Artworks · Raphael

The Prophets Hosea and Jonah

1510 · pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper

sheet: 26.2 × 20 cm (10 5/16 × 7 7/8 in.)

National Gallery of Art

The Alba Madonna

1510 · oil on panel transferred to canvas

overall (diameter): 94.5 cm (37 3/16 in.) framed (diameter x depth): 140.34 × 15.88 cm (55 1/4 × 6 1/4 in.)

National Gallery of Art

The Niccolini-Cowper Madonna

1508 · oil on panel

overall: 80.7 × 57.5 cm (31 3/4 × 22 5/8 in.) framed: 118.43 × 97.16 × 21.59 cm (46 5/8 × 38 1/4 × 8 1/2 in.)

National Gallery of Art

Lucretia

1508 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)

15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)

The Metropolitan Museum of Art

The Madonna and Child with Saint John the Baptist

1507 · black chalk with traces of white chalk, outlines pricked for transfer; laid down

overall (approximate): 93.8 × 67 cm (36 15/16 × 26 3/8 in.) framed: 128.27 × 100.33 × 7.94 cm (50 1/2 × 39 1/2 × 3 1/8 in.)

National Gallery of Art

Studies of a Seated Female, Child's Head, and Three Studies of a Baby

1507 · metalpoint

Sheet: 12 x 15.3 cm (4 3/4 x 6 in.)

Cleveland Museum of Art

Saint George and the Dragon

1506 · oil on panel

overall: 28.5 x 21.5 cm (11 1/4 x 8 7/16 in.) framed: 53.3 x 47.6 x 8.3 cm (21 x 18 3/4 x 3 1/4 in.)

National Gallery of Art

The Massacre of the Innocents (Without the Fir Tree)

1506 · engraving

Sheet: 28 x 42.6 cm (11 x 16 3/4 in.)

Cleveland Museum of Art

The Small Cowper Madonna

1505 · oil on panel

overall: 59.5 × 44 cm (23 7/16 × 17 5/16 in.) framed: 86.2 × 71.44 × 13.34 cm (33 15/16 × 28 1/8 × 5 1/4 in.)

National Gallery of Art

Study for the Emperor Constantine Offering the Tiara to Pope Sylvester

1503 · Pen and brown ink on tan laid paper, laid down on cream laid paper

23.2 × 19 cm (9 3/16 × 7 1/2 in.)

Art Institute of Chicago

Putto

1503 · Black crayon, heightened with traces of white chalk, on tan wove paper

16.4 × 14.2 cm (6 1/2 × 5 5/8 in.)

Art Institute of Chicago

Saint George and the Dragon

1501 · brush and brown ink heightened with white over black chalk, incised with stylus

overall (approximate): 24.5 x 20.3 cm (9 5/8 x 8 in.)

National Gallery of Art

Virgin and Child with Saints

1500 · Pen and brown ink, with brush and blue, pink, yellow, gray and brown washes on cream laid paper

24 × 36.9 cm (9 1/2 × 14 9/16 in.)

Art Institute of Chicago

Woman and Children

1500 · Red and black chalk on tan laid paper, laid down on ivory laid board

26.7 × 19 cm (10 9/16 × 7 1/2 in.)

Art Institute of Chicago

Design for Funerary Monument to the Marchese Francesco Gonzaga

1500 · Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory wove paper

20 × 30 cm (7 7/8 × 11 13/16 in.)

Art Institute of Chicago

Giuliano de' Medici (1479–1516), Duke of Nemours

1500 · Tempera and oil on canvas

32 3/4 x 26 in. (83.2 x 66 cm)

The Metropolitan Museum of Art

Joanna of Aragon

1500 · Black chalk with red chalk on ivory laid paper

34.1 × 27.6 cm (13 7/16 × 10 7/8 in.)

Art Institute of Chicago

Madonna and Child Enthroned with Saints

1499 · Oil and gold on wood

Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)

The Metropolitan Museum of Art

The Agony in the Garden

1499 · Oil on wood

9 1/2 × 11 3/8 in. (24.1 × 28.9 cm)

The Metropolitan Museum of Art

Architectural Details and a Soldier [verso]

1483 · pen and brown ink on laid paper

overall: 21.9 x 27.4 cm (8 5/8 x 10 13/16 in.)

National Gallery of Art