Artworks · Pier Leone Ghezzi

Giovanni Battista Piranesi

1750 · pen and brown ink over black chalk on laid paper mounted on album page

sheet: 30.1 x 21.4 cm (11 7/8 x 8 7/16 in.) support: 48 x 37.9 cm (18 7/8 x 14 15/16 in.)

National Gallery of Art

Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter)

1734 · pen and brown ink over black chalk on laid paper mounted on album page

sheet: 31.6 x 21.5 cm (12 7/16 x 8 7/16 in.) support: 48 x 38 cm (18 7/8 x 14 15/16 in.)

National Gallery of Art

Abbot Antonio Niccolini

1720 · pen and iron gall ink over graphite on laid paper

sheet: 30.6 x 21.8 cm (12 1/16 x 8 9/16 in.) mount: 36.8 x 27.7 cm (14 1/2 x 10 7/8 in.)

National Gallery of Art

Father Pepe Preaching to Sailors

1694 · Pen and brown ink, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper and edge-mounted on pale blue-green laid paper

48 × 38 cm (18 15/16 × 15 in.)

Art Institute of Chicago

The Duchess of Noia

1694 · Pen and brown ink, with brush and brown wash, on ivory laid paper

38.5 × 23.6 cm (15 3/16 × 9 5/16 in.)

Art Institute of Chicago

The Duke of Capodichino

1694 · Pen and brown ink, with brush and brown wash, on ivory laid paper

38.8 × 23.7 cm (15 5/16 × 9 3/8 in.)

Art Institute of Chicago

Standing Nude Woman Holding a Veil

1694 · Pen and brown ink, with brush and brown wash, on ivory laid paper

26 × 18.2 cm (10 1/4 × 7 3/16 in.)

Art Institute of Chicago

The Nymph of Capri

1694 · Pen and brown ink, with brush and brown wash, on ivory laid paper

27.2 × 18.5 cm (10 3/4 × 7 5/16 in.)

Art Institute of Chicago

Adoration of the Shepherds

1694 · Black chalk on cream laid paper

26.6 × 18.4 cm (10 1/2 × 7 1/4 in.)

Art Institute of Chicago

Two Gentlemen in 18th Century Costume

1694 · Pen and reddish-brown ink, over graphite, on cream laid paper

8.3 × 7.6 cm (3 5/16 × 3 in.)

Art Institute of Chicago

Man Sawing Wood

1694 · Pen and brown ink, with graphite and traces of red chalk, on cream laid paper

10.3 × 8.8 cm (4 1/16 × 3 1/2 in.)

Art Institute of Chicago

Kneeling Man Approaching Another Figure

1694 · Brush and gray wash, over graphite, on cream laid paper, laid down on ivory laid paper

23.9 × 18.4 cm (9 7/16 × 7 1/4 in.)

Art Institute of Chicago

Caricature of a Polish Count

1691 · Pen and brown ink

12 3/8 x 8 5/16 in. (31.5 x 21.1 cm)

The Metropolitan Museum of Art

The Nativity

1690 · Etching on ivory laid paper

Plate: 17.3 × 11.7 cm (6 13/16 × 4 5/8 in.); sheet: 22.4 × 15.8 cm (8 7/8 × 6 1/4 in.)

Art Institute of Chicago

Angels Supporting a Frame

1674 · Pen and brown ink, brush and gray wash, over traces of graphite or lead

4 15/16 x 6 9/16in. (12.6 x 16.7cm)

The Metropolitan Museum of Art

Luigi Vanvitelli

1674 · Pen and brown ink, over traces of graphite or lead

12 5/8 x 8 9/16in. (32 x 21.8cm)

The Metropolitan Museum of Art

Sketched Caricature of a Standing Man Facing Left

1674 · Pen and brown ink over traces of graphite

Sheet: 10 15/16 x 7 5/8 in. (27.8 x 19.4 cm)

The Metropolitan Museum of Art

A Caricature of L'Abbate Folinghi

1674 · Graphite or lead, part of drawing executed in pen and brown ink and brush and gray wash

Sheet: 7 1/2 x 4 5/16 in. (19.1 x 11 cm)

The Metropolitan Museum of Art

Marco and Carlo: Caricature of Two Men Standing Face to Face

1674 · Pen and dark brown ink, over leadpoint or graphite

Sheet: 9 13/16 x 7 3/8 in. (25 x 18.8 cm)

The Metropolitan Museum of Art

A Monk with a Carrot and a Woman with a Chamber Pot

1671 · Pen and brown ink

11 x 7 7/8 in. (28 x 20 cm)

The Metropolitan Museum of Art