Artworks · Rembrandt van Rijn

The Flight into Egypt

1651 · etching, drypoint, and engraving on laid paper

sheet (trimmed to plate mark): 12.8 x 11.1 cm (5 1/16 x 4 3/8 in.)

National Gallery of Art

Landscape with a View Toward Haarlem (The Goldweigher's Field)

1651 · etching and drypoint on laid paper [counterproof]

Overall: 11.9 x 32.1 cm (4 11/16 x 12 5/8 in.) overall: 12.2 x 32.2 cm (4 13/16 x 12 11/16 in.)

National Gallery of Art

Clement de Jonghe

1651 · etching, drypoint and burin on laid paper

plate: 20.7 x 16.3 cm (8 1/8 x 6 7/16 in.) sheet: 21 x 17.6 cm (8 1/4 x 6 15/16 in.)

National Gallery of Art

Landscape with a View toward Haarlem (The Goldweigher's Field)

1651 · etching and drypoint on laid paper

National Gallery of Art

Landscape with Trees, Farm Buildings and a Tower

1651 · etching and drypoint

National Gallery of Art

Landscape with Trees, Farm Buildings and a Tower

1651 · etching and drypoint

National Gallery of Art

Landscape with a View toward Haarlem (The Goldweigher's Field)

1651 · etching and drypoint on laid paper

National Gallery of Art

Clement de Jonghe

1651 · etching, drypoint and burin on laid paper

plate: 20.7 x 16.3 cm (8 1/8 x 6 7/16 in.) sheet: 21.2 x 16.8 cm (8 3/8 x 6 5/8 in.)

National Gallery of Art

Landscape with a View toward Haarlem (The Goldweigher's Field)

1651 · etching and drypoint on laid paper

sheet (trimmed to plate mark): 12.3 x 31.9 cm (4 13/16 x 12 9/16 in.)

National Gallery of Art

Sheet of Studies with the Head of the Artist, a Beggar Man, and Woman and Child

1651 · etching

plate: 10.3 x 9.3 cm (4 1/16 x 3 11/16 in.)

National Gallery of Art

The Bathers

1651 · etching

plate: 11 × 13.7 cm (4 5/16 × 5 3/8 in.) sheet: 11.7 × 14.3 cm (4 5/8 × 5 5/8 in.)

National Gallery of Art

The Flight into Egypt: a Night Piece

1651 · etching, burin and drypoint

National Gallery of Art

The Flight into Egypt: a Night Piece

1651 · etching, burin and drypoint on yellowish paper

National Gallery of Art

The Star of the Kings: a Night Piece

1651 · etching, with a few touches of drypoint

sheet (trimmed to plate mark): 9.8 x 14.7 cm (3 7/8 x 5 13/16 in.)

National Gallery of Art

Clement de Jonghe

1651 · etching, drypoint and burin on laid paper [counterproof]

plate: 20.7 x 16.3 cm (8 1/8 x 6 7/16 in.) sheet: 21.2 x 16.5 cm (8 3/8 x 6 1/2 in.)

National Gallery of Art

Landscape with Trees, Farm Buildings and a Tower

1651 · etching and drypoint

National Gallery of Art

Clement de Jonghe

1651 · etching, drypoint and burin on laid paper

plate: 20.7 x 16.3 cm (8 1/8 x 6 7/16 in.) sheet: 21.2 x 16.8 cm (8 3/8 x 6 5/8 in.)

National Gallery of Art

The Blindness of Tobit: the Larger Plate

1651 · etching with touches of drypoint

plate: 16.2 x 12.9 cm (6 3/8 x 5 1/16 in.) sheet: 16.5 x 13.2 cm (6 1/2 x 5 3/16 in.)

National Gallery of Art

Clement de Jonghe

1651 · etching, drypoint and burin on laid paper

plate: 20.9 x 16.3 cm (8 1/4 x 6 7/16 in.)

National Gallery of Art

Figures on the Anthoniesdijk Entering Houtewael [verso]

1650 · reed pen and brown ink on light brown washed laid paper

overall: 12.7 x 18.4 cm (5 x 7 1/4 in.)

National Gallery of Art

View of Houtewael near the Sint Anthoniespoort [recto]

1650 · reed pen and brown ink with gray-brown wash and touches of white on laid paper

overall: 12.5 x 18.3 cm (4 15/16 x 7 3/16 in.)

National Gallery of Art

A Landscape with Farm Buildings among Trees

1650 · pen and brown ink with brown wash on laid paper

overall: 6.2 x 16.7 cm (2 7/16 x 6 9/16 in.)

National Gallery of Art

Landscape with a Milkman

1650 · etching and drypoint

National Gallery of Art

Landscape with Three Gabled Cottages beside a Road

1650 · etching and drypoint

plate: 16.2 x 20.5 cm (6 3/8 x 8 1/16 in.) sheet: 18 x 22.6 cm (7 1/16 x 8 7/8 in.)

National Gallery of Art

Cottages and Barn beside a Road

1650 · pen and brown ink with brown and gray wash on laid paper

overall: 10.5 x 17.9 cm (4 1/8 x 7 1/16 in.)

National Gallery of Art

Canal with an Angler and Two Swans

1650 · etching and drypoint

National Gallery of Art

Landscape with a Cow

1650 · etching and drypoint

National Gallery of Art

Canal with a Large Boat and Bridge

1650 · etching and drypoint

plate: 8.5 × 11.1 cm (3 3/8 × 4 3/8 in.) sheet: 8.8 × 11.2 cm (3 7/16 × 4 7/16 in.)

National Gallery of Art

Landscape with a Square Tower

1650 · etching and drypoint

National Gallery of Art

Landscape with an Obelisk

1650 · etching and drypoint

National Gallery of Art

Landscape with a Milkman

1650 · etching and drypoint

National Gallery of Art

Christ Preaching (The Hundred Guilder Print)

1649 · etching, drypoint and burin on Japan paper

image: 28 × 39.3 cm (11 × 15 1/2 in.) sheet: 31.3 × 42.9 cm (12 5/16 × 16 7/8 in.)

National Gallery of Art

Self-Portrait Etching at a Window

1648 · etching, drypoint, and engraving on laid paper

sheet (trimmed within plate mark): 15.7 x 12.9 cm (6 3/16 x 5 1/16 in.)

National Gallery of Art

Cottage with a White Paling

1648 · etching and drypoint

sheet (trimmed to plate mark): 13.1 x 16.2 cm (5 3/16 x 6 3/8 in.)

National Gallery of Art

Medea, or the Marriage of Jason and Creusa

1648 · etching, with touches of drypoint, on japan paper

plate: 24.1 × 17.4 cm (9 1/2 × 6 7/8 in.) sheet: 25.5 × 18.2 cm (10 1/16 × 7 3/16 in.)

National Gallery of Art

Self-Portrait Etching at a Window

1648 · etching, drypoint, and burin on laid paper

sheet (trimmed within plate mark): 15.7 x 13 cm (6 3/16 x 5 1/8 in.)

National Gallery of Art

Jews in the Synagogue

1648 · etching and drypoint

National Gallery of Art

Jews in the Synagogue

1648 · etching and drypoint

National Gallery of Art

Cottage with a White Paling

1648 · etching and drypoint on Japan paper

National Gallery of Art

Self-Portrait Etching at a Window

1648 · etching, drypoint, and engraving on laid paper

plate: 16 x 13 cm (6 5/16 x 5 1/8 in.) sheet: 16.5 x 13.6 cm (6 1/2 x 5 3/8 in.)

National Gallery of Art

Saint Jerome beside a Pollard Willow

1648 · etching and drypoint

plate: 17.8 x 13.2 cm (7 x 5 3/16 in.) sheet: 18.1 x 13.6 cm (7 1/8 x 5 3/8 in.)

National Gallery of Art

Self-Portrait Etching at a Window

1648 · etching, drypoint, and engraving on laid paper

sheet (trimmed within plate mark): 15.9 x 13 cm (6 1/4 x 5 1/8 in.)

National Gallery of Art

Medea, or the Marriage of Jason and Creusa

1648 · etching, with touches of drypoint on laid paper

plate: 24.1 × 18 cm (9 1/2 × 7 1/16 in.) sheet: 24.8 × 18.1 cm (9 3/4 × 7 1/8 in.)

National Gallery of Art

Beggars Receiving Alms at the Door of a House

1648 · etching, engraving, and drypoint

sheet (trimmed to plate mark): 16.6 x 12.9 cm (6 9/16 x 5 1/16 in.)

National Gallery of Art

Beggars Receiving Alms at the Door of a House

1648 · etching, burin and drypoint

National Gallery of Art

Medea, or the Marriage of Jason and Creusa

1648 · etching, with touches of drypoint, on European (white) paper

plate: 14.1 × 17.8 cm (5 9/16 × 7 in.) sheet: 14.5 × 18 cm (5 11/16 × 7 1/16 in.)

National Gallery of Art

Saint Jerome Reading in an Italian Landscape

1648 · Etching, burin, and drypoint on ivory laid paper

Image/plate: 26 × 21 cm (10 1/4 × 8 5/16 in.); Sheet: 27 × 21.9 cm (10 11/16 × 8 5/8 in.)

Art Institute of Chicago

Jan Asselijn

1647 · etching, drypoint and burin

National Gallery of Art