Artworks · Paul Gauguin

The Universe is Created (L'Univers est cree)

1894 · color woodcut

National Gallery of Art

Te Faruru (They are Making Love Here)

1894 · color woodcut

image: 35.8 x 20.5 cm (14 1/8 x 8 1/16 in.)

National Gallery of Art

Woman Picking Fruit and the Savage (Femme cueillant des fruits et oviri)

1894 · woodcut in black

National Gallery of Art

Te Po (The Long Night)

1894 · woodcut in bistre on cream paper

National Gallery of Art

Te Faruru (They are Making Love Here)

1894 · woodcut in brown

image: 35.8 x 20.5 cm (14 1/8 x 8 1/16 in.)

National Gallery of Art

The Universe is Created (L'Univers est créé)

1894 · woodcut in tan, red-brown, red and black [trial proof]

sheet: 20.5 x 35.6 cm (8 1/16 x 14 in.)

National Gallery of Art

Nave Nave Fenua

1894 · brush, gouache, and india ink with pen and india ink on dark tan wove paper

overall (approximate): 42.2 x 26.2 cm (16 5/8 x 10 5/16 in.)

National Gallery of Art

Nave Nave Fenua (Delightful Land)

1894 · woodcut

image: 35.5 × 20.6 cm (14 × 8 1/8 in.) sheet: 37.6 × 25.2 cm (14 13/16 × 9 15/16 in.)

National Gallery of Art

Manao Tupapau (She is Haunted by a Spirit)

1894 · lithograph (stone) in black

overall: 18.1 x 27.3 cm (7 1/8 x 10 3/4 in.)

National Gallery of Art

Mahna no Varua Ino (The Devil Speaks)

1894 · woodcut on China paper

image: 20.2 × 35.4 cm (7 15/16 × 13 15/16 in.) sheet: 27.1 × 42.4 cm (10 11/16 × 16 11/16 in.)

National Gallery of Art

Maruru (Thank You)

1894 · woodcut on China paper

image: 20.5 × 35.5 cm (8 1/16 × 14 in.) sheet: 26.6 × 42.6 cm (10 1/2 × 16 3/4 in.)

National Gallery of Art

Manao Tupapau (She is Haunted by a Spirit)

1894 · woodcut on China paper

image: 20.5 × 35.5 cm (8 1/16 × 14 in.) sheet: 27 × 42.2 cm (10 5/8 × 16 5/8 in.)

National Gallery of Art

Te Po (The Long Night)

1894 · woodcut on China paper

image: 20.5 × 35.9 cm (8 1/16 × 14 1/8 in.) sheet: 27.1 × 42.3 cm (10 11/16 × 16 5/8 in.)

National Gallery of Art

L'Univers est crée (The Creation of the Universe)

1894 · woodcut on China paper

image: 20.4 × 35.4 cm (8 1/16 × 13 15/16 in.) sheet: 26 × 43.2 cm (10 1/4 × 17 in.)

National Gallery of Art

Noa Noa (Fragrant, Fragrant)

1894 · woodcut on China paper

image: 35.5 × 20.5 cm (14 × 8 1/16 in.) sheet: 43 × 27 cm (16 15/16 × 10 5/8 in.)

National Gallery of Art

Nave Nave Fenua (Delightful Land)

1894 · woodcut on China paper

image: 35.4 × 20.3 cm (13 15/16 × 8 in.) sheet: 42.9 × 26.6 cm (16 7/8 × 10 1/2 in.)

National Gallery of Art

Auti te Pape (Women at the River)

1894 · woodcut on China paper

image: 20.6 x 35.6 cm (8 1/8 x 14 in.) sheet: 26.9 x 42.4 cm (10 9/16 x 16 11/16 in.)

National Gallery of Art

Arearea no Varua Ino (Words of the Devil) [recto]

1894 · watercolor monotype on Japan paper, mounted to tan cardboard on whose verso is a fragment of another print

sheet: 24.4 x 16.6 cm (9 5/8 x 6 9/16 in.) support: 33.4 x 22.7 cm (13 1/8 x 8 15/16 in.)

National Gallery of Art

Maruru (Thank You)

1894 · woodcut on coated wove paper

image: 20.4 × 35.3 cm (8 1/16 × 13 7/8 in.) sheet: 31.2 × 40.6 cm (12 5/16 × 16 in.)

National Gallery of Art

Mahana Atua (Day of the Gods)

1894 · woodcut on China paper

image: 18.2 × 20.3 cm (7 3/16 × 8 in.) sheet: 26.3 × 42.8 cm (10 3/8 × 16 7/8 in.)

National Gallery of Art

Mahana Atua (Day of the Gods) [recto]

1894 · woodcut block

block: 18 × 20 × 2.54 cm (7 1/16 × 7 7/8 × 1 in.)

National Gallery of Art

Ia Orana Maria

1894 · color printing on paper

width: 180 cm, height: 340 cm

Rijksmuseum

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale

1894 · Lithograph in black ink on ivory wove paper, discolored to light brown

42.3 × 55.5 cm (16 11/16 × 21 7/8 in.)

Art Institute of Chicago

Two Maori Women Squatting Down

1894 · Zincograph in black ink on cream wove paper

28 × 38 cm (11 1/16 × 15 in.)

Art Institute of Chicago

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite

1894 · Wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation Japanese vellum)

Image: 20.5 × 35.5 cm (8 1/8 × 14 in.); Sheet: 25.1 × 39.8 cm (9 15/16 × 15 11/16 in.)

Art Institute of Chicago

Ia orana Maria (Hail Mary)

1894 · Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on thin ivory wove paper (an imitation Japanese vellum)

38 × 28.2 cm (15 × 11 1/8 in.)

Art Institute of Chicago

Noa noa (Fragrant)

1894 · Wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper

Image/sheet: 15.1 × 11.9 cm (6 × 4 11/16 in.)

Art Institute of Chicago

Tahitian Idol—the Goddess Hina

1894 · Wood-block print in black ink, over brush and solvent thinned and selectively applied yellow ocher, reddish-orange and touches of green and pink wax-and resin-based media, on cream wove paper

Image/sheet: 14.8 × 11.9 cm (5 7/8 × 4 11/16 in.)

Art Institute of Chicago

A Fisherman Drinking Beside His Canoe

1894 · Wood-block print in brown ink on cream wove Japanese paper, laid down on cream wove Japanese paper

Image/primary/secondary support: 20.4 × 14 cm (8 1/16 × 5 9/16 in.)

Art Institute of Chicago

Two Standing Tahitian Women

1894 · Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid down on cream wove paper (an imitation Japanese vellum)

Primary/secondary support: 26 × 19.9 cm (10 1/4 × 7 7/8 in.)

Art Institute of Chicago

Auti te pape (Women at the River), from the Noa Noa Suite

1894 · Wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation Japanese vellum)

Image: 20.8 × 37.7 cm (8 1/4 × 14 7/8 in.); Sheet: 25 × 39.7 cm (9 7/8 × 15 11/16 in.)

Art Institute of Chicago

Bust of a Tahitian Woman

1894 · Watercolor monotype on ivory Japanese paper, discolored to tan, laid down on tan wove paper

Primary support: 24.2 × 20 cm (9 9/16 × 7 7/8 in.); Secondary support: 35.3 × 26.2 cm (13 15/16 × 10 3/8 in.)

Art Institute of Chicago

Tahitian Landscape

1894 · Watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory Japanese paper

Primary/secondary support: 21.7 × 24.7 cm (8 9/16 × 9 3/4 in.)

Art Institute of Chicago

Tahitian Girl in a Pink Pareu

1894 · Watercolor monotype from a paper matrix on cream laid paper

29.9 × 19.8 cm (11 13/16 × 7 13/16 in.)

Art Institute of Chicago

Aha oe feii? (What! Are You Jealous?)

1894 · Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum)

19.5 × 23.2 cm (7 11/16 × 9 3/16 in.)

Art Institute of Chicago

Breton Peasants

1894 · Brush and black ink on cream wove paper

21.7 × 24.7 cm (8 9/16 × 9 3/4 in.)

Art Institute of Chicago

Still Life with Cat

1894 · Watercolor on cream laid paper, laid down on cream Japanese paper

Primary/secondary support: 63.5 × 36.1 cm (25 × 14 1/4 in.)

Art Institute of Chicago

A Fisherman Drinking Beside His Canoe

1894 · Wood-block print in black ink, with red, orange, yellow, green, blue, violet and brown watercolor and touches of red and orange gouache, on ivory Japanese paper, laid down on cream Japanese paper

Image/primary/secondary support: 20.6 × 14 cm (8 1/8 × 5 9/16 in.)

Art Institute of Chicago

Tahitian Girl in Pink Pareu

1894 · Watercolor monotype from a paper matrix on cream laid paper

27.5 × 27 cm (10 7/8 × 10 11/16 in.)

Art Institute of Chicago

Oviri

1894 · Wood-block print, printed twice in deep yellow ocher and black ink (recto); wood-block print in black ink over stenciled yellow ink and a red ink tone block (verso); on cream wove paper (an imitation Japanese vellum)

Image/sheet: 20.8 × 12.3 cm (8 1/4 × 4 7/8 in.)

Art Institute of Chicago

Noa noa (Fragrant)

1894 · Wood-block print in black ink, over solvent thinned and selectively applied yellow ocher ink, on cream wove paper

Image/sheet: 15.1 × 11.9 cm (6 × 4 11/16 in.)

Art Institute of Chicago

Noa noa (Fragrant)

1894 · Wood-block print in black ink, with red, orange, blue, mauve, light green, and green watercolor on parchment

Image: 14.5 × 11.8 cm (5 3/4 × 4 11/16 in.); Sheet: 14.7 × 12 cm (5 13/16 × 4 3/4 in.)

Art Institute of Chicago

Reclining Tahitian (fragment)

1894 · Pastel monotype, with touches of pastel, on cream wove Japanese paper, laid down on cream wove Japanese paper

Image/primary/secondary support: 20.4 × 11.7 cm (8 1/16 × 4 5/8 in.)

Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her)

1894 · Wood-block print in black ink on cream Japanese paper

Image: 17.3 × 12.7 cm (6 13/16 × 5 in.); Sheet: 25 × 17.8 cm (9 7/8 × 7 1/16 in.)

Art Institute of Chicago

Oviri

1894 · Wood-block print in black ink on cream wove Japanese paper, laid down on cream wove Japanese paper

Image/primary/secondary support: 20.4 × 11.7 cm (8 1/16 × 4 5/8 in.)

Art Institute of Chicago

Tahitian Idol—the Goddess Hina

1894 · Wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper

Image/primary/secondary support: 14.2 × 9.9 cm (5 5/8 × 3 15/16 in.)

Art Institute of Chicago

A Fisherman Drinking Beside His Canoe

1894 · Wood-block print in black ink on tan wove paper (recto); wood-block print in black ink, over stencil-applied red and yellow ink, on cream wove paper (verso)

Image: 20.5 × 13.8 cm (8 1/8 × 5 7/16 in.); Sheet: 20.7 × 14 cm (8 3/16 × 5 9/16 in.)

Art Institute of Chicago

Maori Woman in the Forest

1894 · Wood-block print in black ink manipulated with brush and solvent, on ivory Japanese paper, laid down on cream Japanese paper

Image/primary/secondary support: 22.1 × 13.1 cm (8 3/4 × 5 3/16 in.)

Art Institute of Chicago