Artworks · Paul Klee

Flower Garden (Blumengarten)

1924 · Black paste ground, gouache, and incising on paper on board

17 1/2 x 12 3/4" (44.5 x 32.4 cm)

Museum of Modern Art

Der Verliebte (The Loved One)

1923 · lithograph

National Gallery of Art

The Tight Rope Walker (Seiltänzer)

1923 · lithograph in black and pink

image: 43.4 x 26.8 cm (17 1/16 x 10 9/16 in.) sheet: 52.1 x 38.1 cm (20 1/2 x 15 in.)

National Gallery of Art

Stakim

1923 · Oil on plaster

20.3 × 32.4 cm (8 × 12 3/4 in.)

Art Institute of Chicago

Garden on Debris

1923 · Watercolor and black ink transfer on cream wove paper, mounted on cream card

26.8 × 25.4 cm (10 9/16 × 10 in.)

Art Institute of Chicago

Tightrope Walker

1923 · Color lithograph on ivory laid paper

Image: 44.5 × 26.9 cm (17 9/16 × 10 5/8 in.); Sheet: 52.1 × 38 cm (20 9/16 × 15 in.)

Art Institute of Chicago

The Man In Love

1923 · Color lithograph with red plate tone on cream wove paper

Plate: 27.4 × 19 cm (10 13/16 × 7 1/2 in.); Sheet: 33 × 27 cm (13 × 10 11/16 in.)

Art Institute of Chicago

The Bright Aspect (Postcard for the Bauhaus Exhibition)

1923 · Color lithograph in black, orange, and yellow on white postcard paper

Image: 9.8 × 14.5 cm (3 7/8 × 5 3/4 in.); Sheet: 10.5 × 15 cm (4 3/16 × 5 15/16 in.)

Art Institute of Chicago

The Sublime Aspect (Postcard for the Bauhaus Exhibition)

1923 · Lithograph in black with additions of blue, red, and yellow on cream postcard paper

Image: 14.4 × 7.3 cm (5 11/16 × 2 7/8 in.); Sheet: 15.1 × 10.6 cm (6 × 4 3/16 in.)

Art Institute of Chicago

Bauhaus Ausstellung Weimar 1923

1923 · Lithograph

3 15/16 x 5 7/8" (10 x 15 cm)

Museum of Modern Art

Bauhaus Ausstellung Weimar 1923

1923 · Lithograph

5 7/8 x 3 15/16" (15 x 10 cm)

Museum of Modern Art

The One in Love (Der Verliebte) from Masters' Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses)

1923 · Lithograph from a portfolio of three lithographs, three woodcuts and two etchings

composition: 10 13/16 x 7 1/2" (27.4 x 19.1 cm); sheet: 13 9/16 x 10 9/16" (34.4 x 26.9 cm)

Museum of Modern Art

The Sublime Side postcard for "Bauhaus Exhibition Weimar 1923" (Die erhabene Seite Postkarte zur "Bauhaus-Ausstellung Weimar 1923")

1923 · Lithograph

composition: 5 5/8 x 2 15/16" (14.3 x 7.4 cm); sheet: 5 7/8 x 4 1/8" (15 x 10.5 cm)

Museum of Modern Art

Sun in the Gate (Sonne im Thor)

1923 · Lithograph

composition: 7 15/16 x 9 5/8" (20.2 x 24.4 cm); sheet: 10 1/4 x 12 11/16" (26 x 32.2 cm)

Museum of Modern Art

Striding Out (Austritt)

1923 · Lithograph

composition (irreg.): 10 1/8 x 6 1/8" (25.7 x 15.5 cm); sheet (irreg.): 11 11/16 x 7 11/16" (29.7 x 19.5 cm)

Museum of Modern Art

The Bright Side postcard for "Bauhaus Exhibition Weimar 1923" (Die heitere Seite Postkarte zur "Bauhaus-Ausstellung Weimar 1923")

1923 · Lithograph

composition: 3 7/8 x 5 11/16" (9.8 x 14.4 cm); sheet: 4 1/8 x 5 7/8" (10.4 x 15 cm)

Museum of Modern Art

The One in Love (Der Verliebte) for the Masters' Portfolio of the Staatliches Bauhaus (Meistermappe des Staatlichen Bauhauses)

1923 · Lithograph

composition: 10 3/8 x 7 1/2" (26.3 x 19 cm); sheet: 11 13/16 x 9 3/16" (30 x 23.4 cm)

Museum of Modern Art

Tightrope Walker

1923 · Lithograph

composition: 17 1/16 x 10 5/8" (43.4 x 27 cm); sheet: 17 15/16 x 11 1/8" (45.6 x 28.3 cm)

Museum of Modern Art

Scene among Girls (Scene unter Mädchen)

1923 · Watercolor, gouache, ink, and pencil on paper on board

19 3/4 x 12 3/4" (50.2 x 32.4 cm)

Museum of Modern Art

A Balance-Capriccio (Ein Gleichgewicht-Capriccio)

1923 · Ink on paper on board

13 1/8 x 18 1/2" (33.3 x 47 cm)

Museum of Modern Art

Carnival in the Snow

1923 · watercolor

Sheet: 24 x 23.5 cm (9 7/16 x 9 1/4 in.); Secondary Support: 34.5 x 29.3 cm (13 9/16 x 11 9/16 in.)

Cleveland Museum of Art

Tightrope Walker

1923 · color lithograph

Cleveland Museum of Art

Verhexte Tiere (Bewitched Animals)

1922 · graphite on paper, laid down on original mount

Overall: 21 x 25 cm (8 1/4 x 9 13/16 in.) mount: 23.1 x 27.3 cm (9 1/8 x 10 3/4 in.)

National Gallery of Art

Die Hexe mit dem Kamm (Witch with a Comb)

1922 · lithograph

National Gallery of Art

Alter Dampfer (Old Steamboat)

1922 · oil transfer drawing and watercolor on laid paper, on Klee's original mount

Overall: 15.8 x 16.8 cm (6 1/4 x 6 5/8 in.) support: 23.4 x 24 cm (9 3/16 x 9 7/16 in.)

National Gallery of Art

A Young Lady’s Adventure

1922 · Watercolour on paper

support: 625 x 480 mm frame: 686 x 510 x 20 mm

Tate

The Witch with the Comb

1922 · Lithograph on paper

Image: 31 × 21.2 cm (12 1/4 × 8 3/8 in.); Sheet: 40.2 × 28.2 cm (15 7/8 × 11 1/8 in.)

Art Institute of Chicago

Folly

1922 · Lithograph on cream wove paper

Image: 19.7 × 16.6 cm (7 13/16 × 6 9/16 in.); Sheet: 29.6 × 23 cm (11 11/16 × 9 1/16 in.)

Art Institute of Chicago

Lugano

1922 · Lithograph on cream wove paper

Image: 27.8 × 38.6 cm (11 × 15 1/4 in.); Sheet: 33 × 50.3 cm (13 × 19 13/16 in.)

Art Institute of Chicago

Vulgar Comedy

1922 · Lithograph on ivory wove paper

Image: 21.5 × 28 cm (8 1/2 × 11 1/16 in.); Sheet: 30.7 × 47 cm (12 1/8 × 18 9/16 in.)

Art Institute of Chicago

Festival of the Lanterns, Bauhaus

1922 · Lithograph in black with additions of red and yellow watercolor on cream colored postcard paper

89 × 144

Art Institute of Chicago

The Witch with the Comb (Die Hexe mit dem Kamm) from the portfolio Artists' Donation to the German Book Museum (Künstlerspende für das deutsche Buchmuseum)

1922 · Lithograph

composition (irreg.): 12 1/4 x 8 3/8" (31.1 x 21.3 cm); sheet: 15 7/8 x 11 1/16" (40.4 x 28.1 cm)

Museum of Modern Art

Steamer at Lugano (Dampfer vor Lugano)

1922 · Lithograph

composition (irreg.): 8 x 11 3/8" (20.3 x 28.9 cm); sheet: 10 1/4 x 14 3/8" (26 x 36.5 cm)

Museum of Modern Art

Postcard for Bauhaus Lantern Party 1922 (Laternenfest Bauhaus 1922)

1922 · Lithograph with watercolor additions

composition: 3 11/16 x 5 5/8" (9.3 x 14.3 cm); sheet: 3 9/16 x 5 5/8" (9 x 14.3 cm)

Museum of Modern Art

Buffoonery (Narretei)

1922 · Lithograph

composition (irreg.): 7 5/8 x 6 5/16" (19.3 x 16.1 cm); sheet: 11 7/16 x 9 1/16" (29 x 23 cm)

Museum of Modern Art

Vulgar Comedy (Vulgäre Komödie)

1922 · Lithograph

composition (irreg.): 9 1/4 x 11 1/4" (23.5 x 28.5 cm); sheet: 12 11/16 x 19 7/8" (32.3 x 50.5 cm)

Museum of Modern Art

Twittering Machine (Die Zwitscher-Maschine)

1922 · Oil transfer drawing, watercolor, and ink on paper with gouache and ink borders on board

25 1/4 x 19" (64.1 x 48.3 cm)

Museum of Modern Art

Flowers in the Wind (Blumen im Wind)

1922 · Watercolor and ink on paper on board

12 x 8 1/4" (30.5 x 21 cm)

Museum of Modern Art

Scherzo with Thirteen (Das Scherzo mit der Dreizehn)

1922 · Oil transfer drawing, watercolor, ink, and pencil on paper on board

11 x 14 1/8" (27.9 x 35.9 cm)

Museum of Modern Art

Dying Plants (Sterbende Pflanzen)

1922 · Watercolor, pencil, and ink on paper with watercolor borders on board

25 1/2 x 18 7/8" (64.8 x 47.9 cm)

Museum of Modern Art

Lady Bell-Tone Bim (Glockentönin Bim)

1922 · Ink on paper on board

13 1/2 x 19 5/8" (34.3 x 49.8 cm)

Museum of Modern Art

Komischer Reiter (Comic Rider)

1921 · pen and ink on laid paper, laid down on mount

Overall: 23.7 x 26.9 cm (9 5/16 x 10 9/16 in.) mount: 29.9 x 33.6 cm (11 3/4 x 13 1/4 in.)

National Gallery of Art

Feuer Clown I (Fire Clown)

1921 · watercolor on paper, laid down on cardboard

overall: 21 x 17.5 cm (8 1/4 x 6 7/8 in.)

National Gallery of Art

Queen of Hearts (Herzdame)

1921 · lithograph

National Gallery of Art

Comedy

1921 · Watercolour and oil paint on paper

support: 305 x 454 mm

Tate

Architecture

1921 · Watercolor and black ink transfer (monotype?), on cream laid paper, laid down on cream card

Max: 24 × 21.6 cm (9 1/2 × 8 9/16 in.)

Art Institute of Chicago

Queen of Hearts

1921 · Lithograph on white wove paper

Image: 25.5 × 17.5 cm (10 1/16 × 6 15/16 in.); Sheet: 28.7 × 21.4 cm (11 5/16 × 8 7/16 in.)

Art Institute of Chicago

Hoffmannesque Fairy-Tale Scene

1921 · Lithograph on paper

Image: 31.6 × 23 cm (12 1/2 × 9 1/16 in.); Sheet: 35.6 × 25.9 cm (14 1/16 × 10 1/4 in.)

Art Institute of Chicago