Artworks · Öyvind Fahlström

Nights, Winters, Years

1976 · Color screenprint on white wove paper

Image: 85 × 50 cm (33 1/2 × 19 11/16 in.); Sheet: 90 × 63 cm (35 7/16 × 24 13/16 in.)

Art Institute of Chicago

Column no. 4 (IB-affair)

1974 · Screenprint on paper

image: 588 x 483 mm

Tate

Column No. 4 (IB Affair)

1974 · Color screenprint on white wove paper

Image: 59 × 48 cm (23 1/4 × 18 15/16 in.); Sheet: 76 × 56 cm (29 15/16 × 22 1/16 in.)

Art Institute of Chicago

Dr. Livingston Collage

1974 · Color screenprint on white wove paper

Image: 62.7 × 60.5 cm (24 11/16 × 23 7/8 in.); Sheet: 99.6 × 68.8 cm (39 1/4 × 27 1/8 in.)

Art Institute of Chicago

Simplicity

1974 · Screenprint

composition: 30 9/16 × 23 13/16" (77.7 × 60.5 cm); sheet: 39 9/16 × 27 7/16" (100.5 × 69.7 cm)

Museum of Modern Art

Column no. 2 (Picasso 90)

1973 · Screenprint on paper

image: 585 x 482 mm

Tate

Column No. 2 (Picasso 90)

1973 · Color screenprint on white wove paper

Image: 58.5 × 48 cm (23 1/16 × 18 15/16 in.); Sheet: 76 × 56 cm (29 15/16 × 22 1/16 in.)

Art Institute of Chicago

Untitled, from The New York Collection for Stockholm

1973 · Silkscreen on paper

30.5 × 22.9 cm (12 1/16 × 9 1/16 in.)

Art Institute of Chicago

$108 Bill from The New York Collection for Stockholm

1973 · Screenprint from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph

composition: 7 x 6 15/16" (17.8 x 17.7cm); sheet: 12 x 9" (30.5 x 22.9cm)

Museum of Modern Art

Column No. 2 (Picasso 90) from Homage to Picasso (Hommage à Picasso)

1973 · Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition (slightly irreg.): 23 3/16 x 19 1/16" (58.9 x 48.4cm); sheet: 29 15/16 x 22 1/16" (76 x 56cm)

Museum of Modern Art

Sketch for World Map Part 1 (Americas, Pacific)

1972 · Lithograph on paper

image: 887 x 1022 mm

Tate

$108 Bill

1972 · Lithograph

composition: 12 9/16 × 10 7/8" (31.9 × 27.7 cm); sheet: 26 × 19" (66 × 48.3 cm)

Museum of Modern Art

World Map

1971 · Pencil, colored pencil, felt-tip pen, and tape on paper

13 3/4 × 16 1/8" (34.9 × 41 cm)

Museum of Modern Art

Notes 7 ("Gook" -masks)

1971 · Etching with hand additions

plate: 16 7/16 × 13 15/16" (41.8 × 35.4 cm); sheet: 25 7/8 × 19 3/4" (65.8 × 50.2 cm)

Museum of Modern Art

Plan for World Trade Monopoly

1970 · Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper

16 5/8 x 14" (42 x 35.3 cm)

Museum of Modern Art

Notes 4 (C. I. A. Brand Bananas)

1970 · Synthetic polymer paint and ink on paper

16 5/8 x 14" (42.2 x 35.3 cm)

Museum of Modern Art

Opera

1968 · Screenprint on ten sheets

sheet (each approx.): 7 7/8 x 36 1/4" (20 x 92 cm)

Museum of Modern Art

Notes for "The Little General"

1968 · Ink, ballpoint pen, and pencil on two sheets of paper

20 7/8 x 14 1/4" (52.8 x 36.1 cm)

Museum of Modern Art

Life Span No. 3, Marilyn Monroe

1967 · Pen and black ink with pen and brown ink and watercolor on cream wove paper

26 × 35.6 cm (10 1/4 × 14 1/16 in.)

Art Institute of Chicago

Eddie (Sylvie's Brother) in the Desert, Phase 1

1966 · Collage composed of cut and pasted and riveted screenprinted elements on screen print, laid down on rag board

Image: 43.3 × 41.7 cm (17 1/16 × 16 7/16 in.); Sheet: 55.6 × 52.3 cm (21 15/16 × 20 5/8 in.)

Art Institute of Chicago

Eddie (Sylvie's Brother) in the Desert

1966 · Color screenprint on white wove paper

43.3 × 55 cm (17 1/16 × 21 11/16 in.)

Art Institute of Chicago

Mao-Hope March

1966 · 16mm film transferred to video (black and white, sound)

4:30 min.

Museum of Modern Art

Eddie (Sylvie's brother) in the Desert (Variable Collage)

1966 · Movable screenprinted paper cutouts over screenprinted cutouts pasted on painted wood panel

35 1/4 x 50 1/2" (89.5 x 128.1 cm)

Museum of Modern Art

Eddie (Sylvie's Brother) in the Desert from New York International

1966 · Screenprint from a portfolio of seven screenprints, two lithographs, and one offset lithograph with objects in various media

composition and sheet: 17 1/16 x 21 13/16" (43.4 x 55.4 cm)

Museum of Modern Art

Study for Eddie (Sylvie's brother) in the Desert

1966 · Ink and pencil on notebook paper

12 x 9" (30.4 x 22.7 cm)

Museum of Modern Art

Eddie (Sylvie's Brother) in the Desert

1965 · Ink and tempera on wood, 20 cutouts on vinyl

76.2 × 76.2 cm (30 × 30 in.)

Art Institute of Chicago

Double page headpiece (pages 120 and 121) from 1¢ Life

1964 · Lithograph from an illustrated book with sixty-two lithographs and reproductions

composition: 12 5/8 × 21 5/8" (32 × 54.9 cm); sheet (irreg.): 16 1/8 × 22 13/16" (41 × 58 cm)

Museum of Modern Art

Notes (150 Persons)

1963 · Collage composed of pen and black ink, watercolor and gouache, on cut-out commercially printed papers, and cream wove papers, laid down on gray board prepared with a white gouache ground

47.5 × 60.3 cm (18 3/4 × 23 3/4 in.)

Art Institute of Chicago

Notes for Sitting

1963 · Opaque watercolor and pen and black and brown ink on cream wove paper

21 × 33.7 cm (8 5/16 × 13 5/16 in.)

Art Institute of Chicago

When the Sun Rises

1961 · Watercolor and gouache, with pen and black and blue ink, colored pencils, transferred blue and gray ink and scraping, on cream wove paper, laid down on masonite

49 × 64.6 cm (19 5/16 × 25 7/16 in.)

Art Institute of Chicago

Untitled (The Hotel)

1961 · Graphite, pen and black, red and blue ink, and gouache on cream wove paper, cut into two sections and laid down on cream wove paper, with additions in colored pencil and graphite

43.8 × 36.5 cm (17 1/4 × 14 3/8 in.)

Art Institute of Chicago