Artworks · Paul Gauguin

Portrait of Tehamana

1891 · Charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixedr

41.3 × 32.5 cm (16 5/16 × 12 13/16 in.)

Art Institute of Chicago

Two Tahitian Women and a Marquesan Earplug

1891 · Pen and brown ink and graphite on parchment

24 × 31.8 cm (9 1/2 × 12 9/16 in.)

Art Institute of Chicago

Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso)

1891 · Pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook)

22.5 × 7.3 cm (8 7/8 × 2 7/8 in.)

Art Institute of Chicago

Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])

1891 · Pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), squared in black chalk on cream wove paper (discolored to tan)

55.5 × 48 cm (21 7/8 × 18 15/16 in.)

Art Institute of Chicago

Seated Tahitian Woman (related to the painting Te faaturuma [Reverie])

1891 · Charcoal on cream wove paper (discolored to tan)

55.5 × 48 cm (21 7/8 × 18 15/16 in.)

Art Institute of Chicago

Seated Tahitian Woman (recto), Sketches of Roosters and Chickens (verso)

1891 · Black fabricated chalk, selectively blended, with touches of brush and gray gouache, over traces of black fabricated chalk offset (recto); graphite (verso); on ivory wove paper (removed from a sketchbook)

17.8 × 27.3 cm (7 1/16 × 10 3/4 in.)

Art Institute of Chicago

Portrait of Stéphane Mallarmé

1891 · Etching, drypoint and engraving in brown-black on cream Japanese laid paper

Plate: 18.3 × 14.5 cm (7 1/4 × 5 3/4 in.); Sheet: 33 × 24 cm (13 × 9 1/2 in.)

Art Institute of Chicago

Two Figures (related to the painting Tahitian Landscape)

1891 · Black chalk, with touches of watercolor and watercolor offset on cream wove paper

35.2 × 36.9 cm (13 7/8 × 14 9/16 in.)

Art Institute of Chicago

Head of a Tahitian with Profile of Second Head to His Right

1891 · Black and red chalk, selectively stumped, on cream wove paper

35.2 × 36.9 cm (13 7/8 × 14 9/16 in.)

Art Institute of Chicago

Hina

1891 · Rubbing in brown on ivory tissue taken from a cylindrical wooden carving

Image: 34.6 × 20 cm (13 5/8 × 7 7/8 in.); Sheet: 36.9 × 26.3 cm (14 9/16 × 10 3/8 in.)

Art Institute of Chicago

Te raau rahi (The Big Tree)

1891 · Oil on jute canvas

72.5 × 91.5 cm (28 9/16 × 36 in.); Framed: 96.6 × 115.6 × 11.5 cm (38 × 45 1/2 × 4 1/2 in.)

Art Institute of Chicago

Ia Orana Maria (Hail Mary)

1891 · Oil on canvas

44 3/4 x 34 1/2 in. (113.7 x 87.6 cm)

The Metropolitan Museum of Art

A Tahitian Woman with a Flower in Her Hair

1891 · Charcoal, pastel, red chalk, and wash

15 3/8 x 11 7/8 in. (39 x 30.2 cm)

The Metropolitan Museum of Art

Portrait of Stéphane Mallarmé

1891 · etching

7 3/16 x 5 11/16 in. (18.3 x 14.4 cm): plate

The Metropolitan Museum of Art

Portrait of Stéphane Mallarmé

1891 · Etching and drypoint

plate: 7 3/16 x 5 11/16" (18.3 x 14.4 cm); sheet: 13 1/8 x 9 7/16" (33.4 x 24 cm)

Museum of Modern Art

Ia Orana Maria (Hail Mary)

1891 · Oil on canvas

Head of a Tahitian Woman

1891 · graphite with stumping and graphite wash on parchment

The Large Tree

1891 · oil on fabric

Parau No Te Varau Ino (left); Tahitian Legend (right)

1890 · pen and brown ink, gray wash, and black chalk on J. Whatman paper

overall: 25 x 33.9 cm (9 13/16 x 13 3/8 in.)

National Gallery of Art

Landscape at Le Pouldu

1890 · oil on canvas

overall: 73.3 x 92.4 cm (28 7/8 x 36 3/8 in.) framed: 103.2 x 122.9 x 10.4 cm (40 5/8 x 48 3/8 x 4 1/8 in.)

National Gallery of Art

Haystacks in Brittany

1890 · oil on canvas

overall: 74.3 × 93.6 cm (29 1/4 × 36 7/8 in.) framed: 97.16 × 116.21 × 12.07 cm (38 1/4 × 45 3/4 × 4 3/4 in.)

National Gallery of Art

Eve

1890 · glazed ceramic

overall: 60.6 x 27.9 x 27.3 cm (23 7/8 x 11 x 10 3/4 in.)

National Gallery of Art

Harvest: Le Pouldu

1890 · Oil paint on canvas

support: 730 x 921 mm frame: 994 x 1182 x 96 mm

Tate

Fragment of Long Inscription

1890 · Graphite on cream wove paper, discolored to tan

22.5 × 7.4 cm (8 7/8 × 2 15/16 in.)

Art Institute of Chicago

Woman in Front of a Still Life by Cezanne

1890 · Oil on linen canvas

65.3 × 54.9 cm (25 11/16 × 21 5/8 in.); Framed: 82.9 × 73.4 × 10.5 cm (32 5/8 × 28 7/8 × 4 1/8 in.)

Art Institute of Chicago

Pair of Wooden Shoes (Sabots) [left]

1889 · polychromed oak, leather, and iron nails

overall: 12.9 x 32.7 x 11.3 cm (5 1/16 x 12 7/8 x 4 7/16 in.)

National Gallery of Art

The Washerwomen (Les laveuses)

1889 · lithograph (zinc) on yellow wove paper

image: 21.1 × 26.5 cm (8 5/16 × 10 7/16 in.) sheet: 31 × 45.4 cm (12 3/16 × 17 7/8 in.)

National Gallery of Art

Pleasures of Brittany (Joies de Bretagne)

1889 · lithograph (zinc) on yellow wove paper

sheet: 31.5 × 48.8 cm (12 3/8 × 19 3/16 in.)

National Gallery of Art

The Washerwomen (Les laveuses)

1889 · lithograph (zinc) on imitation Japan paper

image: 21.3 × 26.5 cm (8 3/8 × 10 7/16 in.) sheet: 32.2 × 47 cm (12 11/16 × 18 1/2 in.)

National Gallery of Art

Pair of Wooden Shoes (Sabots) [right]

1889 · polychromed oak, leather, and iron nails

overall: 12.8 x 32.7 x 11.2 cm (5 1/16 x 12 7/8 x 4 7/16 in.)

National Gallery of Art

Self-Portrait

1889 · oil on wood

overall: 79.2 x 51.3 cm (31 3/16 x 20 3/16 in.)

National Gallery of Art

Breton Bathers (Baigneuses Bretonnes)

1889 · lithograph (zinc) on imitation Japan paper

sheet: 37 × 33.2 cm (14 9/16 × 13 1/16 in.)

National Gallery of Art

Human Sorrow (Miseres humaines)

1889 · lithograph (zinc) on imitation Japan paper

National Gallery of Art

Dramas of the Sea, Brittany (Les drames de la mer, Bretagne)

1889 · lithograph (zinc) on imitation Japan paper

National Gallery of Art

Locusts and Ants: A Memory of Martinique (Les cigales et les fourmis: Souvenir de la Martinique)

1889 · lithograph (zinc) on imitation Japan paper

image: 20.1 x 26.2 cm (7 15/16 x 10 5/16 in.) sheet: 32.3 x 47.2 cm (12 11/16 x 18 9/16 in.)

National Gallery of Art

Pleasures of Brittany (Joies de Bretagne)

1889 · lithograph (zinc) on imitation Japan paper

sheet: 32.5 × 47.2 cm (12 13/16 × 18 9/16 in.)

National Gallery of Art

Leda (Cover)

1889 · lithograph (zinc) on imitation Japan paper

National Gallery of Art

Breton Women beside a Fence (Bretonnes à la barrière)

1889 · lithograph (zinc) on imitation Japan paper

image: 16.2 x 21.5 cm (6 3/8 x 8 7/16 in.) sheet: 32.6 x 47.3 cm (12 13/16 x 18 5/8 in.)

National Gallery of Art

Dramas of the Sea: A Descent into the Maelstrom (Les drames de la mer: une descente dans le maelstrom)

1889 · lithograph (zinc) on yellow wove paper

sheet: 30.5 × 44.4 cm (12 × 17 1/2 in.)

National Gallery of Art

Catalogue de l'Exposition de Peintures du Groupe Impressionniste et Synthétiste

1889 · Book containing eight zincographs and letterpress text in black ink, with photomechanically printed gray stripes on cover, on tan wove paper

Book, closed: 15.4 × 24 cm (6 1/8 × 9 1/2 in.); Book, open: 15.4 × 48 cm (6 1/8 × 18 15/16 in.)

Art Institute of Chicago

Portrait of the Artist’s Mother (Eve)

1889 · Gouache, over a white ground, on gray millboard

17 × 13 cm (6 3/4 × 5 1/8 in.)

Art Institute of Chicago

Breton Bathers, from the Volpini Suite

1889 · Zincograph in black on chrome yellow wove paper

Image: 24.5 × 20 cm (9 11/16 × 7 7/8 in.); Plate, approx: 28.2 × 22.3 cm (11 1/8 × 8 13/16 in.); Sheet: 50 × 64.9 cm (19 11/16 × 25 9/16 in.)

Art Institute of Chicago

Breton Women by a Gate, from the Volpini Suite

1889 · Zincograph in black on chrome yellow wove paper

Image: 17 × 21.5 cm (6 3/4 × 8 1/2 in.); Plate, approx: 20.3 × 29.6 cm (8 × 11 11/16 in.); Sheet: 49.8 × 64.9 cm (19 5/8 × 25 9/16 in.)

Art Institute of Chicago

Human Miseries, from the Volpini Suite

1889 · Zincograph in reddish-brown on chrome yellow wove paper

Image: 28.4 × 23.4 cm (11 3/16 × 9 1/4 in.); Plate: 29.3 × 23.5 cm (11 9/16 × 9 5/16 in.); Sheet: 49.8 × 65 cm (19 5/8 × 25 5/8 in.)

Art Institute of Chicago

Pastorales Martinique (Martinique Pastorals), from the Volpini Suite

1889 · Zincograph in black on chrome yellow wove paper

Image: 18.6 × 22.4 cm (7 3/8 × 8 7/8 in.); Plate, approx: 22.3 × 29.1 cm (8 13/16 × 11 1/2 in.); Sheet: 50.1 × 65 cm (19 3/4 × 25 5/8 in.)

Art Institute of Chicago

Les drames de la mer: Bretagne (Dramas of the Sea: Brittany), from the Volpini Suite

1889 · Zincograph in black on chrome yellow wove paper

Image: 17.6 × 22.6 cm (6 15/16 × 8 15/16 in.); Plate, approx: 20.3 × 29.7 cm (8 × 11 3/4 in.); Sheet: 49.8 × 65 cm (19 5/8 × 25 5/8 in.)

Art Institute of Chicago

Joies de Bretagne (Joys of Brittany), from the Volpini Suite

1889 · Zincograph in black on chrome yellow wove paper

Image: 20.2 × 24.1 cm (8 × 9 1/2 in.); Plate, approx: 21.4 × 29.6 cm (8 7/16 × 11 11/16 in.); Sheet: 50 × 65.1 cm (19 11/16 × 25 11/16 in.)

Art Institute of Chicago

Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite

1889 · Zincograph in black, with pale orange, red and green watercolor and white crayon, on chrome yellow wove paper

Image: 21.7 × 20.5 cm (8 9/16 × 8 1/8 in.); Sheet: 30.4 × 26 cm (12 × 10 1/4 in.)

Art Institute of Chicago