving on white wove paper

Image/plate: 52.8 × 43.2 cm (20 13/16 × 17 1/16 in.); Sheet: 75.6 × 56.5 cm (29 13/16 × 22 1/4 in.)

Art Institute of Chicago

A dedicated follower of fashion

1980 · Photo-etching, etching and aquatint on paper

image: 584 x 381 mm

Tate

Soft pink landscape

1980 · Lithograph and screenprint on paper

image: 730 x 918 mm support: 724 x 915 mm

Tate

Study for A dedicated follower of fashion

1980 · Cut-and-pasted painted paper and cut-and-pasted gelatin silver print with synthetic polymer paint, ink, and pencil on paperboard

27 1/2 x 19 5/8" (69.9 x 49.8 cm)

Museum of Modern Art

Motel I

1979 · Etching and aquatint on paper

plate: 275 x 348 mm

Tate

Berlin interior

1979 · Photo-etching, engraving and aquatint on paper

image: 565 x 759 mm

Tate

Soft blue landscape

1979 · Collotype and screenprint on paper

support: 728 x 920 mm

Tate

Putting on de Stijl

1979 · Collotype and screenprint on paper

image: 300 x 420 mm

Tate

Interior with monochromes

1979 · Lithograph and screenprint on paper

image: 498 x 698 mm

Tate

Flower-piece B

1975 · Lithograph on paper

image: 465 x 291 mm

Tate

Flower-piece B - crayon study

1975 · Lithograph on paper

image: 465 x 318 mm

Tate

Flower-piece B - cyan separation

1975 · Lithograph on paper

image: 432 x 314 mm

Tate

Sunset (f)

1975 · Lithograph and chine collé on paper

image: 239 x 358 mm

Tate

Palindrome

1974 · Acrylic and collotype on paper

image: 595 x 440 mm

Tate

Picasso’s meninas

1973 · Etching on paper

image: 570 x 490 mm

Tate

Picasso's Meninas from Homage to Picasso (Hommage à Picasso)

1973 · Etching, aquatint, engraving, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

plate: 22 9/16 x 19 3/8" (57.3 x 49.2cm); sheet: 29 1/2 x 22 3/8" (75 x 56.8cm)

Museum of Modern Art

Swingeing London III

1972 · Screenprint on paper

image: 679 x 857 mm

Tate

Release

1972 · Screenprint on paper

image: 683 x 857 mm

Tate

Stage Proof 19

1972 · Screenprint on paper

image: 683 x 857 mm

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Stage Proof 18

1972 · Screenprint on paper

image: 683 x 862 mm

Tate

Stage Proof 17

1972 · Screenprint on paper

image: 682 x 857 mm

Tate

Stage Proof 16

1972 · Screenprint on paper

image: 682 x 857 mm

Tate

Stage Proof 13

1972 · Screenprint on paper

image: 681 x 857 mm

Tate

Stage Proof 11

1972 · Screenprint on paper

image: 682 x 857 mm

Tate

Stage Proof 12

1972 · Screenprint on paper

image: 682 x 857 mm

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Stage Proof 10

1972 · Screenprint on paper

image: 682 x 857 mm

Tate

Stage Proof 9

1972 · Screenprint on paper

image: 682 x 857 mm

Tate

Stage Proof 8

1972 · Screenprint on paper

image: 682 x 857 mm

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Stage Proof 7

1972 · Screenprint on paper

image: 681 x 857 mm

Tate

Stage Proof 6

1972 · Screenprint on paper

image: 681 x 857 mm

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Stage Proof 4

1972 · Screenprint on paper

image: 681 x 858 mm

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Stage Proof 5

1972 · Screenprint on paper

image: 681 x 858 mm

Tate

Stage Proof 3

1972 · Screenprint on paper

image: 681 x 859 mm

Tate

Stage Proof 2

1972 · Screenprint on paper

image: 680 x 859 mm

Tate

Stage Proof 1

1972 · Screenprint on paper

image: 684 x 859 mm

Tate

[no title]

1972 · Relief print on paper

image: 600 x 851 mm frame: 606 x 858 x 25 mm

Tate

Dimensional data

1972 · Screenprint on polyester film

unconfirmed: 600 x 850 mm frame: 607 x 856 x 27 mm

Tate

[no title]

1972 · Screenprint on polyester film

unconfirmed: 605 x 845 mm, 3 mm frame: 667 x 910 x 60 mm

Tate

Five Tyres Remoulded

1972 · Relief cast with 7 screenprints on mylar

Art Institute of Chicago

Esquisse

1972 · Etching with watercolor hand additions

plate: 7 5/16 × 10 7/16" (18.5 × 26.5 cm); sheet: 14 3/16 × 17 1/2" (36 × 44.5 cm)

Museum of Modern Art