Artworks · Oskar Kokoschka

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces

1973 · One from a portfolio of six lithographs

composition (irreg.): 21 11/16 x 19 11/16" (55.1 x 50 cm); sheet: 25 5/8 x 19 11/16" (65.1 x 50 cm)

Museum of Modern Art

Jerusalem Faces

1973 · Portfolio of six lithographs

sheet 25 9/16 x 19 11/16" (65 x 50 cm)

Museum of Modern Art

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces

1973 · One from a portfolio of six lithographs

composition (irreg.): 14 3/4 x 11 15/16" (37.5 x 30.3 cm); sheet: 25 9/16 x 19 15/16" (65 x 50.6 cm)

Museum of Modern Art

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces

1973 · One from a portfolio of six lithographs

composition (irreg.): 22 5/8 x 19 5/16" (57.4 x 49 cm); sheet: 25 11/16 x 19 5/16" (65.2 x 49 cm)

Museum of Modern Art

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces

1973 · One from a portfolio of six lithographs

composition (irreg.): 24 7/16 x 19 13/16" (62.1 x 50.4 cm); sheet: 25 9/16 x 19 13/16" (65 x 50.4 cm)

Museum of Modern Art

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces

1973 · One from a portfolio of six lithographs

composition (irreg.): 22 1/8 x 19" (56.2 x 48.3 cm); sheet: 25 11/16 x 19 11/16" (65.2 x 50 cm)

Museum of Modern Art

Dr. Shimon Agranat (plate 2) from Jerusalem Faces

1973 · One from a portfolio of six lithographs

composition (irreg.): 19 7/16 x 19 1/8" (49.4 x 48.5 cm); sheet: 25 9/16 x 19 7/8" (65 x 50.5 cm)

Museum of Modern Art

Study for ‘Time Gentlemen Please’

1971 · Ink on paper

support: 320 x 240 mm

Tate

Time, Gentlemen Please

1971 · Oil paint on canvas

support: 1300 x 1000 mm frame: 1535 x 1245 x 75 mm

Tate

Battersea Power Station (Chelsea Reach)

1967 · Crayon on paper

support: 652 x 766 mm

Tate

Tower Bridge III

1967 · Crayon on paper

support: 651 x 768 mm frame: 608 x 826 x 26mm

Tate

Tower Bridge II

1967 · Crayon on paper

support: 860 x 766 mm frame: 608 x 826 x 26mm

Tate

Houses of Parliament III

1967 · Crayon on paper

support: 560 x 766 mm

Tate

Tower Bridge I

1967 · Crayon on paper

support: 560 x 766 mm frame: 608 x 826 x 26mm

Tate

Port of London II

1967 · Crayon on paper

support: 561 x 766 mm

Tate

Houses of Parliament II

1967 · Crayon on paper

support: 562 x 766 mm

Tate

Houses of Parliament I

1967 · Crayon on paper

support: 562 x 766 mm

Tate

Port of London I

1967 · Crayon on paper

support: 560 x 766 mm

Tate

Monique II

1966 · Lithograph on paper

Art Institute of Chicago

Manhattan I from the portfolio Manhattan

1966 · Lithograph

composition (irreg.): 22 x 25 1/8" (55.9 x 63.8 cm);l sheet: 29 5/8 x 35 1/16" (75.2 x 89 cm)

Museum of Modern Art

Ezra Pound

1963 · Black crayon on paper

22 5/8 × 18 3/16 in. (57.5 × 46.2 cm)

The Metropolitan Museum of Art

Village with Column in the Foreground (plate 3 from Apulia portfolio)

1963 · Lithograph

Sheet: 15 13/16 × 20 1/2 in. (40.2 × 52.1 cm)

The Metropolitan Museum of Art

View of the Thames

1959 · Oil paint on canvas

frame: 1096 x 1396 x 75 mm, 22 kg support: 914 x 1232 mm

Tate

Head of a Man

1955 · Brush and black ink on yellow wove transparentized paper

35.3 × 28 cm (13 15/16 × 11 1/16 in.)

Art Institute of Chicago

Irish Legend

1955 · lithograph

Sheet: 31.9 x 26 cm (12 9/16 x 10 1/4 in.)

Cleveland Museum of Art

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

[no title]

1954 · Pastel on paper

unconfirmed: 253 x 368 mm

Tate

Self-Portrait with Menacing Death (Selbstbildnis mit dem drohenden Tod) (plate, folio 4) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 5 1/2 x 7 9/16" (13.9 x 19.2 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Self-Portrait of the Artist Lost in Thought in Front of Gravestone (Selbstbildnis des vor einem Grabstein in Gedanken versunkenen Künstlers) (title page) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 6 5/8 x 7 9/16" (16.8 x 19.2 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Glasberg Lays the Mummy in the Coffin in place of Ann Eliza (Glasberg legt die Mumie an Stelle von Ann Eliza in den Sarg) (plate, folio 14) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 8 1/16 x 8 7/8" (20.4 x 22.5 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Ann Eliza Rises up out of the Coffin (Ann Eliza richtet sich aus dem Sarg auf) (plate, folio 13) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 7 1/16 x 7 11/16" (17.9 x 19.5 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Ann Eliza Reed

1952 · Illustrated book with eleven lithographs (including front cover)

page (each): 10 1/4 x 9 3/4" (26 x 24.5 cm); overall: 9 5/8 x 10 7/16 x 1/4" (24.5 x 26.5 x 0.7 cm)

Museum of Modern Art

Doctor Glasberg Carrying the Unconscious Ann Eliza Reed into the House (Der Arzt Glasberg trägt die bewußtlose Ann Eliza Reed ins Haus) (plate, folio 8) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 7 15/16 x 8" (20.1 x 20.3 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Ann Eliza Talking with her Sister-in-law Gwendolin (Ann Eliza und ihre Schwägerin Gwendolin im Gespräch) (plate, folio 9) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 7 3/8 x 6 7/8" (18.8 x 17.4 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Chimera and Kneeling Figure (Chimäre und kniende Figur) (front cover) from Ann Eliza Reed

1952 · Lithographed cover from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 6 15/16 x 8" (17.6 x 20.3 cm); cover: 9 5/8 x 10 7/16" (24.5 x 26.5 cm)

Museum of Modern Art

Dying Warrior (Sterbender Krieger) (plate, folio 18) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 8 11/16 x 8 1/2" (22.1 x 21.6 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Reed Sees the Naked Ann Eliza, Who Killed Doctor Glasberg, Before Him (Reed sieht die nackte Ann Eliza vor sich, die den Arzt Glasberg getötet hat) (plate, folio 16) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 8 13/16 x 7 5/8" (22.4 x 19.3 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Reed Fishing (Reed beim Angeln) (plate, folio 11) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 8 11/16 x 7 5/16" (22 x 18.5 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art

Hay Harvest on the Farm in Scotland (Heuernte auf dem Gut in Schottland) (plate, folio 6) from Ann Eliza Reed

1952 · Lithograph from an illustrated book with eleven lithographs (including front cover)

composition (irreg.): 5 5/16 x 7 1/16" (13.5 x 18 cm); page: 10 1/4 x 9 5/8" (26 x 24.5 cm)

Museum of Modern Art