Artworks · Ottavio Leoni

Cardinal Ludovico Ludovisi

1628 · Etching and engraving on ivory laid paper

Plate: 22.3 × 16.8 cm (8 13/16 × 6 5/8 in.)

Art Institute of Chicago

Giovanni Ciampoli, Papal Secretary

1627 · engraving

National Gallery of Art

Gianlorenzo Bernini

1625 · engraving and stipple on laid paper

sheet: 14.5 × 11.6 cm (5 11/16 × 4 9/16 in.) [trimmed to platemark]

National Gallery of Art

Francesco Paolo da Pesaro

1625 · engraving and stipple on laid paper

sheet: 24.5 × 17.7 cm (9 5/8 × 6 15/16 in.) plate: 14.3 × 11.3 cm (5 5/8 × 4 7/16 in.)

National Gallery of Art

Gabriello Chiabrera

1625 · engraving and stipple in laid paper

sheet: 14.5 × 11.4 cm (5 11/16 × 4 1/2 in.) [trimmed to plate] mount: 18.5 × 14 cm (7 5/16 × 5 1/2 in.)

National Gallery of Art

Pope Urban VIII

1625 · engraving and stipple on laid paper

sheet: 13.4 × 9 cm (5 1/4 × 3 9/16 in.) [trimmed within platemark]

National Gallery of Art

Ludovico Leoni

1625 · etching with engraving with stipple on laid paper

plate: 14 x 10.9 cm (5 1/2 x 4 5/16 in.) sheet: 18.4 x 15.2 cm (7 1/4 x 6 in.)

National Gallery of Art

Simon Vouet

1625 · engraving

National Gallery of Art

Thomas Stilianus

1625 · engraving

National Gallery of Art

Raffaelo Menicucci

1625 · engraving

National Gallery of Art

Pier Francesco Pauli

1625 · engraving

National Gallery of Art

Tommaso Salini

1625 · engraving

National Gallery of Art

Giovanni Baglione

1625 · engraving

National Gallery of Art

Camillo Graffico, Ercole Pedemonte, and Antonio Carone

1625 · Etching on ivory laid paper

Plate: 9.1 × 18 cm (3 5/8 × 7 1/8 in.); sheet: 9.5 × 19.1 cm (3 3/4 × 7 9/16 in.)

Art Institute of Chicago

Self-Portrait

1625 · Engraving on ivory laid paper

Plate: 14.4 × 11.2 cm (5 11/16 × 4 7/16 in.); sheet: 16.4 × 12.8 cm (6 1/2 × 5 1/16 in.)

Art Institute of Chicago

Giovanni Baglione, a bust-length portrait in a twelve-sided frame

1625 · Etching and engraving

plate: 5 11/16 x 4 1/2 in. (14.5 x 11.4 cm) sheet: 9 1/16 x 6 7/16 in. (23 x 16.4 cm)

The Metropolitan Museum of Art

Giovanni Baglione

1625 · Engraving on ivory laid paper

Plate: 14.4 × 11.3 cm (5 11/16 × 4 1/2 in.); Sheet: 17.3 × 13.9 cm (6 13/16 × 5 1/2 in.)

Art Institute of Chicago

Knight of Malta (self-portrait?), a bust-length portrait in a twelve-sided frame

1625 · Etching and engraving

sheet: 5 11/16 x 4 1/2 in. (14.5 x 11.5 cm)

The Metropolitan Museum of Art

Ludovico Leoni, a bust-length portrait in a twelve-sided frame

1625 · Etching and engraving

sheet: 5 11/16 x 4 7/16 in. (14.4 x 11.3 cm)

The Metropolitan Museum of Art

Galileo Galilei

1624 · engraving

plate: 14 × 11 cm (5 1/2 × 4 5/16 in.) sheet: 23.8 × 19 cm (9 3/8 × 7 1/2 in.)

National Gallery of Art

Portrait of a Lady

1623 · colored chalks on blue paper

overall: 22.8 x 16 cm (9 x 6 5/16 in.)

National Gallery of Art

Paolus Qualiatus Clodianus

1623 · engraving

National Gallery of Art

Cristoforo Roncalli

1623 · engraving

National Gallery of Art

Marcello Provenzale

1623 · engraving

National Gallery of Art

Giovanni Marino

1623 · engraving

National Gallery of Art

Giovanni Francesco Barbieri, called Guercino

1623 · engraving

sheet (trimmed to plate mark): 14.7 x 11.4 cm (5 13/16 x 4 1/2 in.)

National Gallery of Art

Cristoforo Roncalli, called Il Pomarancio

1623 · Engraving on ivory laid paper

Plate: 14.4 × 11.4 cm (5 11/16 × 4 1/2 in.); sheet: 17.5 × 12.2 cm (6 15/16 × 4 13/16 in.)

Art Institute of Chicago

Marcellus Provenzalis

1623 · Engraving on ivory laid paper

Plate: 14.4 × 11.2 cm (5 11/16 × 4 7/16 in.); Sheet: 16.8 × 13.7 cm (6 5/8 × 5 7/16 in.)

Art Institute of Chicago

Antonius Tempesta

1623 · Engraving on paper

14.4 × 11.3 cm (5 11/16 × 4 1/2 in.)

Art Institute of Chicago

Christoforo Roncalli, called Pomerancio, a bust-length portrait in a twelve-sided frame

1623 · Etching and engraving

plate: 5 11/16 x 4 1/2 in. (14.5 x 11.4 cm) sheet: 6 11/16 x 4 15/16 in. (17 x 12.6 cm)

The Metropolitan Museum of Art

Gian Lorenzo Bernini

1622 · engraving

National Gallery of Art

Giuseppe Cesari

1621 · engraving

National Gallery of Art

Giuseppe Cesare, called Cavaliere d'Arpino, a bust-length portrait in a twelve-sided frame

1621 · Etching and engraving

sheet: 5 9/16 x 4 5/16 in. (14.1 x 11 cm)

The Metropolitan Museum of Art

A Cardinal's Procession

1621 · Oil on copper

15 1/2 x 14 3/4 in. (39.4 x 37.5 cm)

The Metropolitan Museum of Art

A Man with a Moustache and Goatee, Facing Right

1620 · etching with engraving on laid paper

plate: 14.1 x 11.3 cm (5 9/16 x 4 7/16 in.), cut to platemark

National Gallery of Art

A Man with a Moustache and Goatee, Facing Forward

1620 · engraving on laid paper

plate: 14.4 x 11.2 cm (5 11/16 x 4 7/16 in.)

National Gallery of Art

Self-Portrait as Knight of Malta

1620 · Etching on ivory laid paper

Plate: 14.3 × 11.3 cm (5 11/16 × 4 1/2 in.)

Art Institute of Chicago

Mario Nuzzi, called Mario de' Fiori

1620 · Etching on ivory laid paper

Plate: 14.2 × 11.2 cm (5 5/8 × 4 7/16 in.); sheet: 15.5 × 12.4 cm (6 1/8 × 4 15/16 in.)

Art Institute of Chicago

Young Woman with Braided Hair and a Veil

1610 · black chalk heightened with white on blue paper

overall: 27 x 19.3 cm (10 5/8 x 7 5/8 in.)

National Gallery of Art

Portrait of Giovanni Battista Rossa

1610 · Black chalk, with traces of red and white chalk, on faded blue paper

9 9/16 x 6 7/16in. (24.3 x 16.3cm)

The Metropolitan Museum of Art

Portrait of a Cardinal (Alessandro Peretti Montalto?)

1578 · black chalk heightened with white chalk on greenish-brown laid paper (formerly blue)

sheet: 15.2 x 10.8 cm (6 x 4 1/4 in.)

National Gallery of Art

Portrait of a Middle-Aged Man

1578 · etching on laid paper

sheet (cut within platemark): 14.2 x 8.9 cm (5 9/16 x 3 1/2 in.)

National Gallery of Art

Giacomo Antonio Mannini

1578 · etching

National Gallery of Art

Paolo Giordano Orsini II

1578 · engraving

National Gallery of Art

Giacomo Antonio Mannini

1578 · engraving

National Gallery of Art

Self-Portrait

1578 · engraving

National Gallery of Art