Artworks · Pietro da Cortona, Italian

Bacchanal

1650 · pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalk

Sheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)

Cleveland Museum of Art

Study for the Head of St. Michael

1633 · black chalk

Sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.); Secondary Support: 31.9 x 27.6 cm (12 9/16 x 10 7/8 in.)

Cleveland Museum of Art

Scene in the Clouds with Putto and Doves

1632 · Red chalk on paper

Cooper Hewitt, Smithsonian Design Museum

CIncinnatus Summoned from the Field, study for the "Storia di Cincinnato," Gallery of the Villa Sacchetti (Now Chigi), Castelfusano

1626 · pen and brown ink

Cooper Hewitt, Smithsonian Design Museum

The Idolatry of Solomon

1622 · Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink

Sheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); Secondary Support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.)

Cleveland Museum of Art

Sketch for Lot and His Daughters (verso)

1600 · black chalk(?)

Sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)

Cleveland Museum of Art

Lot and His Daughters (recto); Sketch for Lot and His Daughters (verso)

1600 · pen and brown ink over black chalk(?), heightened with traces of white gouache

Sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)

Cleveland Museum of Art

Lot and His Daughters (recto)

1600 · pen and brown ink over black chalk(?), heightened with traces of white gouache

Sheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)

Cleveland Museum of Art

Figural Study

1596 · figures, drawing — red crayon on paper

Cooper Hewitt, Smithsonian Design Museum