Artworks · Paul Signac

Paris: Le Pont des Arts with Tugboats (Paris: Le Pont des Arts avec Remorqueuers)

1927 · Etching and aquatint

plate: 4 15/16 x 7 1/2" (12.5 x 19 cm); sheet: 8 3/4 x 10 7/8" (22.3 x 27.6 cm)

Museum of Modern Art

Ships near the Trieux River

1925 · black crayon and watercolor

Sheet: 30 x 45.9 cm (11 13/16 x 18 1/16 in.)

Cleveland Museum of Art

Les Andelys on a Summer Morning

1923 · brush and black ink with graphite on tan paper

overall: 69.5 x 95 cm (27 3/8 x 37 3/8 in.)

National Gallery of Art

The Flooded Seine in 1910 (La Seine en crue, en 1910)

1923 · lithograph

National Gallery of Art

The Seine Flooding in 1910

1923 · Lithograph

composition: 6 x 8 13/16" (15.2 x 22.4 cm); sheet: 8 3/4 x 11 7/8" (22.3 x 30.1 cm)

Museum of Modern Art

Port Louis-Lomalo

1922 · Watercolor, with black crayon and touches of gouache, on buff wove paper, laid down on tan wove paper, laid down on off-white wove paper

24.6 × 39.5 cm (9 11/16 × 15 9/16 in.)

Art Institute of Chicago

Notre Dame

1910 · Watercolor, with graphite, on white laid paper, laid down on white wove paper

26.5 × 38.9 cm (10 7/16 × 15 3/8 in.)

Art Institute of Chicago

Brief aan Philip Zilcken

1907 · writing (processes) on ink, paper

width: 425 cm, height: 425 cm

Rijksmuseum

The Calanque at Saint Tropez

1906 · watercolor and graphite on laid paper

overall: 28 x 43.7 cm (11 x 17 3/16 in.)

National Gallery of Art

St Tropez

1906 · watercolor and gouache over black chalk on laid paper

sheet: 25.4 x 40 cm (10 x 15 3/4 in.)

National Gallery of Art

Les Alyscamps, Arles

1904 · Watercolor and charcoal on paper

16 x 10 1/2" (40.6 x 26.7 cm)

Museum of Modern Art

Evening (Le soir)

1898 · 5-color lithograph

National Gallery of Art

Evening (Le soir)

1898 · 5-color lithograph

National Gallery of Art

Evening (Le soir)

1898 · Lithograph

composition: 8 x 10 5/16" (20.3 x 26.2 cm); sheet: 11 x 14 7/16" (27.9 x 36.7 cm)

Museum of Modern Art

Evening, The Jetty at Vlissingen

1898 · lithograph

Cleveland Museum of Art

Evening

1898 · Lithograph in five colors (light blue, blue, yellow, pink and green) on ivory wove chine

Image: 19.5 × 25.4 cm (7 11/16 × 10 in.); Sheet: 19.5 × 25.4 cm (7 11/16 × 10 in.)

Art Institute of Chicago

St. Tropez: The Port (Saint-Tropez: Le port)

1897 · 6-color lithograph on wove paper

image: 43.5 x 33 cm (17 1/8 x 13 in.) sheet: 52.2 x 40.5 cm (20 9/16 x 15 15/16 in.)

National Gallery of Art

Port of St. Tropez (Port de Saint-Tropez) for the portfolio The Album of Original Prints from The Vollard Gallery (L'Album d'estampes originales de la Galerie Vollard), no. III

1897 · Lithograph

composition: 17 1/4 x 13 1/8" (43.8 x 33.4cm); sheet: 20 1/2 x 15 11/16" (52 x 39.9cm)

Museum of Modern Art

Saint-Tropez: The Port

1897 · color lithograph

Image: 43.5 x 33 cm (17 1/8 x 13 in.); Sheet: 50.8 x 38.2 cm (20 x 15 1/16 in.)

Cleveland Museum of Art

The Wreckers

1896 · Lithograph in black on ivory laid paper

Image: 47 × 30.5 cm (18 9/16 × 12 1/16 in.); Sheet: 56.7 × 45.5 cm (22 3/8 × 17 15/16 in.)

Art Institute of Chicago

In Holland—The Buoy

1896 · Lithograph in blue-gray, slate-blue, yellow, pink, red and green on ivory wove China paper

Image, with stray marks: 32 × 47 cm (12 5/8 × 18 9/16 in.); Sheet: 32 × 47 cm (12 5/8 × 18 9/16 in.)

Art Institute of Chicago

Bell Tower of St. Tropez

1896 · Etching and aquatint

plate: 8 1/2 x 5 3/8" (21.6 x 13.6 cm); sheet: 17 1/2 x 11 7/8" (44.4 x 30.2 cm)

Museum of Modern Art

Lighthouse

1896 · Watercolor and charcoal on paper

5 3/8 x 6 1/2" (13.6 x 16.5 cm)

Museum of Modern Art

Albenga

1896 · Watercolor on paper

4 3/8 x 7 1/2" (11.1 x 19 cm)

Museum of Modern Art

At Flushing (A Flessingue)

1895 · 5-color lithograph

National Gallery of Art

Boats at Flushing (Bateaux à Flessingue)

1895 · 5-color lithograph

National Gallery of Art

The Andelys

1895 · Lithograph

composition: 12 x 18 1/16" (30.5 x 45.8 cm); sheet: 34 5/8 x 20 3/8" (88 x 51.7 cm)

Museum of Modern Art

The Boats

1895 · Lithograph

composition: 9 3/8 x 15 3/4" (23.8 x 40 cm); sheet: 16 x 20 7/8" (40.7 x 53.1 cm)

Museum of Modern Art

Flessingue

1895 · Lithograph

composition: 9 7/16 x 15 7/8" (24 x 40.4 cm); sheet: 16 x 20 7/8" (40.6 x 53 cm)

Museum of Modern Art

Boats at Flessingue

1895 · Lithograph

composition: 12 11/16 x 15 13/16" (32.3 x 40.1 cm); sheet: 16 x 20 11/16" (40.6 x 52.6 cm)

Museum of Modern Art

Harmonious Times

1895 · color lithograph

Sheet: 50 x 37.6 cm (19 11/16 x 14 13/16 in.)

Cleveland Museum of Art

Boats at Flushing

1895 · lithograph

Cleveland Museum of Art

In Times of Harmony

1895 · Color Lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper

Image: 37.7 × 50.2 cm (14 7/8 × 19 13/16 in.); Sheet: 41.9 × 58 cm (16 1/2 × 22 7/8 in.)

Art Institute of Chicago

The Andelys

1895 · Lithograph in pink, blue-gray, blue, green, dark green, yellow and orange on ivory wove paper

Image: 30.4 × 45.8 cm (12 × 18 1/16 in.); Sheet: 40.7 × 53.5 cm (16 1/16 × 21 1/8 in.)

Art Institute of Chicago

Harbor in Holland - Flushing (La balise - En Holland, Flessingue)

1894 · etching in blue-green on laid paper

plate: 17.8 x 22.3 cm (7 x 8 3/4 in.) sheet: 26.2 x 32.7 cm (10 5/16 x 12 7/8 in.)

National Gallery of Art

The Buoy (La bouée)

1894 · 6-color lithograph

sheet (trimmed to image): 40.1 x 32.4 cm (15 13/16 x 12 3/4 in.)

National Gallery of Art

The Port of St. Tropez II, from the seventh album of L'Estampe originale

1894 · Lithograph in yellow, dark blue, light blue, green, red and peach on ivory wove paper

Image: 31.4 × 42.4 cm (12 3/8 × 16 3/4 in.); Sheet: 41.9 × 59.2 cm (16 1/2 × 23 5/16 in.)

Art Institute of Chicago

The Demolishers (Les Démolisseurs)

1894 · Lithograph with chine collé

composition: 18 3/8 x 11 15/16" (46.7 x 30.4 cm); sheet: 21 1/2 x 17" (54.6 x 43.2 cm)

Museum of Modern Art

St. Tropez (The Port of St. Tropez)

1894 · color lithograph

Cleveland Museum of Art

The Organ (L'Orgue)

1893 · Lithograph with watercolor additions, and musical score

sheet: 14 5/16 x 11" (36.3 x 28 cm)

Museum of Modern Art

Setting Sun. Sardine Fishing. Adagio. Opus 221 from the series The Sea, The Boats, Concarneau

1891 · Oil on canvas

25 5/8 x 31 7/8" (65 x 81 cm)

Museum of Modern Art

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890

1890 · Oil on canvas

29 x 36 1/2" (73.5 x 92.5 cm)

Museum of Modern Art

Félix Fénéon

1890 · Conté crayon on paper

sheet (irreg.): 4 1/8 × 4 1/4" (10.5 × 10.8 cm)

Museum of Modern Art

Application du Cercle Chromatique de Mr. Ch. Henry

1889 · color lithograph on card

sheet: 16.2 x 18.5 cm (6 3/8 x 7 5/16 in.)

National Gallery of Art

Application du Cercle Chromatique de Mr. Ch. Henry

1889 · color lithograph on card

sheet: 16 x 18.6 cm (6 5/16 x 7 5/16 in.)

National Gallery of Art

Application du Cercle Chromatique de Mr. Ch. Henry

1888 · color lithograph on card

sheet: 16 x 18.5 cm (6 5/16 x 7 5/16 in.)

National Gallery of Art

Chromatic Circle

1888 · Lithograph in red, yellow, green, violet, pink, gold, black, gray and pale green on cream card

Image: 15.5 × 18.5 cm (6 1/8 × 7 5/16 in.); Sheet: 15.9 × 18.6 cm (6 5/16 × 7 3/8 in.)

Art Institute of Chicago

Sunday in Paris

1887 · Lithograph in black, with scraping on stone, on cream wove paper

17.4 × 12 cm (6 7/8 × 4 3/4 in.)

Art Institute of Chicago