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Artworks · Richard Hamilton

167 of 188 artworks · page 1 of 4

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Beatles

2007 · Digital print on paper

The annunciation

The annunciation

2005 · Digital print on paper

image: 954 x 680 mm

Just what was it that made yesterday’s homes so different, so appealing? (upgrade)

Just what was it that made yesterday’s homes so different, so appealing? (upgrade)

2004 · Digital print on paper

image: 260 x 250 mm support: 420 x 297 mm

Typo/Topography of Marcel Duchamp’s Large Glass

Typo/Topography of Marcel Duchamp’s Large Glass

2003 · 2 digital prints on paper mounted onto aluminium panel

unconfirmed: 2665 x 1700 mm

TiT

2002 · Screenprint on paper

support: 890 x 670 mm

Bathroom - fig.2

Bathroom - fig.2

1998 · Digital print on paper

image: 400 x 400 mm

The heaventree of stars

The heaventree of stars

1998 · Digital print on paper

image: 530 x 375 mm

The marriage

1998 · Digital print on paper

image: 650 x 471 mm

A mirrorical return

A mirrorical return

1998 · Digital print on paper

image: 530 x 661 mm

Portrait of Dieter Roth

Portrait of Dieter Roth

1998 · Digital print

composition: 15 11/16 x 15 3/4" (39.9 x 40 cm); sheet: 24 13/16 x 22 15/16" (63 x 58.3 cm)

Museum of Modern Art

Bathroom- fig.1

Bathroom- fig.1

1997 · Digital print on paper

image: 400 x 400 mm

Derek Jarman

1996 · Digital print on paper

image: 397 x 392 mm

The state

1993 · Oil paint, enamel paint and fabric on cibachrome on 2 canvases

support (1): 2000 x 1000 mm support (2): 2000 x 1000 mm

Just what is it that makes today’s homes so different?

Just what is it that makes today’s homes so different?

1992 · Digital print on paper

image: 176 x 267 mm

He foresaw his pale body

He foresaw his pale body

1990 · Photo-etching, aquatint and engraving on paper

image: 518 x 375 mm

HOW A GREAT DAILY ORGAN IS TURNED OUT

HOW A GREAT DAILY ORGAN IS TURNED OUT

1990 · Etching, engraving and aquatint on paper

image: 530 x 398 mm

The Orangeman

1990 · Lithograph and enamel on paper

image: 849 x 424 mm

The subject

1988 · Oil paint on 2 canvases

support, each: 2000 x 1000 mm

In What Posture?

In What Posture?

1987 · Photogravure

plate: 12 1/8 x 17" (30.8 x 43.2cm); sheet: 19 11/16 x 26 1/8" (50 x 66.3cm)

Museum of Modern Art

Diab DS-101 Computer

Diab DS-101 Computer

1985 · Minicomputer

object: 700 x 500 x 500 mm

Bronze by gold

1985 · Etching, aquatint and engraving on paper

image: 525 x 425 mm

Bronze by Gold, from Imaging Ulysses

Bronze by Gold, from Imaging Ulysses

1985 · Soft ground etching, lift-ground aquatint, engraving, scraping and burnishing, in twenty-three colors from five plates on white wove paper

Image/plate: 52.5 × 43.1 cm (20 11/16 × 17 in.); Sheet: 76 × 55.5 cm (29 15/16 × 21 7/8 in.)

Art Institute of Chicago

DS-101 Computer

DS-101 Computer

1985 · Aluminum, cellulose, electronics, and anodized aluminum

27 1/2 x 19 3/4 x 19 3/4" (69.9 x 50.2 x 50.2 cm)

Museum of Modern Art

Lobby

1984 · Collotype and screenprint on paper

support: 429 x 582 mm image: 330 x 480 mm

Mother and child

Mother and child

1984 · Collotype and screenprint on paper

support: 612 x 569 mm

Mother and child - Greenham Common

Mother and child - Greenham Common

1984 · Acrylic and drypoint on paper

plate: 176 x 176 mm

The transmogrifications of Bloom

The transmogrifications of Bloom

1984 · Etching and aquatint on paper

image: 527 x 410 mm

The Transmogrifications of Bloom

The Transmogrifications of Bloom

1984 · Etching and aquatint

Plate and composition: 20 13/16 x 16 1/16" (52.9 x 40.8 cm); sheet: 29 15/16 x 22 5/16" (76 x 56.7 cm)

Museum of Modern Art

Leopold Bloom

1983 · Etching, engraving and aquatint on paper

image: 527 x 365 mm

Finn MacCool

1983 · Photo-etching, aquatint and engraving on paper

image: 535 x 398 mm frame: 850 x 655 x 25mm

Leopold Bloom, from Imaging Ulysses

Leopold Bloom, from Imaging Ulysses

1983 · Soft ground etching, roulette, engraving and aquatint on white wove paper

Image/sheet: 52.8 × 36.4 cm (20 13/16 × 14 3/8 in.); Sheet: 75.8 × 76.5 cm (29 7/8 × 30 1/8 in.)

Art Institute of Chicago

Finn MacCool, from Imaging Ulysses

Finn MacCool, from Imaging Ulysses

1983 · Heliogravure, lift-ground and spit-bite aquatint, engraving and burnishing on white wove paper

Image/plate: 53.5 × 40 cm (21 1/8 × 15 3/4 in.); Sheet: 76 × 56.5 cm (29 15/16 × 22 1/4 in.)

Art Institute of Chicago

Patricia Knight II

Patricia Knight II

1982 · Aquatint on paper

plate: 235 x 161 mm

Hugh Gaitskell as a Famous Monster of Filmland (1963)

Hugh Gaitskell as a Famous Monster of Filmland (1963)

1982 · Collotype and screenprint on paper

image: 384 x 375 mm

Self-portrait (1965)

Self-portrait (1965)

1982 · Collotype and screenprint on paper

image: 384 x 300 mm

Towards a definitve statement on the coming trends in men’s wear and accessories (c) (1962)

Towards a definitve statement on the coming trends in men’s wear and accessories (c) (1962)

1982 · Aerosol spray and screenprint on paper

image: 384 x 490 mm

Towards a definitve statement on the coming trends in men’s wear and accessories (b) (1962)

Towards a definitve statement on the coming trends in men’s wear and accessories (b) (1962)

1982 · Collotype and screenprint on paper

image: 384 x 490 mm

‘AAH!’ in perspective (1963)

‘AAH!’ in perspective (1963)

1982 · Collotype, screenprint and ink on paper

image: 260 x 267 mm

Pin-up (1961)

1982 · Collotype and screenprint on paper

image: 384 x 300 mm

$he(1958)

1982 · Collotype and screenprint on paper

image: 384 x 280 mm

AAH!(1961)

1982 · Collotype and screenprint on paper

image: 384 x 490 mm

Hers is a lush situation (1957)

Hers is a lush situation (1957)

1982 · Collotype, screenprint and foil on paper

image: 383 x 490 mm

Hugh Gaitskell as a Famous Monster of Filmland (1963)

Hugh Gaitskell as a Famous Monster of Filmland (1963)

1982 · Collotype and screenprint on paper

support: 385 x 375 mm

Collected Words

Collected Words

1982 · Artist's book with a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

page (each): 9 × 7 13/16" (22.8 × 19.8 cm); overall (closed): 9 1/4 × 8 1/16 × 1 1/8" (23.5 × 20.5 × 2.8 cm)

Museum of Modern Art

Pin-up (1961) from Collected Words: de luxe portfolio

Pin-up (1961) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 13 3/4 × 10 1/16" (35 × 25.5 cm); sheet: 15 1/16 × 11 3/4" (38.3 × 29.8 cm)

Museum of Modern Art

Hers is a lush situation (1957) from Collected Words: de luxe portfolio

Hers is a lush situation (1957) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint with collage additions from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 9 1/16 × 14 9/16" (23 × 37 cm); sheet: 15 1/16 × 19 3/16" (38.3 × 48.8 cm)

Museum of Modern Art

Hugh Gaitskell as a Famous Monster of Filmland (1963) from Collected Words: de luxe portfolio

Hugh Gaitskell as a Famous Monster of Filmland (1963) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition and sheet: 15 1/8 × 14 3/4" (38.4 × 37.4 cm)

Museum of Modern Art

Towards a definitive statement on the coming trends in men's wear and accessories (b) (1962) from Collected Words: de luxe portfolio

Towards a definitive statement on the coming trends in men's wear and accessories (b) (1962) from Collected Words: de luxe portfolio

1982 · Collotype and screenprint from a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray

composition: 10 1/16 × 14 7/16" (25.5 × 36.6 cm); sheet: 15 1/8 × 19 3/16" (38.4 × 48.8 cm)

Museum of Modern Art

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